Der Rauchfangkehrer
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Der Rauchfangkehrer
' (''The Chimney Sweep, or The Indispensable Betrayers of Their Lordships out of Self-interest'') is an opera in three acts by Antonio Salieri to a German libretto by Leopold Auenbrugger. Originally designated as a ' (musical comedy), the work has the characteristics of both a German Singspiel and an Italian opera buffa. The musical work was referred to as a practice in "the ermanlanguage" for Salieri, as Joseph II put it. Here, Salieri was able to create virtuoso roles for some of the most famous singers of Vienna: Caterina Cavalieri, who created the role of Konstanze in Mozart's ''Die Entführung aus dem Serail'', and Ludwig Fischer, who created the role of Osmin in the same opera. Fräule Nannette (Cavalieri) sings brilliant showpiece arias in her quest for Volpino's love, notably "Wenn dem Adler das Gefieder", and Herr von Bär (Fischer) consistently exhibits his ursine qualities by going down to E2 and D2 his two arias. Additionally, the opera brings out very much humour and ...
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Antonio Salieri
Antonio Salieri (18 August 17507 May 1825) was an Italian classical composer, conductor, and teacher. He was born in Legnago, south of Verona, in the Republic of Venice, and spent his adult life and career as a subject of the Habsburg monarchy. Salieri was a pivotal figure in the development of late 18th-century opera. As a student of Florian Leopold Gassmann, and a protégé of Christoph Willibald Gluck, Salieri was a cosmopolitan composer who wrote operas in three languages. Salieri helped to develop and shape many of the features of operatic compositional vocabulary, and his music was a powerful influence on contemporary composers. Appointed the director of the Italian opera by the Habsburg court, a post he held from 1774 until 1792, Salieri dominated Italian-language opera in Vienna. During his career, he also spent time writing works for opera houses in Paris, Rome, and Venice, and his dramatic works were widely performed throughout Europe during his lifetime. As the Aus ...
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Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of ...
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1781 Operas
Events January–March * January – William Pitt the Younger, later Prime Minister of Great Britain, enters Parliament, aged 21. * January 1 – Industrial Revolution: The Iron Bridge opens across the River Severn in England. * January 2 – Virginia passes a law ceding its western land claims, paving the way for Maryland to ratify the Articles of Confederation. * January 5 – American Revolutionary War: Richmond, Virginia is burned by British naval forces, led by Benedict Arnold. * January 6 – Battle of Jersey: British troops prevent the French from occupying Jersey in the Channel Islands. * January 17 – American Revolutionary War – Battle of Cowpens: The American Continental Army, under Daniel Morgan, decisively defeats British forces in South Carolina. * February 2 – The Articles of Confederation are ratified by Maryland, the 13th and final state to do so. * February 3 – Fourth Anglo-Dutch War – ...
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Operas By Antonio Salieri
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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German-language Operas
German ( ) is a West Germanic language mainly spoken in Central Europe. It is the most widely spoken and official or co-official language in Germany, Austria, Switzerland, Liechtenstein, and the Italy, Italian province of South Tyrol. It is also a co-official language of Luxembourg and German-speaking Community of Belgium, Belgium, as well as a national language in Namibia. Outside Germany, it is also spoken by German communities in France (Bas-Rhin), Czech Republic (North Bohemia), Poland (Upper Silesia), Slovakia (Bratislava Region), and Hungary (Sopron). German is most similar to other languages within the West Germanic language branch, including Afrikaans, Dutch language, Dutch, English language, English, the Frisian languages, Low German, Luxembourgish, Scots language, Scots, and Yiddish. It also contains close similarities in vocabulary to some languages in the North Germanic languages, North Germanic group, such as Danish language, Danish, Norwegian language, Norwegian ...
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Opera News
''Opera News'' is an American classical music magazine. It has been published since 1936 by the Metropolitan Opera Guild, a non-profit organization located at Lincoln Center which was founded to engender the appreciation of opera and also support the Metropolitan Opera of New York City. ''Opera News'' was initially focused primarily on the Met, particularly providing information for listeners of the Saturday afternoon live Metropolitan Opera radio broadcasts. Over the years, the magazine has broadened its scope to include the larger American and international opera scenes. Currently published monthly, ''Opera News'' offers opera related feature articles; artist interviews; production profiles; musicological pieces; music-business reportage; reviews of performances in the United States and Europe; reviews of recordings, videos, books and audio equipment; and listings of opera performances in the U.S. The Editor-in-Chief is currently F. Paul Driscoll. Regular contributors to the mag ...
