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Death And The Child
Death and the Child is a composition created by Edvard Munch in 1889. Since 1918 it is located in the Kunsthalle Bremen. It depicts a little girl at her mother’s deathbed who is looking at the viewer in a fearful manner. A second, thus far unknown painting of the artist was discovered underneath the canvas in 2005. A new version of that motif, which refers to Munch’s family and the early death of his mother was created between 1897 and 1899 and is now hanging in the Munch Museum in Oslo. An etching was made in 1901 with this motif. Description The picture is a bit higher than it is wide. Shown from above, a small child with blonde hair is depicted in the left half of the painting, who is facing the viewer, standing in front of the bed of a dead or dying woman to whom she has turned her back. Her arms are raised, the hands seem to be pressed against the ears, the head is slightly lowered. Her facial expression is unhappy, the blue eyes are wide open. The child is wearing a wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edvard Munch
Edvard Munch ( , ; 12 December 1863 – 23 January 1944) was a Norwegian painter. His best known work, ''The Scream'' (1893), has become one of Western art's most iconic images. His childhood was overshadowed by illness, bereavement and the dread of inheriting a mental condition that ran in the family. Studying at the Royal School of Art and Design in Kristiania (today's Oslo), Munch began to live a bohemian life under the influence of the nihilist Hans Jæger, who urged him to paint his own emotional and psychological state (' soul painting'). From this emerged his distinctive style. Travel brought new influences and outlets. In Paris, he learned much from Paul Gauguin, Vincent van Gogh and Henri de Toulouse-Lautrec, especially their use of color. In Berlin, he met the Swedish dramatist August Strindberg, whom he painted, as he embarked on a major series of paintings he would later call ''The Frieze of Life'', depicting a series of deeply-felt themes such as love, anxiety, je ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stretcher Bar
A stretcher bar is used to construct a wooden stretcher used by artists to mount their canvases. They are traditionally a wooden framework support on which an artist fastens a piece of canvas. They are also used for small-scale embroidery to provide steady tension, affixing the edges of the fabric with push-pins or a staple gun before beginning to sew, and then removing it from the stretcher when the work is complete. Stretchers are usually in the shape of a rectangle, although shaped canvases are also possible. Construction Since a stretcher is simply a frame, it can be constructed in a variety of ways. The differences in construction have to do with how the corners are built. Commercially available pre-fabricated stretchers come in segments with interlocking corners, that can be fit together like puzzle pieces. Corner supports can also be made using simple woodworking techniques, however. In the case of the French stretcher, a mitre joint is used to adhere the corners. "Keys ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Impressionism
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open Composition (visual arts), composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s. The Impressionists faced harsh opposition from the conventional art community in France. The name of the style derives from the title of a Claude Monet work, ''Impression, soleil levant'' (''Impression, Sunrise''), which provoked the critic Louis Leroy to coin the term in a Satire, satirical review published in the Parisian newspaper ''Le Charivari''. The development of Impressionism in the visual arts was soon followed by analogo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synthetism
Synthetism is a term used by post-Impressionist artists like Paul Gauguin, Émile Bernard and Louis Anquetin to distinguish their work from Impressionism. Earlier, ''Synthetism'' has been connected to the term Cloisonnism, and later to Symbolism. The term is derived from the French verb ''synthétiser'' (''to synthesize'' or ''to combine so as to form a new, complex product''). History Paul Gauguin, Émile Bernard, Louis Anquetin, and others pioneered the style during the late 1880s and early 1890s. Synthetist artists aimed to ''synthesize'' three features: *The outward appearance of natural forms. *The artist's feelings about their subject. *The purity of the aesthetic considerations of line, colour and form. In 1890, Maurice Denis summarized the goals for synthetism as, :''It is well to remember that a picture before being a battle horse, a nude woman, or some anecdote, is essentially a flat surface covered with colours assembled in a certain order.'' The term was first used i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allegorical
As a literary device or artistic form, an allegory is a narrative or visual representation in which a character, place, or event can be interpreted to represent a hidden meaning with moral or political significance. Authors have used allegory throughout history in all forms of art to illustrate or convey complex ideas and concepts in ways that are comprehensible or striking to its viewers, readers, or listeners. Writers and speakers typically use allegories to convey (semi-)hidden or complex meanings through symbolic figures, actions, imagery, or events, which together create the moral, spiritual, or political meaning the author wishes to convey. Many allegories use personification of abstract concepts. Etymology First attested in English in 1382, the word ''allegory'' comes from Latin ''allegoria'', the latinisation of the Greek ἀλληγορία (''allegoría''), "veiled language, figurative", which in turn comes from both ἄλλος (''allos''), "another, different" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oil Pastel
