|
Della Della Cha-Cha-Cha
''Della, Della, Cha-Cha-Cha'' is an album by singer and actress Della Reese. It is an album of standards, performed with a cha-cha-cha Cha cha cha may refer to: * ''Cha-cha-chá'' (music), a style of Cuban dance music * Cha-cha-cha (dance), a Latin American dance accompanying the music Film and television * ''Cha Cha Cha'' (film), a 2013 Italian crime film * ''Cha Cha Cha'' ... rhythm and beat. The album was recorded in New York City in 1960, and it was conducted by O. B. Masingill. Track listing References {{Authority control 1961 albums Della Reese albums RCA Victor albums ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Studio Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Whatever Lola Wants
"Whatever Lola Wants" is a popular song, sometimes rendered as "Whatever Lola Wants, Lola Gets". The music and words were written by Richard Adler and Jerry Ross for the 1955 musical play ''Damn Yankees''. The song is sung to Joe Hardy by Lola, the Devil's assistant, a part originated by Gwen Verdon, who reprised the role in the film. The saying was inspired by Lola Montez, an Irish-born "Spanish dancer" and mistress of King Ludwig I of Bavaria, who later became a San Francisco Gold Rush vamp. Also recorded by *Natacha Atlas *Les Baxter *Tony Bennett (1955) *Ran Blake *Lola Blanc *Bob & Ray * Les Brown *Reeve Carney ''Live at Molly Malone's'' (2006) *Petula Clark *Alma Cogan (1957) *Annie Cordy - French version ''Tout ce que veut Lola'' (1957) *Xavier Cugat *Carla Boni *Chiwetel Ejiofor *Gracie Fields *Ella Fitzgerald (1963) *Gotan Project *The Hi-Lo's - ''A Musical Thrill'' (2006) *Molly Johnson *Louis Jordan *Stan Kenton - ''The Stage Door Swings'' (1958) *Eartha Kitt (1962) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Love For Sale (song)
"Love for Sale" is a song by Cole Porter introduced by Kathryn Crawford in the musical ''The New Yorkers,'' which opened on Broadway on December 8, 1930 and closed in May 1931 after 168 performances. The song is written from the viewpoint of a prostitute advertising "love for sale". Early versions The song's chorus, like many in the Great American Songbook, is written in the A-A-B-A format. However, instead of 32 bars, it has 64, plus an 8-bar tag. The tag is often dropped when the song is performed. The tune, like many of Porter's, shifts between a major and minor feeling. The A section is in the key of B-flat minor before modulating to B-flat major and back. Background When the song came out in 1930, a newspaper labelled it as 'in bad taste';Schwartz, Charles (1979). ''Cole Porter''. Da Capo Press. , pp. 115–116 radio stations avoided broadcasting it. Because of the complaints, Porter shifted the setting of the song in the musical to the Cotton Club in Harlem, where it was su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenz Hart
Lorenz Milton Hart (May 2, 1895 – November 22, 1943) was an American lyricist and half of the Broadway songwriting team Rodgers and Hart. Some of his more famous lyrics include " Blue Moon", " The Lady Is a Tramp", "Manhattan", "Bewitched, Bothered and Bewildered", and "My Funny Valentine". Life and career Hart was born in Harlem, New York City, the elder of two sons, to Jewish immigrant parents, Max M. and Frieda (Isenberg) Hart, of German background. Through his mother, he was a great-grandnephew of the German poet Heinrich Heine. His father, a business promoter, sent Hart and his brother to private schools. (His brother, Teddy Hart, also went into theatre and became a musical comedy star. Teddy Hart's wife, Dorothy Hart, wrote a biography of Lorenz Hart.) Hart received his early education from Columbia Grammar School and entered Columbia College in 1913, before switching to Columbia University School of Journalism, where he attended for two years. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Rodgers
