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Die Hochzeit Des Camacho
''Die Hochzeit des Camacho'' (''Camacho's Wedding'') is a Singspiel in two acts by Felix Mendelssohn, to a libretto probably written largely by , based on an episode in ''Don Quixote'' by Cervantes. The opera is listed as Mendelssohn's op. 10. It was written between 1824 and 1825, and first performed publicly at the Berlin Schauspielhaus on 29 April 1827. Background Mendelssohn was only 15 when he began to write ''Camacho'', but he had already written other ''Singspiel'' for performance within the family circle. The first act was completed in 1824, and he began work on the overture in February 1825. He revised ''Camacho'' carefully to make it worthy of public performance. According to Felix's friend Eduard Devrient, who was to sing the role of Camacho, "motherly fondness yearned to witness the son's great success". The music to ''Camacho'' indicates that he had carefully studied the operas of Carl Maria von Weber and of Mozart. Despite Mendelssohn's youth, there are some str ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Singspiel
A Singspiel (; plural: ; ) is a form of German-language music drama, now regarded as a genre of opera. It is characterized by spoken dialogue, which is alternated with ensembles, songs, ballads, and arias which were often strophic, or folk-like. Singspiel plots are generally comic or romantic in nature, and frequently include elements of magic, fantastical creatures, and comically exaggerated characterizations of good and evil. __TOC__ History Some of the first Singspiele were miracle plays in Germany, where dialogue was interspersed with singing. By the early 17th century, miracle plays had grown profane, the word "Singspiel" is found in print, and secular Singspiele were also being performed, both in translated borrowings or imitations from English and Italian songs and plays, and in original German creations. In the 18th century, some Singspiele were translations of English ballad operas. In 1736, the Prussian ambassador to England commissioned a translation of the ballad op ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abraham Mendelssohn
Abraham Ernst Mendelssohn Bartholdy (born Abraham Mendelssohn; 10 December 1776 – 19 November 1835) was a German banker and philanthropist. He was the father of Fanny Mendelssohn, Felix Mendelssohn, Rebecka Mendelssohn, and Paul Mendelssohn. Early life Mendelssohn was born and died in Berlin. The son of the philosopher Moses Mendelssohn, Abraham is supposed to have complained to a friend, "Once I was the son of a famous father, now I am the father of a famous son." By the time of Moses's death in 1786, the Mendelssohn family was well established and wealthy. In line with Moses's ideas that German Jews should participate in German as well as Jewish culture Abraham had a liberal education. He was one of the founding members of the Jewish liberal society ''Gesellschaft der Freunde'' in 1792, but also of the Sing-Akademie zu Berlin founded in 1793. In 1796 his future wife Lea Salomon, a granddaughter of Daniel Itzig, also joined the Akademie; but they had probably met before that. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Singspiele
A Singspiel (; plural: ; ) is a form of German-language music drama, now regarded as a genre of opera. It is characterized by spoken dialogue, which is alternated with ensembles, songs, ballads, and arias which were often strophic, or folk-like. Singspiel plots are generally comic or romantic in nature, and frequently include elements of magic, fantastical creatures, and comically exaggerated characterizations of good and evil. __TOC__ History Some of the first Singspiele were miracle plays in Germany, where dialogue was interspersed with singing. By the early 17th century, miracle plays had grown profane, the word "Singspiel" is found in print, and secular Singspiele were also being performed, both in translated borrowings or imitations from English and Italian songs and plays, and in original German creations. In the 18th century, some Singspiele were translations of English ballad operas. In 1736, the Prussian ambassador to England commissioned a translation of the ballad ope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1827 Operas
Eighteen or 18 may refer to: * 18 (number), the natural number following 17 and preceding 19 * one of the years 18 BC, AD 18, 1918, 2018 Film, television and entertainment * ''18'' (film), a 1993 Taiwanese experimental film based on the short story ''God's Dice'' * ''Eighteen'' (film), a 2005 Canadian dramatic feature film * 18 (British Board of Film Classification), a film rating in the United Kingdom, also used in Ireland by the Irish Film Classification Office * 18 (''Dragon Ball''), a character in the ''Dragon Ball'' franchise * "Eighteen", a 2006 episode of the animated television series ''12 oz. Mouse'' Music Albums * ''18'' (Moby album), 2002 * ''18'' (Nana Kitade album), 2005 * '' 18...'', 2009 debut album by G.E.M. Songs * "18" (5 Seconds of Summer song), from their 2014 eponymous debut album * "18" (One Direction song), from their 2014 studio album ''Four'' * "18", by Anarbor from their 2013 studio album '' Burnout'' * "I'm Eighteen", by Alice Cooper commonly r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grove Music Online
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Natalia Macfarren
Sir George Alexander Macfarren (2 March 181331 October 1887) was an English composer and musicologist. Life George Alexander Macfarren was born in London on 2 March 1813 to George Macfarren, a dancing-master, dramatic author and journalist, who later became the editor of the ''Musical World'', and Elizabeth Macfarren, ''née'' Jackson.Brown (2004). At the age of seven, Macfarren was sent to Dr. Nicholas's school in Ealing, where his father was dancing-master; the school numbered among its alumni John Henry, Cardinal Newman and Thomas Henry Huxley.Banister (1891), 10. His health was poor, however, and his eyesight weak, so much so that he was given a large-type edition of the Bible and had to use a powerful magnifying-glass for all other reading. He was withdrawn from the school in 1823 to undergo a course of eye treatment. The treatment was unsuccessful, and his eyesight progressively worsened until he became totally blind in 1860. However, his blindness had little effect on hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sancho Panza
Sancho Panza () is a fictional character in the novel ''Don Quixote'' written by Spanish author Don Miguel de Cervantes Saavedra in 1605. Sancho acts as squire to Don Quixote and provides comments throughout the novel, known as ''sanchismos'', that are a combination of broad humour, ironic Spanish proverbs, and earthy wit. "Panza" in Spanish means "belly" (cf. English "paunch," Italian "pancia", several Italian dialects "panza", Portuguese "pança", French "panse", Romanian "pântec"). ''Don Quixote'' Before a fit of madness turned Alonso Quijano into Don Quixote, Sancho Panza was indeed his servant. When the novel begins, Sancho has been married for a long time to a woman named Teresa CascajoAlso known as Teresa Panza and ''Sancha'', a probable nickname derived from her husband's name. Later in the book, though, she is sometimes named Juana Gutiérrez, in an example of continuity failure. and has a daughter, María Sancha (also named Marisancha, Marica, María, Sancha, and S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
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