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Die Ungarische Hochzeit
''Die ungarische Hochzeit'' (''The Hungarian Wedding'') is a 1939 operetta by Nico Dostal to a libretto by Hermann Hermecke. It was premiered 4 February 1939 in Stuttgart.Robert Ignatius Letellier ''Operetta: A Sourcebook, Volume II'' 1443885088 2015 "Other works like Die ungarische Hochzeit, with overt puszta characteristics, inevitably show the influence of Emmerich Kálmán's Magyar colouring, but nonetheless reveal Dostal's fine craftsmanship" Recordings * ''Die ungarische Hochzeit'' – Anny Schlemm, Franz Fehringer, Ruth Zillger, Willy Hofmann, Lissy Niemz, Jürgen Goslar, Hans Schanzara, Herta Talmar, Kurt Großkurth, Walter Gruberth, Paul Bürks, Herbert Hennies, Friedrich Himmelmann, Kölner Rundfunkchor & Kölner Rundfunkorchester, Franz Marszalek 1955 * ''Die ungarische Hochzeit'' – Jevgenij Taruntsov, Regina Riel, Thomas Zisterer, Tomas Kovacic, Rita Peterl, Chor des Lehar Festivals Bad Ischl, Franz Lehar-Orchester, Marius Burkert. CPO, 2015 * selections – ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nico Dostal
Nico Dostal (full name: Nikolaus Josef Michael Dostal) (27 November 1895 – 27 October 1981) was an Austrian composer who later specialised in operetta and film music. Life Dostal was born in Korneuburg, Lower Austria, and was the nephew of composer Hermann Dostal. He initially studied law at the University of Vienna, but turned to studying music at the Academy for Church Music in Klosterneuburg, and made a name for himself when his ''Great Mass in D major'' premiered in Linz in 1913. After participating in World War I, Dostal worked as the theatre Kapellmeister in Innsbruck, St. Pölten, Vienna, Chernivtsi and Salzburg, before moving to Berlin in 1924, where he turned his hand to secular music. He worked in music publishing and as a freelance arranger for Oscar Straus, Franz Lehár and Robert Stolz, among others. Whilst working as a Kapellmeister and composer, Dostal wrote the music for the film '' The Emperor's Waltz'' (1933) and enjoyed great success with his first operett ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anny Schlemm
Anny Schlemm (born February 22, 1929 in Neu-Isenburg) is a German operatic soprano and later mezzo-soprano. Her father, Friedrich Schlemm, was a chorister at the Oper Frankfurt. Schlemm studied in Berlin with Erna Westenberger and made her debut 1946 at the Halle Opera House in Halle an der Saale as Nanette in Lortzing's Der Wildschütz. In 1949 she joined the Komische Oper Berlin, where she remained until 1961 and is a lifelong Member of Honour. During that period her roles included Susanna, Marenka, Donna Elvira, Desdemona, Manon Lescaut, Octavian, Arabella among others. She also sang at the opera houses of Cologne, Hamburg, Dresden, Frankfurt, Stuttgart, Munich, and at the Bayreuth Festival and more. Schlemm made guest appearances at the Vienna State Opera, the Royal Opera House in London, the Glyndebourne Festival, the Paris Opéra, the Holland Festival and more. Later, as her voice darkened, she became a famous exponent of roles such as Clytemnestra in '' Elektra'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Fehringer
Franz Fehringer (7 September 1910, in Nussloch – 15 March 1988, in Heidelberg) was a German operatic tenor, particularly associated with light lyric roles in the German, Italian, and French repertories. Fehringer studied in Karlsruhe with Jan van Gorkom and Dr. Zimmermann, and made his debut there in 1934, in the tenor part of Beethoven's Ninth Symphony, the following year he appeared in Handel's ''Serse'', and later in '' Rodelinda''. He remained in Karlsruhe until 1938, and during the war, he sang mostly in Wiesbaden and on German radio. After the war, he appeared in Cologne, Frankfurt, Hamburg, while continuing singing on radio. He made a few guest appearances abroad, notably in Hilversum and Paris. Notables roles included Don Ottavio, Almaviva, Tonio, Hoffmann, Hans, Narraboth, etc. Fehringer was also very popular in operetta (many recordings were made with conductor Franz Marszalek), and was an admired recitalist of lieder. Beginning in 1960, he taught at the Musik ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herta Talmar
Herta Talmar (4 July 1920 – 24 June 2010) was an Austrian operetta singer (soprano) as well as an actress. Life Born in Salzburg, Talmar first stood on a theatre stage at the age of eleven; in the operetta ''Die Kaiserin'' by Leo Fall at the Salzburger Landestheater. She received her singing training at the Salzburg Mozarteum. In 1952 she appeared at the Landestheater Salzburg as a guest in the operetta ''Ballnacht in Florenz'' by Edwin Burmester (music based on motives by Johann Strauss II); after that she was engaged there permanently. From 1952 to 1957 Talmar was then a member of the ensemble at the Salzburg Landestheater. There she appeared in numerous operetta productions, among others in ' (1953), ''Abschiedswalzer'' by Ludwig Schmidseder. (1953, with Hubert Marischka as partner), ''Marietta'' by Walter Kollo (1953), ''Her Last Waltz'' by Oscar Straus (composer), Oscar Straus (1954) and in August 1956 with Johannes Heesters in Franz Lehár's operetta ''The Merry Widow''. F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Marszalek
