Denys Lasdun
Sir Denys Louis Lasdun, CH, CBE, RA (8 September 1914, Kensington, London – 11 January 2001, Fulham, London) was an eminent English architect, the son of Nathan Lasdun (1879–1920) and Julie ('' née'' Abrahams; 1884–1963). Probably his best known work is the Royal National Theatre, on London's South Bank of the Thames, which is a Grade II* listed building and one of the most notable examples of Brutalist design in the United Kingdom. Lasdun studied at the Architectural Association School of Architecture in London, and was a junior in the practice of Wells Coates. Like other Modernist architects, including Sir Basil Spence and Peter and Alison Smithson, Lasdun was much influenced by Le Corbusier and Ludwig Mies van der Rohe, but there was a gentler, more classical influence, too, from the likes of Nicholas Hawksmoor. Lasdun was elected a Royal Academician on 29 May 1991. Family Lasdun's grandfather, the Australia-based tobacconist Louis Abrahams (1852–1903), was ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Royal National Theatre London SouthBankCentre02
Royal may refer to: People * Royal (name), a list of people with either the surname or given name * A member of a royal family Places United States * Royal, Arkansas, an unincorporated community * Royal, Illinois, a village * Royal, Iowa, a city * Royal, Missouri, an unincorporated community * Royal, Nebraska, a village * Royal, Franklin County, North Carolina, an unincorporated area * Royal, Utah, a ghost town * Royal, West Virginia, an unincorporated community * Royal Gorge, on the Arkansas River in Colorado * Royal Township (other) Elsewhere * Mount Royal, a hill in Montreal, Canada * Royal Canal, Dublin, Ireland * Royal National Park, New South Wales, Australia Arts, entertainment, and media * ''Royal'' (Jesse Royal album), a 2021 reggae album * ''The Royal'', a British medical drama television series * ''The Royal Magazine'', a monthly British literary magazine published between 1898 and 1939 * ''Royal'' (Indian magazine), a men's lifestyle bimonthly * Royal Te ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Peter And Alison Smithson
Alison Margaret Smithson (22 June 1928 – 14 August 1993) and Peter Denham Smithson (18 September 1923 – 3 March 2003) were English architects who together formed an architectural partnership, and are often associated with the New Brutalism (especially in architectural and urban theory). Personal lives Peter was born in Stockton-on-Tees in County Durham, north-east England, and Alison Margaret Gill was born in Sheffield, West Riding of Yorkshire. Peter served in the Madras Sappers and Miners in India and Burma, then returned to finish his architectural studies. They met while studying architecture at Durham University and married in 1949. They joined the architecture department of the London County Council as Temporary Technical Assistants before establishing their own partnership in 1950. Of their three children, Simon, Samantha and Soraya, one, Simon, is an architect. Alison Smithson published a novel ''A Portrait of the Female Mind as a Young Girl'' in 1966. Studies ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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James Lasdun
James Lasdun (born 1958) is an English novelist and poet. Life and career Lasdun was born in London, the son of Susan (Bendit) and British architect Sir Denys Lasdun. Lasdun has written four novels, including , a New York Times Notable Book, and , which was an Economist Book of the Year and was longlisted for the Man Booker Prize for fiction. He has published four collections of short stories, including , the title story of which was adapted for film by Bernardo Bertolucci as in 1998. His latest collection was chosen as a Best Book of the Year by , the , the and the . Lasdun has written four books of poetry, one of which, ''Landscape with Chainsaw'', was a finalist for the T S Eliot Prize, the Forward Prize and the Los Angeles Times Book Prize. It was also selected as a TLS International Book of the Year. In 2013 he published a memoir: ''Give Me Everything You Have: On Being Stalked''. With Jonathan Nossiter, Lasdun co-wrote the film ''Sunday'' in 1997, based on his story , wi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Royal College Of Music
The Royal College of Music is a music school, conservatoire established by royal charter in 1882, located in South Kensington, London, UK. It offers training from the Undergraduate education, undergraduate to the Doctorate, doctoral level in all aspects of Western Music including performance, composition, conducting, music theory and history. The RCM also undertakes research, with particular strengths in performance practice and performance science. The college is one of the four conservatories of the ABRSM, Associated Board of the Royal Schools of Music and a member of Conservatoires UK. Its buildings are directly opposite the Royal Albert Hall on Prince Consort Road, next to Imperial College and among the museums and cultural centres of Albertopolis. History Background The college was founded in 1883 to replace the short-lived and unsuccessful National Training School for Music (NTSM). The school was the result of an earlier proposal by the Albert, Prince Consort, Prince Con ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Arthur Benjamin
Arthur Leslie Benjamin (18 September 1893, in Sydney – 10 April 1960, in London) was an Australian composer, pianist, conductor and teacher. He is best known as the composer of '' Jamaican Rumba'' (1938) and of the ''Storm Clouds Cantata'', featured in both versions of the Alfred Hitchcock film ''The Man who Knew Too Much'', in 1934 and 1956. Biography Arthur Benjamin was born in Sydney on 18 September 1893 into a Jewish family, although he was a non-practicing Jew. His parents moved to Brisbane when Arthur was three years old. At the age of six, he made his first public appearance as a pianist and his formal musical training began three years later with George Sampson, the Organist of St John's Cathedral and Brisbane City Organist. In 1911, Benjamin won a scholarship from Brisbane Grammar School to the Royal College of Music (RCM), where he studied composition with Charles Villiers Stanford, harmony and counterpoint with Thomas Dunhill, and piano with Frederic Cliffe. In 1 ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Rio Grande (Lambert)