Richard Charles Rodgers (June 28, 1902 – December 30, 1979) was an American Musical composition, composer who worked primarily in musical theater. With 43 Broadway musicals and over 900 songs to his credit, Rodgers was one of the most well-known American composers of the 20th century, and his compositions had a significant influence on popular music. Rodgers is known for his songwriting partnerships, first with lyricist Lorenz Hart and then with Oscar Hammerstein II. With Hart he wrote musicals throughout the 1920s and 1930s, including ''Pal Joey (musical), Pal Joey'', ''A Connecticut Yankee (musical), A Connecticut Yankee'', ''On Your Toes'' and ''Babes in Arms.'' With Hammerstein he wrote musicals through the 1940s and 1950s, such as ''Oklahoma!'', ''Flower Drum Song'', ''Carousel (musical), Carousel'', ''South Pacific (musical), South Pacific'', ''The King and I'', and ''The Sound of Music''. His collaborations with Hammerstein, in particular, are celebrated for brin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
There's A Small Hotel
"There's a Small Hotel" is a 1936 song composed by Richard Rodgers, with lyrics by Lorenz Hart. Originally written for but dropped from the musical ''Billy Rose's Jumbo'' (1935), it was used in ''On Your Toes'' (1936), where it was introduced by Ray Bolger and Doris Carson, and repeated by Jack Whiting and Vera Zorina in the London West End production that opened on 5 February 1937, at the Palace Theatre. Betty Garrett sang it in the 1948 film ''Words and Music'', and it was interpolated in the film version of '' Pal Joey'' (1957) with a Frank Sinatra-Nelson Riddle collaboration. Background According to the biography of Lorenz Hart by Frederick Nolan (''Lorenz Hart - A Poet on Broadway'', 1994; Oxford University Press, ), the song was inspired by a visit that Richard Rodgers made to the Stockton Inn, in Stockton, New Jersey. Hart reputedly found the melody insistently cloying and often ad-libbed raunchy parody verses, much to Rodgers' chagrin. Another claimant to be the inspi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harold Spina
Harold Spina (21 June 1906 – 18 July 1997) was an American composer of popular songs. His best-known work happened in the early 1930s, when he collaborated with lyricists Johnny Burke and Joe Young on songs such as "Annie Doesn't Live Here Anymore", "You're Not the Only Oyster in the Stew", "My Very Good Friend the Milkman" (these two hits for Fats Waller), "Shadows on the Swanee", "The Beat of My Heart", "Now You've Got Me Doing It", and "I've Got a Warm Spot in My Heart for You". He also collaborated with lyricist John Elliot for several songs, including "It's So Nice To Have A Man Around The House" (made famous by Dinah Shore).Lonergan (2005) p. 114 In Popular Culture In the movie Topper Returns (1941), after the character Annie (played by Carole Landis) is nearly killed by a falling chandelier, the character Gail (played by Joan Blondell) exclaims "Six more inches and we'd all be singing 'Annie Doesn't Live Here Anymore.'" The Martin Scorsese film title '' Alice ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Elliot (songwriter)
John Elliot (also known as Jack Elliot, John M. Elliot, John M. Elliott and Jack Elliott) (7 May 1914 – 3 January 1972) was an American songwriter, credited with having written more than 600 songs for motion pictures.''The Hour'' (5 January 1972), p. 6. Biography Elliot was born in Gowanda, New York, on 7 May 1914. He was educated at Bennett High School in Buffalo, New York and then worked as an entertainer in vaudeville, nightclubs, and on radio. In 1939, he also worked as a theatre reporter for the Chicago edition of ''Variety'' magazine. He began to write songs in 1940, moved to Hollywood in 1943, and became a member of ASCAP in 1945. Jack subsequently composed songs for over 40 Western movies at Republic Studios alone, most notably for Roy Rogers and Dale Evans films. He was the lyricist for several songs by Harold Spina, including "It's So Nice To Have A Man Around The House" (made famous by Dinah Shore). With Lew Quadling, he wrote " Sam's Song", which was a hit recording i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Always True To You In My Fashion
