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Dhaivat (svara)
Dhaivat is the sixth svara from the seven svaras of Hindustani music and Carnatic music. Dhaivat is the long form of the syllable ध. For simplicity in pronouncing while singing the syllable, Dhaivat is pronounced as Dha (notation - D). It is also called as धैवत in the Devanagri script. Details The following is the information about Dhaivat and its importance in Indian classical music : * Dhaivat is the sixth svara in an octave or Saptak. * Dhaivat is the immediate next svara of Pancham (Pa). * The svara of Dhaivat is and Shuddha. * It is said that Shadja is the basic svara from which all the other six svaras are produced. When we break the word Shadja then we get, Shad And Ja. It means that Shad is 6 and ja is 'giving birth' in Marathi. So basically the translation is : षड् - 6, ज -जन्म . Therefore, it collectively means giving birth to the other 6 notes of the music. So the svara Dha is formed from Shadja. * The frequency of Dhaivat is 400 Hz. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dhaivat (Dha)
Dhaivat is the sixth svara from the seven svaras of Hindustani music and Carnatic music. Dhaivat is the long form of the syllable ध. For simplicity in pronouncing while singing the syllable, Dhaivat is pronounced as Dha (notation - D). It is also called as धैवत in the Devanagri script. Details The following is the information about Dhaivat and its importance in Indian classical music : * Dhaivat is the sixth svara in an octave or Saptak. * Dhaivat is the immediate next svara of Pancham (Pa). * The svara of Dhaivat is and Shuddha. * It is said that Shadja is the basic svara from which all the other six svaras are produced. When we break the word Shadja then we get, Shad And Ja. It means that Shad is 6 and ja is 'giving birth' in Marathi. So basically the translation is : षड् - 6, ज -जन्म . Therefore, it collectively means giving birth to the other 6 notes of the music. So the svara Dha is formed from Shadja. * The frequency of Dhaivat is 400 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhairav (raga)
Bhairav is a Hindustani classical raga of Bhairav thaat. It is a sampurna raga that is traditionally performed in the morning and also as the beginning piece in concerts. It is the defining raga of its own Thaat. Raga Kalingda in Hindustani and Ragam Mayamalavagowla in Carnatic music have the same scale as Raga Bhairav, although the moods they create can be quite different due to the way they are expounded. According to Indian classical vocalist Pandit Jasraj, Bhairav is a "morning raga, and solemn peacefulness is its ideal mood." It is grave in mood and suggests seriousness, introversion and devotional attitude. History Bhairav raga is an ancient raga that is considered to be extremely old and originated many centuries ago. The origin of Bhairav raga is disputed. According to some musicians, Bhairav raga was the first raga that originated from the mouth of Lord Shiva. While some musicians argue that Bhairav raga originated from the mouth of Lord Surya. This is why it was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madhyam (svara)
Madhyam is the fourth svara from the seven svaras of Hindustani music and Carnatic music. This article is written from the Hindustani perspective. Madhyam is the long form of the syllable म. For simplicity in pronouncing while singing the syllable, Madhyam is pronounced as Ma (notation - M). It is also called as मध्यम in the Devanagri script. Details The following is the information about Madhyam and its importance in Indian classical music : * Madhyam is the fourth svara in an octave or Saptak. * Ma is the immediate next svara of Gandhar (Ga). * The svara of Madhyam is and . In fact Madhyam is the only svara in the Saptak. * It is said that Shadja is the basic svara from which all the other six svaras are produced. Breaking the word Shadja yields Shad And Ja. It means that Shad is six and ja is 'giving birth' in Marathi. So basically the translation is : षड् - 6, ज -जन्म . Therefore, it collectively means giving birth to the other six notes of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gandhar (svara)
Gandhar is the 3rd svara from the seven svaras of Hindustani music and Carnatic music. Gandhar is the long form of the syllable ग. For simplicity in pronouncing while singing the syllable, Gandhar is pronounced as Ga (notation - G). It is also called as गान्धार or गंधार in the Devanagri script. Details The following is the information about Gandhar and its importance in Indian classical music : * Gandhar is the third svara in an octave or Saptak. * Gandhar is the immediate next svara of Rishabh (Re). * The svara of Gandhar is Komal and Shuddha. * It is said that Shadja is the basic svara from which all the other 6 svaras are produced. When we break the word Shadja then we get, Shad And Ja. It means that Shad is 6 and ja is 'giving birth' in Marathi. So basically the translation is : षड् - 6, ज -जन्म . Therefore, it collectively means giving birth to the other 6 notes of the music. So the svara Ga is formed from Shadja. * The frequency ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rishabh (svara)
Rishabh is the second svara out of the seven svaras of Hindustani music and Carnatic music. Rishabh is the long form of the syllable रे for simplicity while singing the syllable. Rishabh is pronounced as Re and Ri (notation - R). It is also called as ऋषभ in the Devanagri script. Detail The following is the information about Rishabh and its importance in Indian classical music : * Rishabh is the second ''svara'' in an octave or ''Saptak''. * Re is the immediate next svara of ''Shadja'' (Sa). * The svara of Rishabh is ''Komal'' and ''Shuddha''. * It is said that Shadja is the basic svara from which all the other 6 svaras are produced. When we break the word Shadja then we get, ''Shad'' and ''Ja''. It means that Shad is 6 and ja is 'giving birth' in Marathi. So basically the translation is : षड् - 6, ज -जन्म . Therefore, it collectively means giving birth to the other 6 notes of the music. So the svara Re is formed from Shadja. * The frequency of Risha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shadja (svara)
Shadja is the first svara out of the seven svaras of Hindustani music and Carnatic music. Shadja is the long form of the syllable सा. For simplicity in pronouncing while singing the syllable, Shadja is pronounced as Sa (notation - S). It is also called as षड्ज in the Devanagri script. Details The following is the information about Shadja and its importance in Indian classical music : * Shadja is the first svara in an octave or Saptak. * Shadja is also the first and the main svara in a raga. (Not always but mostly it is. ) * The svara that is played on the Tanpura for the singer is Shadja. It is played to know that one is singing on the right pitch and octave. * Shadja is the base or basic svara. It is a very fundamental svara in Classical music. * It is fascinating to know that after one raga is sung or played, and when one more raga is to be performed, then the svara Sa is played so that there is no confusion in mixing of svaras in both the ragas that are performed. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Svara
Svara or swara (Devanagari: स्वर, generally pronounced as ''swar'') is a Sanskrit word that connotes simultaneously a breath, a vowel, the sound of a musical note corresponding to its name, and the successive steps of the octave or ''saptaka''. More comprehensively, it is the ancient Indian concept about the complete dimension of musical pitch. Most of the time a ''svara'' is identified as both musical note and tone, but a tone is a precise substitute for sur, related to tunefulness. Traditionally, Indians have just seven ''svara''s/notes with short names, e.g. saa, re/ri, ga, ma, pa, dha, ni which Indian musicians collectively designate as ''saptak'' or ''saptaka''. It is one of the reasons why ''svara'' is considered a symbolic expression for the number seven. Origins and history Etymology The word ''swara'' or ''svara'' (Sanskrit: स्वर) is derived from the root ''svr'' which means "to sound". To be precise, the ''svara'' is defined in the Sanskrit ''nirukt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yellow
Yellow is the color between green and orange on the spectrum of light. It is evoked by light with a dominant wavelength of roughly 575585 nm. It is a primary color in subtractive color systems, used in painting or color printing. In the RGB color model, used to create colors on television and computer screens, yellow is a secondary color made by combining red and green at equal intensity. Carotenoids give the characteristic yellow color to autumn leaves, corn, canaries, daffodils, and lemons, as well as egg yolks, buttercups, and bananas. They absorb light energy and protect plants from photo damage in some cases. Sunlight has a slight yellowish hue when the Sun is near the horizon, due to atmospheric scattering of shorter wavelengths (green, blue, and violet). Because it was widely available, yellow ochre pigment was one of the first colors used in art; the Lascaux cave in France has a painting of a yellow horse 17,000 years old. Ochre and orpiment pigments were us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jupiter
Jupiter is the fifth planet from the Sun and the List of Solar System objects by size, largest in the Solar System. It is a gas giant with a mass more than two and a half times that of all the other planets in the Solar System combined, but slightly less than one-thousandth the mass of the Sun. Jupiter is the List of brightest natural objects in the sky, third brightest natural object in the Earth's night sky after the Moon and Venus, and it has been observed since Pre-history, prehistoric times. It was named after the Jupiter (mythology), Roman god Jupiter, the king of the gods. Jupiter is primarily composed of hydrogen, but helium constitutes one-quarter of its mass and one-tenth of its volume. It probably has a rocky core of heavier elements, but, like the other giant planets in the Solar System, it lacks a well-defined solid surface. The ongoing contraction of Jupiter's interior generates more heat than it receives from the Sun. Because of its rapid rotation, the planet' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horse
The horse (''Equus ferus caballus'') is a domesticated, one-toed, hoofed mammal. It belongs to the taxonomic family Equidae and is one of two extant subspecies of ''Equus ferus''. The horse has evolved over the past 45 to 55 million years from a small multi-toed creature, ''Eohippus'', into the large, single-toed animal of today. Humans began domesticating horses around 4000 BCE, and their domestication is believed to have been widespread by 3000 BCE. Horses in the subspecies ''caballus'' are domesticated, although some domesticated populations live in the wild as feral horses. These feral populations are not true wild horses, as this term is used to describe horses that have never been domesticated. There is an extensive, specialized vocabulary used to describe equine-related concepts, covering everything from anatomy to life stages, size, colors, markings, breeds, locomotion, and behavior. Horses are adapted to run, allowing them to quickly escape predators, and po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gandharvas
A gandharva () is a member of a class of celestial beings in Dharmic religions, such as Hinduism, Buddhism, and Jainism, whose males are divine performers such as musicians and singers, and the females are divine dancers. In Hinduism, they are regarded to be the celestial demigods who serve as the musicians of the devas. It is also a term for skilled singers in Indian classical music. Gandharvas have been associated with the historical Gandhara region. In Buddhism, this term also refers to a being in the intermediate state (between death and rebirth). Hinduism In Hinduism, the gandharvas (, , , , , , ; , ) are a class of minor deities who serve as divine musicians in Hindu mythology. The term gandharva is present in Vedic sources (including in the Rigveda) as a singular deity. According to Oberlies, "In mandala I, IX and X the gandharva is presented as a celestial being (dwelling near the sun / in the heavenly waters) which watches over the Soma (apparently) for the benefit o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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