''The Rio Grande'' is a secular cantata by English composer Constant Lambert. Written in 1927, it achieved instant and long-lasting popularity on its appearance on the concert stage in 1929. It is an example of symphonic jazz, not unlike the style of George Gershwin's ''Rhapsody in Blue'', although it is very much Lambert's individual conception. It combines jazzy syncopation with lithe Latin American dance rhythms that create an air of haunting nostalgia. ''The Rio Grande'' takes roughly 15 to 20 minutes to perform. It was dedicated to Angus Morrison, who played at its first (broadcast) performance. The text is a poem by Sacheverell Sitwell, first published in his collection ''The Thirteenth Caesar, and other Poems'' (1924). The poem refers to a river in Brazil, although there is no Brazilian river called Rio Grande. No other work of Lambert's achieved the level of popularity achieved by ''The Rio Grande''. It is still performed regularly today, at the BBC Proms (including the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Constant Lambert
Leonard Constant Lambert (23 August 190521 August 1951) was a British composer, conductor, and author. He was the founder and music director of the Royal Ballet, and (alongside Ninette de Valois and Frederick Ashton) he was a major figure in the establishment of the English ballet as a significant artistic movement. His ballet commitments, including extensive conducting work throughout his life, restricted his compositional activities. However one work, '' The Rio Grande'', for chorus, orchestra and piano soloist, achieved widespread popularity in the 1920s, and is still regularly performed today. His other work includes a jazz influenced Piano Concerto (1931), major ballet scores such as '' Horoscope'' (1937) and a full-scale choral masque ''Summer's Last Will and Testament'' (1936) that some consider his masterpiece. Lambert had wide-ranging interests beyond music, as can be seen from his critical study ''Music Ho!'' (1934), which places music in the context of the other arts ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Adila Fachiri
Adila Fachiri (26 February 188615 December 1962) was a Hungarian violinist who had an international career but made her home in England. She was the sister of the violinist Jelly d'Arányi. Born Adila Arányi de Hunyadvár in Budapest, her early musical education was at the Royal Academy of Music in Budapest. She began to study violin under Jenő Hubay when she was ten years old. At the age of 17, she won the artists' diploma, the highest musical distinction in Hungary. She was a great-niece of Joseph Joachim, and she studied with him in Berlin until his death, being possibly the only private pupil he ever accepted. He bequeathed to her one of his Stradivarius violins. She first went to England in 1909, and in 1915, she married Alexander Fachiri, an English barrister living in London. By 1924, she had played in public in Hungary, Austria, Germany, Italy, France and the Netherlands, as well as appearing regularly at London concerts. One of her preferred accompanists was the pianist ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Heidelberg School
The Heidelberg School was an Australian art movement of the late 19th century. It has latterly been described as Australian impressionism. Melbourne art critic Sidney Dickinson coined the term in an 1891 review of works by Arthur Streeton and Walter Withers, two local artists who painted ''en plein air'' in Heidelberg on the city's rural outskirts. The term has since evolved to cover painters who worked together at "artists' camps" around Melbourne and Sydney in the 1880s and 1890s. Along with Streeton and Withers, Tom Roberts, Charles Conder and Frederick McCubbin are considered key figures of the movement. Drawing on naturalist and impressionist ideas, they sought to capture Australian life, the bush, and the harsh sunlight that typifies the country. The movement emerged at a time of strong nationalist sentiment in Australia, then a group of colonies on the cusp of federating. The artists' paintings, not unlike the bush poems of the Bulletin School, were celebrated for be ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Arthur Streeton
Sir Arthur Ernest Streeton (8 April 1867 – 1 September 1943) was an Australian landscape painter and a leading member of the Heidelberg School, also known as Australian Impressionism. Early life Streeton was born in Mt Moriac, Victoria, south-west of Geelong, on 8 April 1867 the fourth child of Charles Henry and Mary (née Johnson) Streeton. His family moved to Richmond in 1874. His parents had met on the voyage from England in 1854."Streeton, Sir Arthur Ernest (1867–1943)," ''Australian Dictionary of Biography Online'' In 1882, Streeton commenced art studies with G. F. Folingsby at the National Gallery School.Reid, John B. (1977). ''Australian Artists at War: Compiled ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Frederick McCubbin
Frederick McCubbin (25 February 1855 – 20 December 1917) was an Australian artist, art teacher and prominent member of the Heidelberg School art movement, also known as Australian impressionism. Born and raised in Melbourne, Victoria, McCubbin studied at the National Gallery of Victoria Art School under a number of artists, notably Eugene von Guerard and later George Folingsby. One of his former classmates, Tom Roberts, returned from art training in Europe in 1885, and that summer they established the Box Hill artists' camp, where they were joined by Arthur Streeton and Charles Conder. These artists formed the nucleus of what became known as the Heidelberg School, a ''plein air'' art movement named after Heidelberg, the site of another one of their camps. During this time, he taught at the National Gallery school, and later served as president of both the Victorian Artists' Society and the Australian Art Association. Concerned with capturing the national life of Australia, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Louis Abrahams (art Patron)
Louis Abrahams (1852 – 2 December 1903) was a British-born Australian tobacconist, art patron, painter and etcher associated with the Heidelberg School art movement, also known as Australian Impressionism. Early life Born in London, England, Abrahams arrived in Melbourne, Victoria, Australia, as an eight-year-old with his family in 1860. Career and association with the Heidelberg School Later that decade, Abrahams attended the Artisans School of Design in Carlton, where he met Frederick McCubbin. The pair formed a close friendship and later enrolled at the National Gallery of Victoria Art School in 1871, where they founded a club to study the nude. McCubbin named his first son Louis after Abrahams, who reciprocated by naming his son Frederick. Both artists, along with fellow National Gallery student Tom Roberts, established the Box Hill artists' camp in 1885. Later accompanied by Arthur Streeton, Charles Conder and others, the group sought to capture the Australian bush b ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |