Depictions Of The Death Of Iphigenia
Iphigenia was the daughter of Agamemnon and Clytemnestra. According to the story, Agamemnon committed a mistake and had to sacrifice Iphigenia to Artemis to appease her. There are different versions of the story. According to one side of the story, before Agamemnon could sacrifice her, Artemis saved her and replaced her with a deer on the altar. In the other version, Agamemnon actually went through with the sacrifice. The different versions aid in the different depictions of Iphigenia. The sacrifice of Iphigenia is immortalized on many different mediums. Vases are a common base for the story, but there are mosaics, paintings, and written works from every era illustrating the myth of Iphigenia. The most common scene depicted in the different visual media of Iphigenia is when she about to be offered up to Artemis on the altar. Descriptions of the sacrifice by Pausanias Pausanias (geographer), Pausanias was a traveler who wrote the ''Description of Greece'' which depicted his acco ...
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Red Figure Volute Krater With Abduction Of Iphigenia, The Hermitage
Red is the color at the long wavelength end of the visible spectrum of light, next to Orange (colour), orange and opposite Violet (color), violet. It has a dominant wavelength of approximately 625–740 nanometres. It is a primary color in the RGB color model and a secondary color (made from magenta and yellow) in the CMYK color model, and is the complementary color of cyan. Reds range from the brilliant yellow-tinged Scarlet (color), scarlet and Vermilion, vermillion to bluish-red crimson, and vary in shade from the pale red pink to the dark red burgundy (color), burgundy. Red pigment made from ochre was one of the first colors used in prehistoric art. The Ancient Egyptians and Mayan civilization, Mayans colored their faces red in ceremonies; Roman Empire, Roman generals had their bodies colored red to celebrate victories. It was also an important color in China, where it was used to color early pottery and later the gates and walls of palaces. In the Renaissance, the brillian ...
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