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Devdas
''Devdas'' ( bn, দেবদাস, transliterated as ''Debdās'') is a Bengali romance novel written by Sarat Chandra Chatterjee. The story pivots a tragic triangle linking Devdas, an archetypal lover in viraha (separation); Paro, his forbidden childhood love; and Chandramukhi, a reformed courtesan. Devdas has been adapted on screen 20 times for film and 5 times for single song. The character of Parvati was based on a real life second wife of zamindar Bhuvan Mohan Chowdhury, it was said that even the writer visited the village. According to sources, the original village was called Hatipota. Plot summary Devdas is a young man from a wealthy Bengali family in India in the early 1900s. Parvati (Paro) is a young woman from a middle class Bengali Brahmin family. The two families live in a village called Taalshonapur in Bengal, and Devdas and Parvati are childhood friends. Devdas goes away for a couple of years to live and study in the city of Calcutta (now Kolkata). During vacatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Devdas (1935 Film)
''Devdas'' is a 1935 Bengali film directed by Pramathesh Barua and based on the Sharat Chandra Chattopadhyay novel, ''Devdas''. It stars Barua himself as Devdas and Jamuna Barua as Parvati (Paro) and Chandrabati Devi as Chandramukhi. This was Barua's first of three language versions of the story, the second being in Hindi and the third in Assamese. The Bengali film was dubbed into Tamil and released in 1936. K. L. Saigal sang two songs in Tamil for this film.(See Ext. links for a link.) Sharat Chandra Chatterjee's classic novel ''Devdas'' is about two lovers - Debdas and Parbati - who can never unite as mortals because of the class system in the society. Sharat Chandra Chaterjee is believed to be in his teens when he wrote ''Devdas'' in 1901. But it was published in 1917. This classic masterpiece sensitively criticizes the feudalistic society that prevailed. All Indian prints of this Bengali version were destroyed decades ago in a fire that ravaged New Theatre’s studio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Devdas 1936
''Devdas'' ( bn, দেবদাস, transliterated as ''Debdās'') is a Bengali romance novel written by Sarat Chandra Chatterjee. The story pivots a tragic triangle linking Devdas, an archetypal lover in viraha (separation); Paro, his forbidden childhood love; and Chandramukhi, a reformed courtesan. Devdas has been adapted on screen 20 times for film and 5 times for single song. The character of Parvati was based on a real life second wife of zamindar Bhuvan Mohan Chowdhury, it was said that even the writer visited the village. According to sources, the original village was called Hatipota. Plot summary Devdas is a young man from a wealthy Bengali family in India in the early 1900s. Parvati (Paro) is a young woman from a middle class Bengali Brahmin family. The two families live in a village called Taalshonapur in Bengal, and Devdas and Parvati are childhood friends. Devdas goes away for a couple of years to live and study in the city of Calcutta (now Kolkata). During vacation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chandramukhi (character)
''Chandramukhi'' is one of the pivotal characters in the 1917 Bengali novel ''Devdas'' by Sarat Chandra Chattopadhyay. Her character was inspired by the Hindu mystical singer Meera, who devoted her life to Lord Krishna; similarly Chandramukhi devoted her life to Devdas. Chandramukhi is portrayed as a hooker with a heart of gold in the novel and its film adaptations. Chandramukhi means "moon faced" or "as beautiful as the moon" in Sanskrit. In the novel Chandramukhi is a courtesan who lives in Calcutta also known as Kolkata. She is considered the most beautiful and richest prostitute in the area of Chitpur. She is first introduced to Devdas by Chunnilal, who returns to Calcutta heartbroken after the marriage of Parvathi "Paro". Devdas, disgusted over Chandramukhi's profession insults her and leaves her kotha. Chandramukhi, impressed by Devdas's attitude, later falls in love with him after realizing his steadfast love for Paro. She leaves her profession for Devdas and convinces hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pramathesh Barua
