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Die Reihe
''Die Reihe'' () was a German-language music academic journal, edited by Herbert Eimert and Karlheinz Stockhausen and published by Universal Edition (Vienna) between 1955 and 1962 (). An English edition was published, under the original German title, between 1957 and 1968 by the Theodore Presser Company ( Bryn Mawr) in association with Universal Edition (London) (). A related book series titled "Bücher der Reihe" was begun, but only one title ever appeared in it, Herbert Eimert's ''Grundlagen der musikalischen Reihentechnik''. Origin The journal, whose title means "The Row" or "The Series", owes its genesis to the founding of the Studio for Electronic Music of the Nordwestdeutscher Rundfunk (NWDR) in Cologne (later WDR) under the influence of Werner Meyer-Eppler, and the realisation that technology was becoming an important element in the work of younger composers. The contributions from composers working in the studio were frequently based on their projects there, and in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Academic Journal
An academic journal or scholarly journal is a periodical publication in which scholarship relating to a particular academic discipline is published. Academic journals serve as permanent and transparent forums for the presentation, scrutiny, and discussion of research. They nearly-universally require peer-review or other scrutiny from contemporaries competent and established in their respective fields. Content typically takes the form of articles presenting original research, review articles, or book reviews. The purpose of an academic journal, according to Henry Oldenburg (the first editor of ''Philosophical Transactions of the Royal Society''), is to give researchers a venue to "impart their knowledge to one another, and contribute what they can to the Grand design of improving natural knowledge, and perfecting all Philosophical Arts, and Sciences." The term ''academic journal'' applies to scholarly publications in all fields; this article discusses the aspects common to all ac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Perle
George Perle (6 May 1915 – 23 January 2009) was an American composer and music theorist. As a composer, his music was largely atonal, using methods similar to the twelve-tone technique of the Second Viennese School. This serialist style, and atonality in general, was the subject of much of his theoretical writings. His 1962 book, ''Serial Composition and Atonality: An Introduction to the Music of Schoenberg, Berg, and Webern'' remains a standard text for 20th-century classical music theory. Among Perle's awards was the 1986 Pulitzer Prize for Music for his Wind Quintet No. 4. Life and career Perle was born in Bayonne, New Jersey. He graduated from DePaul University, where he studied with Wesley LaViolette and received private lessons from Ernst Krenek. Later, he served as a technician fifth grade in the United States Army during World War II. He earned his doctorate at New York University in 1956. Perle composed with a technique of his own devising called "twelve-tone ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jack Callahan (musician)
Jack Callahan is an American experimental musician and audio engineer. He is best known for performing under the moniker die Reihe, taken from the journal of the same name edited by Herbert Eimert and Karlheinz Stockhausen. Musical Activities Callahan's music deals with "microscopic focus and reflective analysis,", "examining and abstracting a different musical element on each release," "simple forms, limited scales, and generally reduced materials," "silence, a logical progression and a definable set of methodologies," "blurring of form and method," and " eating structure out of a simple concept ... ere you don't need to know about academic music ... to understand what's happening." In 2011 he studied privately with composer Jürg Frey in Aarau, Switzerland. In 2013 he participated in the Ostrava Days residency in Ostrava, the Czech Republic at which he had an orchestral work, ''If You Cannot Ignore the Response – Delay It'', performed by the Janáček Philharmonic Orchestra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neue Musik
Neue Musik (English ''new music'', French ''nouvelle musique'') is the collective term for a wealth of different currents in composed Western art music from around 1910 to the present. Its focus is on compositions of 20th century music. It is characterised in particular by – sometimes radical – expansions of tonal, harmonic, melodic and rhythmic means and forms. It is characterised by the search for new sounds, new forms or new combinations of old styles, which is partly a continuation of existing traditions, partly a deliberate break with tradition and appears either as ''progress'' or as ''renewal'' (neo- or post-styles). Roughly speaking, Neue Musik can be divided into the period from around 1910 to the Second World War – often referred to as "modernism" – and the reorientation after the Second World War, which is perceived as "radical" – usually apostrophised as ''avant-garde'' – up to the present. The latter period is sometimes subdivided into the 1950s, 1960s and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kurt Schwertsik
Kurt Schwertsik (born 25 June 1935) is an Austrian contemporary composer. He is known for creating the "Third Viennese School" and spreading contemporary classical music. Life Schwertsik was born in Vienna. A pupil of Joseph Marx and Karl Schiske at the Academy of Music, he later studied with Karlheinz Stockhausen in Cologne and Darmstadt. In 1958 he founded the ensemble "die reihe" with fellow composer and conductor Friedrich Cerha (famous for finishing the opera ''Lulu'', by Alban Berg) and later, in 1968, the ensemble "MOB art & tone ART" with Otto Matthäus Zykan and Heinz Karl Gruber. He served as hornist of the Vienna Symphony Orchestra (from 1968) while teaching Composition at the Konservatorium Wien (from 1979). Between 1989 and 2004 he was Professor of Composition at the Vienna Musikhochschule (Academy of Music, when he was studying there, now called University of Music and Performing Arts, Vienna). His works are characterised by his particular exploration of tonality an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friedrich Cerha
