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Dialogic
Dialogic refers to the use of conversation or shared dialogue to explore the meaning of something. (This is as opposed to monologic which refers to one entity with all the information simply giving it to others without exploration and clarification of meaning through discussion.) The word dialogic relates to or is characterized by dialogue and its use. A dialogic is communication presented in the form of dialogue. Dialogic processes refer to implied meaning in words uttered by a speaker and interpreted by a listener. Dialogic works carry on a continual dialogue that includes interaction with previous information presented. The term is used to describe concepts in literary theory and analysis as well as in philosophy. Along with ''dialogism'', the term can refer to concepts used in the work of Russian philosopher Mikhail Bakhtin, especially the texts ''Problems of Dostoevsky's Poetics'' and '' The Dialogic Imagination: Four Essays by M.M. Bakhtin''. Overview Bakhtin contrasts th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dialogic Learning
Dialogic learning is learning that takes place through dialogue. It is typically the result of egalitarian dialogue; in other words, the consequence of a dialogue in which different people provide arguments based on Validity (logic), validity claims and not on power (philosophy), power claims. The concept of dialogic learning is not a new one. Within the Western tradition, it is frequently linked to the Socratic dialogues. It is also found in many other traditions; for example, the book ''The Argumentative Indian'', written by Nobel Prize of Economics winner Amartya Sen, situates dialogic learning within the Indian tradition and observes that an emphasis on discussion and dialogue spread across Asia with the rise of Buddhism. In recent times, the concept of dialogic learning has been linked to contributions from various perspectives and disciplines, such as the theory of dialogic action, the dialogic inquiry approach, the theory of communicative action, the notion of dialogic imagi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dialogue (Bakhtin)
The twentieth century Russian philosopher and literary theorist Mikhail Bakhtin wrote extensively on the concept of ''dialogue''. Although Bakhtin's work took many different directions over the course of his life, dialogue always remained the "master key" to understanding his worldview. Bakhtin described the ''open-ended dialogue'' as "the single adequate form for ''verbally expressing '' authentic human life". In it "a person participates wholly and throughout his whole life: with his eyes, lips, hands, soul, spirit, with his whole body and deeds. He invests his entire self in discourse, and this discourse enters into the dialogic fabric of human life, into the world symposium." Bakhtin's understanding of dialogue Dialogue is usually analyzed as some kind of interaction between two monads on the basis of a pre-conceived model. Bakhtin regards this conception as a consequence of 'theoretism'—the tendency, particularly in modern western thought, to understand events according to a p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Problems Of Dostoevsky's Poetics
''Problems of Dostoevsky's Poetics'' (Russian: Проблемы поэтики Достоевского, ''problemy poetiki Dostoevskogo'') is a book by the 20th century Russian philosopher and literary theorist Mikhail Bakhtin. It was originally published in 1929 in Leningrad under the title ''Problems of Dostoevsky's Creative Art'' (Проблемы Творчества Достоевского) but was re-published with significant additions under the new title in 1963 in Moscow. The book was first translated into English in 1973 by R. William Rotsel but this version is now out of print. Caryl Emerson's 1984 translation is the version used for academic discussion in English. ''Problems of Dostoevsky's Poetics'' is considered to be a seminal work in Dostoevsky studies and an important contribution to literary theory. Bakhtin introduces a number of key concepts, such as polyphony and carnivalisation, to elucidate what he saw as unique in Dostoevsky's literary art. He argues that D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dialogue
Dialogue (sometimes spelled dialog in American English) is a written or spoken conversational exchange between two or more people, and a literary and theatrical form that depicts such an exchange. As a philosophical or didactic device, it is chiefly associated in the West with the Socratic dialogue as developed by Plato, but antecedents are also found in other traditions including Indian literature. Etymology The term dialogue stems from the Greek διάλογος (''dialogos'', conversation); its roots are διά (''dia'': through) and λόγος (''logos'': speech, reason). The first extant author who uses the term is Plato, in whose works it is closely associated with the art of dialectic. Latin took over the word as ''dialogus''. As genre Antiquity and the Middle Ages Dialogue as a genre in the Middle East and Asia dates back to ancient works, such as Sumerian disputations preserved in copies from the late third millennium BC, Rigvedic dialogue hymns and the ''Mahab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dialogical Analysis
Dialogical analysis, or more precisely dialogical interaction analysis, refers to a way of analyzing human communication which is based on the theory of dialogism. The approach has been developed based on the theoretical work of George Herbert Mead and Mikhail Mikhailovich Bakhtin. Overview Dialogism makes several assumptions. It assumes that human communication entails the interaction of diverse perspectives and is embedded in a socio-historical context, that the meaning of a communication can be different to the various participants, that it is important to examine the consequences of a communication, and that each participant in a communication is, to some degree, orienting to the orientation of the other. Dialogical analysis is an interpretative methodology which closely analyzes spoken or written utterances or actions for their embedded communicative significance. Questions typically asked during a dialogical analysis include: What does each interactant think about themselves, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mikhail Bakhtin
