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Deceivers (album)
''Deceivers'' is the eleventh studio album by Swedish melodic death metal band Arch Enemy. Originally scheduled for a 29 July 2022 release, the album was pushed back to 12 August 2022 for undisclosed reasons. ''Deceivers'' is Arch Enemy's first studio album since 2017's ''Will to Power'', marking the longest gap between two of their studio albums. Background and recording Writing began as early as October 2018: main songwriter and guitarist Michael Amott mentioned on an interview with Loudwire that he had "a few new ideas already for new stuff". In February 2021, on "The Riffhard Podcast", lead guitarist Jeff Loomis revealed he was "doing solos for the new Arch Enemy album", though adding he did not know when it would be released. All of the album was recorded in Europe, except for Loomis' guitar contributions: due to traveling restrictions, he was unable to join the rest of the band, so they ended up "having him do his solos in the studio in Seattle". The song “Spreading Bl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arch Enemy
Arch Enemy is a Swedish melodic death metal band, originally a supergroup from Halmstad, formed in 1995. Its members were in bands such as Carcass, Armageddon, Carnage, Mercyful Fate, Spiritual Beggars, The Agonist, Nevermore, and Eucharist. It was founded by Carcass guitarist Michael Amott along with Johan Liiva, who were both originally from the death metal band Carnage. The band has released eleven studio albums, three live albums, three video albums and four EPs. The band was originally fronted by Johan Liiva, who was replaced by German vocalist Angela Gossow in 2000. Gossow left the band in March 2014 to become the group's manager and was replaced by Canadian vocalist Alissa White-Gluz. History Early years and ''Black Earth'' (1995–1997) Arch Enemy's debut album was '' Black Earth'', was recorded in Studio Fredman and released by the now defunct Wrong Again Records in 1996. ''Stigmata'', ''Burning Bridges'', and Gossow (1998–2000) After the release of ''Bla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Instrumental
An instrumental is a recording normally without any vocals, although it might include some inarticulate vocals, such as shouted backup vocals in a big band setting. Through semantic widening, a broader sense of the word song may refer to instrumentals. The music is primarily or exclusively produced using musical instruments. An instrumental can exist in music notation, after it is written by a composer; in the mind of the composer (especially in cases where the composer themselves will perform the piece, as in the case of a blues solo guitarist or a folk music fiddle player); as a piece that is performed live by a single instrumentalist or a musical ensemble, which could range in components from a duo or trio to a large big band, concert band or orchestra. In a song that is otherwise sung, a section that is not sung but which is played by instruments can be called an instrumental interlude, or, if it occurs at the beginning of the song, before the singer starts to sing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard Japan
''Billboard Japan'' is a sister organization of the U.S.-based music magazine ''Billboard''. It is operated by the Japanese Osaka-based company Hanshin Contents Link (a subsidiary of Hanshin Electric Railway), holding an exclusive licence from ''Billboard''s parent company to the Billboard brand name in Japan,"Hanshin Contents Link, the operator of Billboard Japan": and manages, among others, the website www.billboard-japan.com and several "Billboard Live"-branded music clubs located in the country. In February 2008, Hanshin Contents Link, under licence from ''Billboard'', launched the ''Billboard Japan'' Hot 100 music chart. As of 2016, the list of charts compiled by ''Billboard Japan'' also includes an albums chart named ''Billboard Japan'' Hot Albums, sales-only-based charts Top Singles Sales, Top Albums Sales, Top Jazz Albums Sales, and Top Classical Albums Sales, a radio-airplay chart named Radio Songs, an animation music Animation music is original music written specifically ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Federazione Industria Musicale Italiana
The Federazione Industria Musicale Italiana (FIMI) is an umbrella organization that keeps track of virtually all aspects of the music recording industry in Italy. It was established in 1992, when major corporate labels left the previously existing Associazione dei Fonografici Italiani (AFI). During the following years, most of the remaining Italian record labels left AFI to join the new organisation. As of 2011, FIMI represents 2,500 companies operating in the music business. FIMI is a member of the International Federation of the Phonographic Industry and of the Italian employers' federation, Confindustria. Its main purpose is to protect the interests of the Italian record industry. Starting in March 1995, the Italian Music Industry Federation began providing the Italian official albums chart. In January 1997, FIMI also became the provider of the Italian official singles chart. Due to the decrease of CD singles sales in Italy, FIMI replaced its physical singles chart with a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sound Recording And Reproduction
Sound recording and reproduction is the electrical, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording technology are analog recording and digital recording. Sound recording is the transcription of invisible vibrations in air onto a storage medium such as a phonograph disc. The process is reversed in sound reproduction, and the variations stored on the medium are transformed back into sound waves. Acoustic analog recording is achieved by a microphone diaphragm that senses changes in atmospheric pressure caused by acoustic sound waves and records them as a mechanical representation of the sound waves on a medium such as a phonograph record (in which a stylus cuts grooves on a record). In magnetic tape recording, the sound waves vibrate the microphone diaphragm and are converted into a varying electric current, which is then converted to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mastering (audio)
Mastering, a form of audio post production, is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device (the master), the source from which all copies will be produced (via methods such as pressing, duplication or replication). In recent years digital masters have become usual, although analog masters—such as audio tapes—are still being used by the manufacturing industry, particularly by a few engineers who specialize in analog mastering. Mastering requires critical listening; however, software tools exist to facilitate the process. Results depend upon the intent of the engineer, the skills of the engineer, the accuracy of the speaker monitors, and the listening environment. Mastering engineers often apply equalization and dynamic range compression in order to optimize sound translation on all playback systems. It is standard practice to make a copy of a master recording—known as a safety copy—in case ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Mixing (recorded Music)
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo (or surround) field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product. Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production. Audio mixing may be performed on a mixing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Engineer
An audio engineer (also known as a sound engineer or recording engineer) helps to produce a recording or a live performance, balancing and adjusting sound sources using equalization, dynamics processing and audio effects, mixing, reproduction, and reinforcement of sound. Audio engineers work on the "technical aspect of recording—the placing of microphones, pre-amp knobs, the setting of levels. The physical recording of any project is done by an engineer... the nuts and bolts." Sound engineering is increasingly seen as a creative profession where musical instruments and technology are used to produce sound for film, radio, television, music and video games. Audio engineers also set up, sound check and do live sound mixing using a mixing console and a sound reinforcement system for music concerts, theatre, sports games and corporate events. Alternatively, ''audio engineer'' can refer to a scientist or professional engineer who holds an engineering degree and who designs, dev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sharlee D'Angelo
Sharlee D'Angelo (born Charles Petter Andreason, 27 April 1973) is the Swedish bassist for the melodic death metal band Arch Enemy, as well as the classic rock/AOR band the Night Flight Orchestra and the stoner metal band Spiritual Beggars. D'Angelo has also been in various bands in the past, either as a studio session player or full member. These include Arch Enemy, Mercyful Fate, Dismember, King Diamond and Witchery. Equipment He plays with Dunlop picks and primarily used Rickenbacker bass guitars in his early career, before switching to playing and endorsing Ibanez Iceman bass guitars in 2005. Ibanez now produces the Sharlee D'Angelo signature bass guitar, called the SDB2, which is tuned to D'Angelo's preferred C standard (Low to High – C, F, Bb, Eb). Influences D'Angelo has cited a number of bass playe ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jeff Loomis
Jeff Loomis (born September 14, 1971) is an American musician, best known for his role as lead guitarist in the progressive metal band Nevermore during its existence from 1991 to 2011, as well as brief tenures in its precursor, Sanctuary (band), Sanctuary. In 2014, he joined Swedish melodic death metal band Arch Enemy, and in 2021 he joined Alcatrazz, Graham Bonnet's Alcatrazz as well. As a solo artist he has released two albums and one EP. Biography Early days Loomis got his first instrument at nine or ten years old, but did not start practicing seriously until around the age of 15.Metal-Rules.com, ''Nevermore Interview with Jeff Loomis'' aMetal-Rules.com last accessed April 28, 2007. As a teenager in Wisconsin he played in a handful of cover bands and three death metal bands before joining more established bands.Jeffloomis.com, ''Bio'' aJeffloomis.com; last accessed May 26, 2007.Jeffloomis.com, ''Discography'' a; last accessed May 26, 2007. Guitarists whose style influenced Lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythm Guitar
In music performances, rhythm guitar is a technique and role that performs a combination of two functions: to provide all or part of the rhythmic pulse in conjunction with other instruments from the rhythm section (e.g., drum kit, bass guitar); and to provide all or part of the harmony, i.e. the chords from a song's chord progression, where a chord is a group of notes played together. Therefore, the basic technique of rhythm guitar is to hold down a series of chords with the fretting hand while strumming or fingerpicking rhythmically with the other hand. More developed rhythm techniques include arpeggios, damping, riffs, chord solos, and complex strums. In ensembles or bands playing within the acoustic, country, blues, rock or metal genres (among others), a guitarist playing the rhythm part of a composition plays the role of supporting the melodic lines and improvised solos played on the lead instrument or instruments, be they strings, wind, brass, keyboard or even percus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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