Friedrich Cerha (born 17 February 1926) is an Austrian composer, conductor and music educator. Education and Career Cerha was born in Vienna, Austria, and educated at the Viennese Music Academy (violin with Váša Příhoda, composition with Alfred Uhl, music education) and received a doctorate from the University of Vienna (musicology, German culture and language, philosophy). In 1958 he founded the ensemble "die reihe" with Kurt Schwertsik, which was an important instrument for the spreading of contemporary music in Austria. In addition to composing, Cerha earned a reputation as an interpreter of the works of Alban Berg, Arnold Schoenberg and Anton Webern. This work included the completion of Alban Berg's unfinished three-act opera'' Lulu.'' Cerha orchestrated sections of the third act using Berg's notes as a reference. The opera was premiered by Pierre Boulez in Paris in 1979. Alongside his career as a composer, Cerha taught at the University of Music and Performing Arts in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gottfried Michael Koenig
Gottfried Michael Koenig (5 October 1926 – 30 December 2021) by Roland Kuit, , 4 January 2022 was a contemporary German-Dutch composer. Biography Born in , Koenig studied in at the , , |
Adriaan Fokker
Adriaan Daniël Fokker (; 17 August 1887 – 24 September 1972) was a Dutch physicist. He worked in the fields of special relativity and statistical mechanics. He was the inventor of the Fokker organ, a 31-tone equal-tempered (31-TET) organ. Life and work Adriaan Daniël Fokker was born on 17 August 1887 in Buitenzorg, Dutch East Indies (now Bogor, Indonesia). He was a cousin of the aeronautical engineer Anthony Fokker. Fokker studied mining engineering at the Delft University of Technology and physics at the University of Leiden with Hendrik Lorentz, where he earned his doctorate in 1913. He continued his studies with Albert Einstein, Ernest Rutherford and William Bragg. In his 1913 thesis, he derived the Fokker–Planck equation along with Max Planck. After his military service during World War I he returned to Leiden as Lorentz' and Ehrenfest's assistant. Fokker became a physics teacher at the Gymnasium of Delft after 1918 and was appointed in 1923 as the first professor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psycho-acoustics
Psychoacoustics is the branch of psychophysics involving the scientific study of sound perception and audiology—how humans perceive various sounds. More specifically, it is the branch of science studying the psychological responses associated with sound (including noise, speech, and music). Psychoacoustics is an interdisciplinary field of many areas, including psychology, acoustics, electronic engineering, physics, biology, physiology, and computer science. Background Hearing is not a purely mechanical phenomenon of wave propagation, but is also a sensory and perceptual event; in other words, when a person hears something, that something arrives at the ear as a mechanical sound wave traveling through the air, but within the ear it is transformed into neural action potentials. The outer hair cells (OHC) of a mammalian cochlea give rise to enhanced sensitivity and better frequency resolution of the mechanical response of the cochlear partition. These nerve pulses then travel to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Gredinger
Paul Gredinger (27 July 1927 – 6 October 2013) was a Swiss architect. Gredinger was one of the leading figures in the German advertising scene.Former GGK managing director Paul Gredinger deceased ''Der Standard'' He also worked between 1953 and 1957 together with and at the Studio for Electronic Music. He also practised |
Henri Pousseur
Henri Léon Marie-Thérèse Pousseur (23 June 1929 – 6 March 2009) was a Belgian classical composer, teacher, and music theorist. Biography Pousseur was born in Malmedy and studied at the Academies of Music in Liège and in Brussels from 1947 to 1952, where he joined the group called Variations associated with Pierre Froidebise. It was in this group that he first became familiar with the music of Anton Webern and other 20th-century composers. During his period of military service in 1952–53 at Malines, he maintained close contact with André Souris. He encountered Pierre Boulez in 1951 at Royaumont, and this contact inspired his ''Trois chants sacrés'', composed that same year. In 1953, he met Karlheinz Stockhausen, and in 1956 Luciano Berio. A less-well-known influence from his early years was the powerful impression of listening to the music of Anton Bruckner, and he maintained a lifelong interest in medieval and Renaissance music, as well as in extra-European music and their ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Cage
John Milton Cage Jr. (September 5, 1912 – August 12, 1992) was an American composer and music theorist. A pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments, Cage was one of the leading figures of the post-war avant-garde. Critics have lauded him as one of the most influential composers of the 20th century. He was also instrumental in the development of modern dance, mostly through his association with choreographer Merce Cunningham, who was also Cage's romantic partner for most of their lives. Cage is perhaps best known for his 1952 composition ''4′33″'', which is performed in the absence of deliberate sound; musicians who present the work do nothing aside from being present for the duration specified by the title. The content of the composition is not "four minutes and 33 seconds of silence," as is often assumed, but rather the sounds of the environment heard by the audience during performance. The work's challenge t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