Mikhail Mikhailovich Bakhtin ( ; rus, Михаи́л Миха́йлович Бахти́н, , mʲɪxɐˈil mʲɪˈxajləvʲɪdʑ bɐxˈtʲin; – 7 March 1975) was a Russian philosopher, literary critic and scholar who worked on literary theory, ethics, and the philosophy of language. His writings, on a variety of subjects, inspired scholars working in a number of different traditions (Marxism, semiotics, structuralism, religious criticism) and in disciplines as diverse as literary criticism, history, philosophy, sociology, anthropology and psychology. Although Bakhtin was active in the debates on aesthetics and literature that took place in the Soviet Union in the 1920s, his distinctive position did not become well known until he was rediscovered by Russian scholars in the 1960s. Early life Bakhtin was born in Oryol, Russia, to an old family of the nobility. His father was the manager of a bank and worked in several cities. For this reason Bakhtin spent his early childhood ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dostoevsky
Fyodor Mikhailovich Dostoevsky (, ; rus, Фёдор Михайлович Достоевский, Fyódor Mikháylovich Dostoyévskiy, p=ˈfʲɵdər mʲɪˈxajləvʲɪdʑ dəstɐˈjefskʲɪj, a=ru-Dostoevsky.ogg, links=yes; 11 November 18219 February 1881), sometimes transliterated as Dostoyevsky, was a Russian novelist, short story writer, essayist and journalist. Dostoevsky's literary works explore the human condition in the troubled political, social, and spiritual atmospheres of Russian Empire, 19th-century Russia, and engage with a variety of philosophical and religious themes. His most acclaimed novels include ''Crime and Punishment'' (1866), ''The Idiot'' (1869), Demons (Dostoevsky novel), ''Demons'' (1872), and ''The Brothers Karamazov'' (1880). His 1864 novella, ''Notes from Underground'', is considered to be one of the first works of existentialism, existentialist literature. Numerous literary critics regard him as one of the greatest novelists in all of world litera ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heteroglossia
The term ''heteroglossia'' describes the coexistence of distinct varieties within a single "language" (in Greek: ''hetero-'' "different" and ''glōssa'' "tongue, language"). The term translates the Russian разноречие 'raznorechie'': literally, "varied-speechedness" which was introduced by the Russian literary theorist Mikhail Bakhtin in his 1934 paper ''Слово в романе'' lovo v romane published in English as "Discourse in the Novel." The essay was published in English in the book '' The Dialogic Imagination: Four Essays by M.M. Bakhtin'', translated and edited by Michael Holquist and Caryl Emerson. Heteroglossia is the presence in language of a variety of "points of view on the world, forms for conceptualizing the world in words, specific world views, each characterized by its own objects, meanings and values." For Bakhtin, this diversity of "languages" within a single language brings into question the basic assumptions of system-based linguistics. Every word ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Existentialism
Existentialism ( ) is a form of philosophical inquiry that explores the problem of human existence and centers on human thinking, feeling, and acting. Existentialist thinkers frequently explore issues related to the meaning, purpose, and value of human existence, and the role of personal agency in transforming one's life. In the view of an existentialist, the individual's starting point is phenomenological, grounded in the immediate direct experience of life. Key concepts include " existential angst", a sense of dread, disorientation, confusion, or anxiety in the face of an apparently meaningless or absurd world, and also authenticity, courage, and human-heartedness. Existentialism is associated with several 19th- and 20th-century European philosophers who shared an emphasis on the human subject, despite often profound differences in thought. Among the earliest figures associated with existentialism are philosophers Søren Kierkegaard and Friedrich Nietzsche and novel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Relational Dialectics
Relational dialectics is an interpersonal communication theory about close personal ties and relationships that highlights the tensions, struggles and interplay between contrary tendencies. The theory, proposed respectively by Leslie Baxter and Barbara Montgomery in 1988, defines communication patterns between relationship partners as the result of endemic ''dialectical tensions''. Dialectics are described as the tensions an individual feels when experiencing paradoxical desires that we need and/ or want. The theory contains four assumptions, one of them being that relationships are not one dimensional, rather, they consist of highs and lows, without moving in only one direction. The second assumption claims that change is a key element in relational life, in other words, as our lives change, our relationships change with it. Third, is the assumption that, “contradictions or tensions between opposites never go away and never cease to provide tension,” which means, we will alwa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Group Identity
Collective identity is the shared sense of belonging to a group. In sociology In 1989, Alberto Melucci published ''Nomads of the Present'', which introduces his model of collective identity based on studies of the social movements of the 1980s. Melucci based his ideas on the writings by Touraine (1925- ) and Pizzorno (1924-2019), specifically their ideas on social movements and collective action respectively. Alberto Melucci writes: "collective identity is an interactive and shared definition produced by several individuals (or groups at a more complex level) and concerned with the orientation of action and the field of opportunities and constraints in which the action takes place". Unsatisfied with the gap between theories on how collective actions form and how individuals find motivation, Melucci defines an intermediate process, in which individuals recognize that they share certain orientations in common and on that basis decide to act together. He considers collective iden ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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