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Der Bettelstudent (1936 Film)
''Der Bettelstudent'' (''The Beggar Student'') is an operetta in three acts by Carl Millöcker with a German libretto by Camillo Walzel (under the pseudonym of F. Zell) and Richard Genée, based on ''Les noces de Fernande'' by Victorien Sardou and ''The Lady of Lyons'' by Edward Bulwer-Lytton, 1st Baron Lytton, Edward Bulwer-Lytton. However, the librettists added the element of combining love and politics to the French comedy plots. It premiered in Vienna in 1882. Performance history The work was performed first at the Theater an der Wien, Vienna, on 6 December 1882 in music#Opera, 1882. It was a success and allowed Millöcker to retire from conducting. Johann Strauss II rejected the libretto in favor of ''Eine Nacht in Venedig, A Night in Venice'', but Millöcker's work turned out to be an enduringly popular operetta, with over 5,000 productions. The piece played at the Thalia Theatre (New York City), Thalia Theatre in New York City in 1883 and then in English at the Casino The ...
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Karl Millöcker 1883
Karl may refer to: People * Karl (given name), including a list of people and characters with the name * Karl der Große, commonly known in English as Charlemagne * Karl Marx, German philosopher and political writer * Karl of Austria, last Austrian Emperor * Karl (footballer) (born 1993), Karl Cachoeira Della Vedova Júnior, Brazilian footballer In myth * Karl (mythology), in Norse mythology, a son of Rig and considered the progenitor of peasants (churl) * ''Karl'', giant in Icelandic myth, associated with Drangey island Vehicles * Opel Karl, a car * ST Karl, ST ''Karl'', Swedish tugboat requisitioned during the Second World War as ST ''Empire Henchman'' Other uses * Karl, Germany, municipality in Rhineland-Palatinate, Germany * ''Karl-Gerät'', AKA Mörser Karl, 600mm German mortar used in the Second World War * KARL project, an open source knowledge management system * Korean Amateur Radio League, a national non-profit organization for amateur radio enthusiasts in South Korea ...
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The Beggar Student (1936 Film)
''The Beggar Student'' (german: Der Bettelstudent) is a 1936 German operetta film directed by Georg Jacoby and starring Fritz Kampers, Harry Hardt and Ida Wüst.Hake p. 144 It is an adaptation of the 1882 operetta ''Der Bettelstudent'' by Carl Millöcker. It was shot at the Babelsberg Studios of Universum Film AG, UFA in Potsdam. The film's sets were designed by the art directors Fritz Maurischat and Karl Weber (art director), Karl Weber. Plot Poland in 1704: The country is ruled by the Saxon Elector August the Strong, who appointed Colonel Ollendorf as governor in Kraków. Professional ethics apply, nocturnal gatherings are prohibited. Ollendorf gives a ball, to which the impoverished Countess Nowalska and her two daughters Bronislawa and Laura are also invited. As always, Bronislawa is only interested in eating and dancing, which embarrasses the Countess. Laura, however, is swarmed by the men. Ollendorf also wants to dance with Laura, who eludes him. When he continues to press ...
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Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ...
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Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ...
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Josef Josephi
Josef Ichhäuser(1852–1920), known by the stage name Josef Josephi (also spelled Joseffy), was a Polish-born singer (tenor-baritone) and actor. Life Ichhäuser was born on in Kraków. He was the son of a cloth merchant. He graduated from high school in 1871 and made his debut in 1873 in Vienna in a small role as a soldier in Friedrich Schiller’s '' Fiesco''. His apprenticeship led him to Nagykanizsa, Chemnitz and Wrocław. In 1878 he joined the Ringtheater in Vienna. In 1880 he played at the Carltheater, and in 1883 at the Theater an der Wien. Successes in performing vocal roles led him to the decision to become a singer. He sang in Johann Strauss II's ''Eine Nacht in Venedig'' and ''The Gypsy Baron'', and in Vilém Blodek's comic one-act opera ' (''In the Well''). Together with Alexander Girardi, Karl Lindau, and , he formed the ''Elitekorps'' (elite corps) of the Viennese operetta. In 1900 he moved to Berlin. From 1906 he was for two years at the and then engaged for ...
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Alexander Girardi
Alexander Girardi (pronounced ) (5 December 1850 – 20 April 1918) was an Austrian actor and tenor singer in operettas. Career Girardi was born in Graz; his father was the locksmith Andreas Girardi who had migrated to Graz from Cortina d'Ampezzo. Following the early death of his father, Alexander Girardi was raised by his stepfather who put him into a locksmith apprenticeship. Against his stepfather's wishes, he joined the amateur theatre ''Die Tonhalle'', where his acting talent was discovered; this led to an engagement at the Vienna Strampfer-Theater. In 1874 Girardi moved to the Theater an der Wien, where he continued to work for 22 years. In 1896/97 he worked at the Carltheater and then two years at the Volkstheater in Vienna. He also had guest appearances at other important theatres in Vienna and toured Germany (Berlin, Hamburg, Dresden). One of his most renowned roles was Valentin in Ferdinand Raimund's '' Der Verschwender'', particularly his rendition of the " Hob ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ...
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Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of ...
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Light Opera Works
Music Theater Works (formerly Light Opera Works) is a resident professional not-for-profit musical theatre company in Evanston, Illinois. It was founded in 1980 by Philip Kraus, Bridget McDonough, and Ellen Dubinsky. Music Theater Works has presented over 75 productions of operetta and musical theatre at Northwestern University's 1,000-seat Cahn Auditorium. Since 1998, in addition to its three annual productions in this theatre, Music Theater Works also produces a fourth, more intimate show, in the 450 seat Nichols Concert Hall. The company performs all of its productions in English with orchestra. History Kraus was the first Artistic Director of the company, serving from 1981 through 1999. The first production of the company occurred in 1981 with a staging of Gilbert and Sullivan's ''H.M.S. Pinafore''. Under Kraus' leadership, the company's main emphasis in programming centered on American, French and Viennese operetta, and Gilbert and Sullivan's Savoy operas. Lara Teeter succe ...
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Ohio Light Opera
The Ohio Light Opera is a professional opera company based in Wooster, Ohio that performs the light opera repertory, including Gilbert and Sullivan, American, British and continental operettas, and other musical theatre works, especially of the late 19th and early 20th centuries. The company is also known for its recordings of these works. __TOC__ Description of the company The Ohio Light Opera was founded as a cultural and educational endeavor at the College of Wooster in 1979 and has been owned and operated since its inception by the College of Wooster. It grew out of the Kent State Light Opera, which was founded by James Stuart, formerly of the American Savoyards. When the Kent group ended, it was soon transferred to Wooster, with Stuart continuing as its guiding force. The company performs the entire Gilbert and Sullivan repertoire, as well as rarely performed American, British, and continental operettas, Edwardian musical comedies and other musical theatre, mostly of the ...
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Mazurka Der Liebe
''Mazurka der Liebe'' is an East Germany, East German film. It was released in 1957. It is an adaptation of the 1882 operetta ''Der Bettelstudent''. External links

* 1957 films 1957 musical films German musical films East German films 1950s German-language films Films set in Poland Films set in the 1700s Remakes of German films Operetta films Films based on operettas 1950s German films {{musical-film-stub ...
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