Pramathesh Chandra Barua (24 October 1903 – 29 November 1951) was an Indian actor, director, and screenwriter of Indian films in the pre-independence era, born in Gauripur, Dhubri, Assam. Early life Barua was the son of the royal family of Gauripur (belongs to Gauripur Rajvanch), Dhubri,Assam, where he was born and spent his childhood. He studied at Hare School, Calcutta and then Bachelor of Science graduated from Presidency College, Calcutta in 1924. At age 18, while still studying in college, he got married. It was arranged by the family. He had two more marriages. His third wife was film actress Jamuna Barua. One of his wives, either Madhuri Lata or Amalabala, and singer Meena Kapoor's mother were sisters. In other words, one of his wives was Meena Kapoor's aunt. After his graduation, he travelled to Europe, where he received his first exposure to films. After returning, he served for a time in the Assam Legislative Assembly and joined the Swaraj Party but ultimately mov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Devdas (1936 Film)
''Devdas'' is a 1936 Hindi-language Indian drama romance film based on the Sharat Chandra Chattopadhyay novella, ''Devdas''. Directed by Pramathesh Barua, it stars K.L. Saigal as Devdas, Jamuna Barua as Parvati (Paro) and Rajkumari as Chandramukhi. This was Barua's second of three language versions, the first being in Bengali and the third in Assamese. Plot Devdas falls in love with Parvati, with whom he has played since childhood and who is the daughter of a poor neighboring family. Devdas goes away to Calcutta for University studies. Meanwhile, Parvati's father arranges her marriage to a much older man. Though she loves Devdas, she obeys her father to suffer in silence like a dutiful Indian wife of those times. Devdas as a result takes to drinking. Chandramukhi, a dancing girl or "prostitute" he has befriended in Calcutta, falls for him and gives up her profession to try to save him. Parvati, hearing of his decline, comes to see him to steer him away from a life of drinkin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jamuna Barua
Jamuna Barua (10 October 1919 – 24 November 2005) was a leading Indian actress. Early life Jamuna was the fourth of the six daughters of Puran Gupta, a resident of a village near Agra, India. Each of the sisters was named after an Indian river like Ganga, Jamuna, Bhagirathi etc. As destiny would have it, Jamuna came to reside in Calcutta, a leading film producing city in India. Originally from Gauripur, India, Gauripur of Assam's Goalpara district (undivided), Jamuna was married to the legendary actor director Pramathesh Barua, or P.C. Barua, who died in 1950. She began her acting career in her husband's famous production ''Devdas'' in 1936 and was the film's lead character Parvati or Paro, Bhutan, Paro. She went on to make a number of memorable movies in [ Bengali language, Bengali and Hindi, notably ''Amiri'', ''Mukti'', ''Adhikar'' and ''Sesh Uttar''. She stopped acting after Barua died. Film career Jamuna made her film debut in the 1930s and played a small role in M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarat Chandra Chattopadhyay
Sarat Chandra Chattopadhyay, alternatively spelt as Sarat Chandra Chatterjee ( bn, শরৎচন্দ্র চট্টোপাধ্যায়; 15 September 1876 or ৩১ শে ভাদ্র ১২৮৩ বঙ্গাব্দ – 16 January 1938), was a Bengali novelist and short story writer of the early 20th century. Most of his works deal with the lifestyle, tragedy and struggle of the village people and the contemporary social practices that prevailed in Bengal. He remains the most popular, translated, and adapted Indian author of all time. Early life Sarat Chandra Chattopadhyay was born on 15 September 1876 (৩১ শে ভাদ্র, ১২৮৩ বঙ্গাব্দ), in a Bengali Brahmin family in Debanandapur, a small village in Hooghly, West Bengal. Sarat Chandra spent most of his childhood at his maternal uncle's home in Bhagalpur, Bihar. Chandra spent his childhood in extreme poverty. Chandra was a daring, adventure-loving boy. His educa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Devdas (1928 Film)
''Devdas'' is a 1928 silent film based on the Sharat Chandra Chattopadhyay novel, Devdas. It was the first film adaptation of the novel. It was directed by Naresh Mitra who not only acted in the film but was the cinematographer. The film was shot in erstwhile Calcutta in British India The provinces of India, earlier presidencies of British India and still earlier, presidency towns, were the administrative divisions of British governance on the Indian subcontinent. Collectively, they have been called British India. In one .... Cast * Phani Burma as Devdas * Tarakbala as Parbati (Paro) * Parulbala as Chandramukhi References External links SPICE info* 1928 films Devdas films Indian black-and-white films Films set in Kolkata Indian silent films Films directed by Naresh Mitra Films about courtesans in India Films based on Indian novels {{silent-film-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chandrabati Devi