"Always True to You in My Fashion" is a 1948 show tune by Cole Porter, written for the musical ''Kiss Me, Kate''. It is based on ''Non Sum Qualis Eram Bonae sub Regno Cynarae,'' a similarly ironic poem by the English Decadent poet Ernest Dowson (1867–1900), which has the refrain 'I have been faithful to thee, Cynara! in my fashion,' and which was probably inspired by Dowson's lifelong friend Adelaide Foltinowicz, who never returned his devotion. The phrase "faithful in my fashion" entered the language before the song was written, and was the title of a 1946 Hollywood film. The singer protests that she is always faithful to her main love in her own way, despite seeing, and accepting gifts from, wealthy men. The strong ironic innuendo is that she trades sexual favours for gifts. The song is full of wordplay, such as the spoonerism "If the Harris pat means a Paris hat ..." The song is sung in the second half of the show by Lois (Bianca) to her love interest, Bill (Lucentio), who ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincent Youmans
Vincent Millie Youmans (September 27, 1898 – April 5, 1946) was an American Broadway composer and producer. A leading Broadway composer of his day, Youmans collaborated with virtually all the greatest lyricists on Broadway: Ira Gershwin, Otto Harbach, Oscar Hammerstein II, Irving Caesar, Anne Caldwell, Leo Robin, Howard Dietz, Clifford Grey, Billy Rose, Edward Eliscu, Edward Heyman, Harold Adamson, Buddy DeSylva and Gus Kahn. Youmans' early songs are remarkable for their economy of melodic material: two-, three- or four-note phrases are constantly repeated and varied by subtle harmonic or rhythmic changes. In later years, however, he turned to longer musical sentences and more rhapsodic melodic lines. Youmans published fewer than 100 songs, but 18 of these were considered standards by ASCAP, a remarkably high percentage. Biography Youmans was born in New York City, United States, into a prosperous family of hat makers. When he was two, his father moved the family to upp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irving Caesar
Irving Caesar (born Isidor Keiser, July 4, 1895 – December 18, 1996) was an American lyricist and theater composer who wrote lyrics for numerous song standards, including " Swanee", "Sometimes I'm Happy", "Crazy Rhythm", and " Tea for Two", one of the most frequently recorded tunes ever written. In 1972, he was inducted into the Songwriters Hall of Fame. Biography Caesar, the son of Morris Keiser, a Romanian Jew, was born in New York City, United States. His older brother Arthur Caesar was a successful Hollywood screenwriter. The Caesar brothers spent their childhood and teen years in Yorkville, the same Manhattan neighborhood where the Marx Brothers were raised. Caesar knew the Marx Brothers during his childhood. He was educated at Chappaqua Mountain Institute in Chappaqua, New York. In his career, Caesar collaborated with a wide variety of composers and songwriters, including Rudolf Friml, George Gershwin, Sigmund Romberg, Victor Herbert, Ted Koehler and Ray Hender ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tea For Two (song)
"Tea for Two" is a 1924 song composed by Vincent Youmans, with lyrics by Irving Caesar. It was introduced in May 1924 by Phyllis Cleveland and John Barker during the Chicago pre-Broadway run of the musical ''No, No, Nanette''. When the show finally hit Broadway on September 16, 1925, Nanette was played by Louise Groody, and her duet with Barker of "Tea for Two" was a hit. The song went on to become the biggest success of Youmans' career. Background Youmans had written the basic melody idea of "Tea for Two" while he was in the navy during World War I, and he used it later on as an introductory passage for a song called "Who's Who with You?" While in Chicago, Youmans developed the idea into "a song that the hero could sing to the heroine" for the musical ''No, No, Nanette''. He soon after played his composition for Irving Caesar and insisted he write the lyrics then and there. Caesar quickly jotted down a mock-up lyric, fully intending to revise it later on. Youmans, though, loved ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
