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Die Fleidermaus
' (, ''The Flittermouse'' or ''The Bat'', sometimes called ''The Revenge of the Bat'') is an operetta composed by Johann Strauss II to a German libretto by Karl Haffner and Richard Genée, which premiered in 1874. Background The original literary source for ' was ' (''The Prison''), a farce by German playwright Julius Roderich Benedix that premiered in Berlin in 1851. On 10 September 1872, a three-act French vaudeville play by Henri Meilhac and Ludovic Halévy, ', loosely based on the Benedix farce, opened at the Théâtre du Palais-Royal. Meilhac and Halévy had provided several successful libretti for Offenbach and ''Le Réveillon'' later formed the basis for the 1926 silent film '' So This Is Paris'', directed by Ernst Lubitsch. Meilhac and Halévy's play was soon translated into German by Karl Haffner (1804–1876), at the instigation of Max Steiner, as a non-musical play for production in Vienna. The French custom of a New Year's Eve ''réveillon'', or supper party, was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Strauss II
Johann Baptist Strauss II (25 October 1825 – 3 June 1899), also known as Johann Strauss Jr., the Younger or the Son (german: links=no, Sohn), was an Austrian composer of light music, particularly dance music and operettas. He composed over 500 waltzes, polkas, quadrilles, and other types of dance music, as well as several operettas and a ballet. In his lifetime, he was known as "The Waltz King", and was largely responsible for the popularity of the waltz in Vienna during the 19th century. Some of Johann Strauss's most famous works include "The Blue Danube", "Kaiser-Walzer" (Emperor Waltz), "Tales from the Vienna Woods", "Frühlingsstimmen", and the "Tritsch-Tratsch-Polka". Among his operettas, ''Die Fledermaus'' and ''Der Zigeunerbaron'' are the best known. Strauss was the son of Johann Strauss I and his first wife Maria Anna Streim. Two younger brothers, Josef and Eduard Strauss, also became composers of light music, although they were never as well known as their brot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New Grove Dictionary Of Opera
''The New Grove Dictionary of Opera'' is an encyclopedia of opera, considered to be one of the best general reference sources on the subject. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volumes. First published in 1992 by Macmillan Reference, London, it was edited by Stanley Sadie with contributions from over 1,300 scholars. There are 11,000 articles in total, covering over 2,900 composers and 1800 operas. Appendices including an index of role names and an index of incipits of arias, ensembles, and opera pieces. The dictionary is available online, together with ''The New Grove Dictionary of Music and Musicians''. References *William Salaman, "Review: The New Grove Dictionary of Opera", ''British Journal of Music Education'' (1999), 16: 97-110 Cambridge University Pres*John Simon, "Review: The New Grove Dictionary of Opera, 4 vols.", ''National Review'', April 26, 199* * *Charles Rosen, "Review: The New Grove Dictionary of O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Vital Jammes
Jean-Vital Jammes (known by the stage name Ismaël) (28 April 1825 – 13 June 1893)Birth name and life dates are from Pierre (1900p. 447 See also the Birth certificate of Jean-Vital Jammes. Pougin (18 June 1893p. 200and Vapereau (1870p. 943give his year of birth as 1827. was a French opera singer. During a stage career spanning 40 years, he created many leading baritone roles, including Zurga in Bizet's ''Les pêcheurs de perles'' and Ourrias in Gounod's ''Mireille''. Born in Le Passage d'Agen near the town of Agen, he was largely self-taught and made his stage debut in 1841 at the age of 16. After singing in several provincial theatres, he was engaged by the Théâtre Lyrique in Paris and later by the Opéra-Comique. Following his retirement from the stage, Ismaël lived in Marseille where he died at the age of 68. Biography Early life and career Ismaël was born Jean-Vital Jammes, the son of an illiterate tailor in Le Passage near the town of Agen. He showed an early interes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre De La Renaissance
The name Théâtre de la Renaissance has been used successively for three distinct Parisian theatre companies. The first two companies, which were short-lived enterprises in the 19th century, used the Salle Ventadour, now an office building on the Rue Méhul in the 2nd arrondissement. The current company was founded in 1873, and its much smaller theatre (pictured) was built that same year next to the Porte Saint-Martin at 20 boulevard Saint-Martin, in the 10th arrondissement. Besides performances of musical theatre, Feydeau's farces were first produced in this theatre, and plays by Victorien Sardou. Among the actors who triumphed there were Sarah Bernhardt, Eleonora Duse, and Raimu, later Agnès Jaoui and Jean-Pierre Bacri. 1838-1841 The first company to be called Théâtre de la Renaissance opened its doors in 1838 under the sponsorship of Victor Hugo and Alexandre Dumas, père, who wanted to have a location for mounting their historical dramas. The Salle Ventadour (built i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Strauss - La Tzigane Poster
Strauss, Strauß or Straus is a common Germanic surname. Outside Germany and Austria ''Strauß'' is always spelled ''Strauss'' (the letter " ß" is not used in the German-speaking part of Switzerland). In classical music, "Strauss" usually refers to Richard Strauss or Johann Strauss II. The name has been used by families in the Germanic area for at least a thousand years. The overlord of Gröna, for example, went by the name of Struz and used the image of an ostrich as his symbol. Examples of it could still be seen on the thousand-year-old church bell of that town. "Struz" or "Strutz" is the North-German form of the word "Strauss", which is the modern German word for ostrich. Some of the earliest Jewish bearers of the name hailed from the Judengasse in medieval Frankfurt, where families have been known by the name of the houses they inhabited. All the houses had names and these included Haus Strauss, complete with an image of an ostrich on the façade. When, for tax purposes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bruno Walter