Chandrabati Devi (19 October 190929 April 1992) was an Indian actress who appeared in Hindi as well as Bengali cinema. She is best known for her role as Chandramukhi in the 1935 cult classic ''Devdas''. Chandrabati Devi made her film debut in a 1929 silent film ''Piyari'' and was catapulted to stardom after she portrayed the role of Meera in Debaki Bose's cult classic ''Meerabai'' (1933). Filmography * ''Ami Ratan'' (1979) * ''Praner Thakur Ramkrishna'' (1977) as Bhairabi Maa * ''Rodanbhara Basanta'' (1974) * ''Kayahiner Kahini'' (1973) * ''Agnibhramar'' (1973) * ''Ami Sirajer Begam'' (1973) * ''Bigyan O Bidhata'' (1973) * ''Chhinnapatra'' (1972) * ''Naya Michhil'' (1972) * ''Jiban Jigyasa'' (1971) * ''Atattar Din Pare'' (1971) * ''Fariyad'' (1971) * '' Rajkanya'' (1965) * ''Kantatar'' (1964) * '' Sakher Chor'' (1960) * ''Raja Saja'' (1960) * ''Indradhanu'' (1960) * '' Bicharak'' (1959) * ''Marutirtha Hinglaj'' (1959) as Jogini Maa * ''Deep Jwele Jai'' (1959) * ''E Jahar Se Ja ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naresh Mitra
Naresh Mitra (18 May 1888 – 1968) was a Bengali actor, director and screenwriter. Career Naresh Mitra was born in 1888 in Agartala, Tripura, British India. He studied law from the University of Calcutta. He started his acting career in 1922 in Minerva Theatre. In 1923, Mitra joined Star Theatre in Kolkata and starred in several plays mostly in the role of anti hero. He worked and acted in number of films of Taj Mahal company, East India Film and Kali Films. Mitra directed ''Devdas'' in silent version produced by Eastern Film Syndicate in 1928. This is the first film adaptation of Devdas, the novel of Sharatchandra Chattopadhyay. He directed few films starring Uttam Kumar such as ''Bou Thakuranir Haat'', ''Annapurnar Mandir''. Mitra was also associated with the Bengali language, Bengali folk Jatra. Direction * Andhare Alo (1922 film), ''Andhare Alo'' * Chandranath * Devdas (1928 film), ''Devdas'' * ''Gora (film), Gora'' * ''Kankal'' * ''Bou Thakuranir Haat ''Bou Thakuran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tawaif
A ''tawaif'' was a highly successful entertainer who catered to the nobility of the Indian subcontinent, particularly during the Mughal Empire, Mughal era. The tawaifs excelled in and contributed to music, dance (mujra), theatre, and the Urdu literary tradition, and were considered an authority on etiquette. Tawaifs were largely a North Indian institution central to Mughal court culture from the 16th century onwards and became even more prominent with the weakening of Mughal rule in the mid-18th century. They contributed significantly to the continuation of traditional dance and music forms and then to the emergence of modern Indian cinema. History The patronage of the Mughal court before and after the Mughal Dynasty in the Doab region and the artistic atmosphere of 16th century Lucknow made arts-related careers a viable prospect. Many girls were taken at a young age and trained in both performing arts (such as Kathak and Hindustani classical music) as well as literature (ghazal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Courtesan
Courtesan, in modern usage, is a euphemism for a "kept" mistress (lover), mistress or prostitute, particularly one with wealthy, powerful, or influential clients. The term historically referred to a courtier, a person who attended the Royal court, court of a monarch or other powerful person. History In European feudalism, feudal society, the court was the centre of government as well as the residence of the monarch, and social and political life were often completely mixed together. Prior to the Renaissance, courtesans served to convey information to visiting dignitaries, when servants could not be trusted. In Renaissance Europe, courtiers played an extremely important role in upper-class society. As it was customary during this time for royal couples to lead separate lives—commonly marrying simply to preserve bloodlines and to secure political alliances—men and women would often seek gratification and companionship from people living at court. In fact, the verb 'to court' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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