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Erin Helyard
Erin Helyard is an Australian conductor and keyboard performer specialising in early music and baroque opera. He was born in Gosford, on the Central Coast near Sydney. Career Helyard graduated from the Sydney Conservatorium and was awarded a University Medal. He studied with Tom Beghin at McGill University in Canada for a masters in fortepiano performance. He has a PhD in musicology. Helyard is artistic director of Pinchgut Opera, which he co-founded. He conducted Barrie Kosky's production of Handel's ''Saul'' for the Adelaide Festival in 2017. At the 2020 ARIA Music Awards he won Best Classical Album for ''Beethoven & Mozart Violin Sonatas'' (shared with Richard Tognetti). His 2022 monograph, ''Clementi and the Woman at the Piano'', investigates the relation between the London-based Italian composer Muzio Clementi and piano performance practice by women.
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Amelia Farrugia
Amelia Farrugia (often misspelled as "Ferrugia", born 28 July 1970) is an Australian soprano opera singer of Maltese descent. She won awards in the Sydney Eisteddfod and the 1996 Australian Singing Competition, and the 1995 Metropolitan Opera National Council Auditions in New York where she covered leading roles at the Metropolitan Opera in 2012 and 2015. She was a finalist at the Neue Stimmen competition in Germany in 2001. Born in Sydney, Farrugia, attended Loreto Kirribilli and then studied at the Sydney Conservatorium of Music, graduating in 1992. After winning awards in such events as the Sydney Eisteddfod and the Australian Singing Competition, she started performing with Opera Australia, first performing lead roles in 1994. She earned a nomination for the 2006 ARIA Award for Aria Best Classical Album for her solo album ''Joie de vivre!''. Farrugia sang the title role in Opera Australia's 2010 staging of Giles Havergal's production of ''The Merry Widow'' opposite Da ...
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Stanley Sadie
Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was published as the first edition of ''The New Grove Dictionary of Music and Musicians''. Along with Thurston Dart, Nigel Fortune and Oliver Neighbour he was one of Britain's leading musicologists of the post-World War II generation. Career Born in Wembley, Sadie was educated at St Paul's School, London, and studied music privately for three years with Bernard Stevens. At Gonville and Caius College, Cambridge he read music under Thurston Dart. Sadie earned Bachelor of Arts and Bachelor of Music degrees in 1953, a Master of Arts degree in 1957, and a PhD in 1958. His doctoral dissertation was on mid-eighteenth-century British chamber music. After Cambridge, he taught at Trinity College of Music, London (1957–1965). Sadie then turned to musi ...
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The New Grove Dictionary Of Opera
''The New Grove Dictionary of Opera'' is an encyclopedia of opera, considered to be one of the best general reference sources on the subject. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volumes. First published in 1992 by Macmillan Reference, London, it was edited by Stanley Sadie with contributions from over 1,300 scholars. There are 11,000 articles in total, covering over 2,900 composers and 1800 operas. Appendices including an index of role names and an index of incipits of arias, ensembles, and opera pieces. The dictionary is available online, together with ''The New Grove Dictionary of Music and Musicians''. References *William Salaman, "Review: The New Grove Dictionary of Opera", ''British Journal of Music Education'' (1999), 16: 97-110 Cambridge University Pres*John Simon, "Review: The New Grove Dictionary of Opera, 4 vols.", ''National Review'', April 26, 199* * *Charles Rosen, "Review: The New Grove Dictionary of O ...
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Dowry
A dowry is a payment, such as property or money, paid by the bride's family to the groom or his family at the time of marriage. Dowry contrasts with the related concepts of bride price and dower. While bride price or bride service is a payment by the Bridegroom, groom, or his family, to the bride, or her family, dowry is the wealth transferred from the bride, or her family, to the groom, or his family. Similarly, dower is the property settled on the bride herself, by the groom at the time of marriage, and which remains under her ownership and control. Dowry is an ancient custom that is already mentioned in some of the earliest writings, and its existence may well predate records of it. Dowries continue to be expected and demanded as a condition to accept a marriage proposal in some parts of the world, mainly in parts of Asia, The custom of dowry is most common in cultures that are strongly patrilineal and that expect women to reside with or near their husband's family (patriloca ...
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Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ...
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