Franz Marszalek (born 2 August 1900 in Breslau, Schlesien, Germany (now Wrocław, Silesia, Poland); died 28 October 1975 in Cologne, Germany) was a German conductor and composer, who was a leading figure in operetta. He began his studies in Wrocław, and moved to Berlin in 1933. He conducted the Cologne Radio Orchestra from 1949 to 1965, with an emphasis on operetta music. He was a longtime friend of the operetta composer Eduard Künneke, whose music he championed in concerts and in recordings with the Cologne Radio Orchestra and the Cologne Radio Symphony Orchestra The WDR Symphony Orchestra Cologne (German: WDR Sinfonieorchester Köln) is a German radio orchestra based in Cologne, where the orchestra mainly performs at two concert halls: the WDR Funkhaus Wallrafplatz and the Kölner Philharmonie. Histor .... External links Brief note in Dutch 1900 births 1975 deaths Musicians from Wrocław German male conductors (music) Officers Crosses of the Order of Merit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Margit Schramm
Margit Schramm (21 July 1935 – 12 May 1996) was a German soprano in operetta, opera and song. She also appeared as a film actress and hosted a television show. In the 1960s, she became known as an operetta diva (called "Queen of operetta") on stage, German television, in numerous concerts and in films, where she often appeared together with her favourite stage partner, the tenor Rudolf Schock. Career Born in Dortmund, Schramm studied voice at the conservatory of her hometown. In 1954, she made her stage debut in Benatzky's singspiel ''Meine Schwester und ich''. She made her operatic debut at age 20 as Lucieta in Wolf-Ferrari's opera '' Die vier Grobriane'' at the Stadttheater Saarbrücken. Her first operetta role was the title role of Dostal's ''Clivia''. In 1959, she became a member of the Staatstheater am Gärtnerplatz, focused on operetta. She had a sensational success in Lehár's ''Der Graf von Luxemburg'' alongside Rudolf Schock. Her signature role was Hanna Glawari, th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willi Brokmeier
Willi Brokmeier (born 8 April 1928) is a German operatic lyric tenor. He focused on operetta roles, with an expressive voice and great acting talent, also appearing in several operetta films. He participated in world premieres and revivals, and performed at major European opera houses. One of his signature roles was Pedrillo in Mozart's '' Die Entführung aus dem Serail''. Life and career Born in Bochum, Brokmeier received his training as a lyric and buffo tenor at the Dortmund Conservatory. He took up his first engagement in 1953 at the Staatstheater Mainz.Geburtstage im April 2018 / 8.4. Willi Brokmeier wird 90 (in German) Online Merker 13 April 2018 In 1955, he moved to the D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philharmonia Hungarica
The Philharmonia Hungarica was a symphony orchestra, based in Marl, Germany, which existed from 1956 to 2001. It was first established in Baden bei Wien near Vienna by Hungarian musicians who had fled their homeland after it was invaded by Soviet troops. This refugee ensemble gathered together some of Hungary's finest musical talent and was directed by Zoltán Rozsnyai, former conductor of the Hungarian National Philharmonic. Through the ardent efforts of Rozsnyai and honorary president Antal Doráti, the Philharmonia Hungarica quickly matured into one of Europe's most distinguished orchestras. During the 1970s, Doráti and the orchestra, under contract with Decca Records, made a recording of the complete cycle of Joseph Haydn's symphonies; only two other ensembles, the Austro-Hungarian Haydn Orchestra, conducted by Ádám Fischer, and the Stuttgart Chamber Orchestra, conducted by Dennis Russell Davies have since repeated this feat. Doráti's recording has been widely reported ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1939 Operas
This year also marks the start of the Second World War, the List of wars and anthropogenic disasters by death toll, largest and deadliest conflict in human history. Events Below, the events of World War II have the "WWII" prefix. January * January 1 ** Nazi Germany, Third Reich *** Jews are forbidden to work with Germans. *** The Protection Young Persons Act (Germany), Youth Protection Act was passed on April 30, 1938 and the Working Hours Regulations came into effect. *** The Jews name change decree has gone into effect. ** The rest of the world *** In Spain, it becomes a duty of all young women under 25 to complete compulsory work service for one year. *** First edition of the Vienna New Year's Concert. *** The company of technology and manufacturing scientific instruments Hewlett-Packard, was founded in a garage in Palo Alto, California, by Bill Hewlett, William (Bill) Hewlett and David Packard. This garage is now considered the birthplace of Silicon Valley. *** Sydne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Nico Dostal
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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