Bruno Walter (born Bruno Schlesinger, September 15, 1876February 17, 1962) was a German-born conductor, pianist and composer. Born in Berlin, he escaped Nazi Germany in 1933, was naturalised as a French citizen in 1938, and settled in the United States in 1939. He worked closely with Gustav Mahler, whose music he helped to establish in the repertory, held major positions with the Leipzig Gewandhaus Orchestra, New York Philharmonic, Concertgebouw Orchestra, Salzburg Festival, Vienna State Opera, Bavarian State Opera, Staatsoper Unter den Linden and Deutsche Oper Berlin, among others, made recordings of historical and artistic significance, and is widely considered to be one of the great conductors of the 20th century. Biography Early life Born near Alexanderplatz in Berlin to a middle-class Jewish family, he began his musical education at the Stern Conservatory at the age of eight, making his first public appearance as a pianist when he was nine; he performed a concer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Observer
''The Observer'' is a British newspaper published on Sundays. It is a sister paper to ''The Guardian'' and ''The Guardian Weekly'', whose parent company Guardian Media Group Limited acquired it in 1993. First published in 1791, it is the world's oldest Sunday newspaper. History Origins The first issue, published on 4 December 1791 by W.S. Bourne, was the world's first Sunday newspaper. Believing that the paper would be a means of wealth, Bourne instead soon found himself facing debts of nearly £1,600. Though early editions purported editorial independence, Bourne attempted to cut his losses and sell the title to the government. When this failed, Bourne's brother (a wealthy businessman) made an offer to the government, which also refused to buy the paper but agreed to subsidise it in return for influence over its editorial content. As a result, the paper soon took a strong line against radicals such as Thomas Paine, Francis Burdett and Joseph Priestley. 19th century In 180 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hamilton Clarke
James Hamilton Siree Clarke (25 January 1840 – 9 July 1912), better known as Hamilton Clarke, was an English conductor, composer and organist. Although Clarke was a prolific composer, he is best remembered as an associate of Arthur Sullivan, for whom he arranged music and compiled overtures for some of the Savoy Operas, including Gilbert and Sullivan's ''The Mikado''. Clarke began as an organist, pianist and theatre conductor, becoming a musical director for Gilbert and Sullivan, among others. While conducting at London theatres, he also composed a tremendous volume of church music, organ solos, songs, operettas and orchestral works. Beginning in the late 1870s, he composed incidental music as musical director for many of Henry Irving's spectacular productions at the Lyceum Theatre, London, Lyceum Theatre. He also composed music for many of the German Reed Entertainments and conducted at many other London theatres in the 1870s and 1880s. Clark published a ''Manual of Orche ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alhambra Theatre
The Alhambra was a popular theatre and music hall located on the east side of Leicester Square, in the West End of London. It was built originally as the Royal Panopticon of Science and Arts opening on 18 March 1854. It was closed after two years and reopened as the Alhambra. The building was demolished in 1936. The name was also adopted by many other British music hall theatres located elsewhere; in Bradford, in Hull and in Glasgow etc. The name comes from association with the Moorish splendour of the Alhambra palace in Granada, Spain. History Origins The Alhambra was originally known as the Royal Panopticon and was a landmark building at 23–27 Leicester Square, completed in 1854 by T. Hayter Lewis as a venue for showcasing the finest in the arts and for scientific demonstrations and popular education. This lasted for two years, and then the decision to add a circus ring was taken. When it reopened on 3 April 1858 it was renamed the Alhambra. The 1858 building conversion to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bowery Amphitheatre
The Bowery Amphitheatre was a building in the Bowery neighborhood of New York City. It was located at 37 and 39 Bowery, across the street from the Bowery Theatre. Under a number of different names and managers, the structure served as a circus, menagerie, theatre, a roller rink, and a branch of the Peniel Mission. The site is now part of Confucius Plaza. Formation through the minstrel craze A group of New York businessmen known as the Zoological Institute or the Flatfoots built the structure in 1833 as the site for a menagerie and circus performances. In 1835, the site was converted into an amphitheatre with a stage and a circus ring, and the name changed to the Bowery Amphitheatre. June, Titus, Angevine & Co. took up residence with their equestrian show. The owners changed the name again in November 1842 to the Amphitheatre of the Republic. John Tryon leased the building the following year, remaining its operator until 1848. Following a performance by the Virginia Minstrels on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rudolf Bial
Rudolf Bial (26 August 1834 – 23 November 1881) was a German violinist, composer, conductor and theater director. Life Born in Bystrzyca Kłodzka, Province of Silesia, Bial received his musical education in Breslau, where he was employed at the age of 15 as the first violinist in the chapel of the local municipal theatre. He was Kapellmeister in Lübeck from 1854 to 1856, then made a concert tour to Australia as a violin virtuoso together with his brother Karl, became Kapellmeister in 1864 at August Conradi's place at Wallner-Theater in Berlin and from 1876 to 1879 was the director of the Krollschen Theater, whose repertoire he refined by cultivating German and Italian operas. In the latter year he moved to New York. There he led a concert band and died at the age of 47. His brother Karl Bial (1833-1892) worked as a piano virtuoso, composer and music teacher in Berlin. He left behind several pieces for piano and songs.Ewald Oswald Röder: ''Geborene Schlesier'' (''Schlesisch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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