An oil pastel is a painting and drawing medium formed into a stick which consists of pigment mixed with a binder mixture of non-drying oil and wax. They differ from other pastel sticks which are made with a gum or methyl cellulose binder, and from wax crayons which are made without oil. The surface of an oil pastel painting is less powdery than one made from gum pastels, but more difficult to protect with a fixative. Oil pastels are bold and bright. They can be blended easily but they can break easily too. History At the end of World War I, Kanae Yamamoto proposed an overhaul of the Japanese education system. He thought that it had been geared too much towards uncritical absorption of information by imitation and wanted to promote a less restraining system, a vision he expounded in his book ''Theory of self-expression'' which described the ''Jiyu-ga'' method, "learning without a teacher". Teachers Rinzo Satake and his brother-in-law Shuku Sasaki read Yamamoto's work and beca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melancholy (Munch)
''Melancholy'' (Norwegian: ''Melankoli''; also known as ''Jappe on the Beach'', ''Jealousy'' or ''Evening'') is a painting by the Norwegian artist Edvard Munch. Munch painted multiple variant versions of the expressionist work in oil on canvas during the period 1891–1893. The painting depicts a man with his head resting in his hand in a pensive mood at the edge of a shoreline. The inspiration for the painting was an unhappy romantic affair that Munch's friend, Jappe Nilssen, was involved in. In Munch's painting the figure of the melancholy man is at the right, and his mood is represented by the undulating shoreline and skylines that extend toward the left. Critics suggest that there are also erotic allusions, perhaps in the presence of the Moon reflected on the water. The landscape represents Asgardstrand's beach where Munch spent his summers from 1889. ''Melancholy'' was exhibited in 1891 at the Autumn Exhibition in Oslo.Eggum, Arne (1984). ''Edvard Munch: Paintings, sketch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Casein Paint
Casein paint, (or cassein) derived from milk casein (milk protein), is a fast-drying, water-soluble medium used by artists. Description It generally has a glue-like consistency, but can be thinned with water to the degree that fits a particular artist's style and desired result. It can be used on canvas panels, illustration boards, paper, wood, and masonite. Because the dried paint film is inflexible and brittle, it is not appropriate for heavy impasto on flexible supports like canvas; canvas laminated to board is more suitable. Casein paint is reworkable and can be used for underpainting. It generally dries to a matte finish. Uses Casein paint has been used since ancient Egyptian times as a form of distemper paint, and is still used today. One of the qualities for which artists value casein paint is that unlike gouache, it dries to an even consistency, making it ideal for murals. Also, it can visually resemble oil painting more than most other water-based paints, and works well ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Etching
Etching is traditionally the process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. In modern manufacturing, other chemicals may be used on other types of material. As a method of printmaking, it is, along with engraving, the most important technique for old master prints, and remains in wide use today. In a number of modern variants such as microfabrication etching and photochemical milling it is a crucial technique in much modern technology, including circuit boards. In traditional pure etching, a metal plate (usually of copper, zinc or steel) is covered with a waxy ground which is resistant to acid. The artist then scratches off the ground with a pointed etching needle where the artist wants a line to appear in the finished piece, exposing the bare metal. The échoppe, a tool with a slanted oval section, is also used for "swelling" lines. The plate is then dipped in a bath of aci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Gallery (Norway)
The National Gallery ( no, Nasjonalgalleriet) is a gallery in Oslo, Norway. Since 2003 it is administratively a part of the National Museum of Art, Architecture and Design. , the admission cost is 100 Norwegian kroner. History It was established in 1842 following a parliamentary decision from 1836. Originally located in the Royal Palace, Oslo, it got its own museum building in 1882, designed by Heinrich Ernst and Adolf Schirmer. Former names of the museum include ''Den norske stats sentralmuseum for billedkunst'' and from 1903 to 1920 ''Statens Kunstmuseum''. Directors include Jens Thiis (1908–1941), Sigurd Willoch (1946–1973), Knut Berg (1975–1995), Tone Skedsmo (1995–2000) and Anniken Thue (2001–2003). That the gallery had erroneously been labeled as technically unfit for paintings was reported in 2013. (A previous study—about the museums—''tåleevne'') had never concluded about the fitness level, and Norway's parliament had been misinformed about conclusions t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Radiography
Radiography is an imaging technique using X-rays, gamma rays, or similar ionizing radiation and non-ionizing radiation to view the internal form of an object. Applications of radiography include medical radiography ("diagnostic" and "therapeutic") and industrial radiography. Similar techniques are used in airport security (where "body scanners" generally use backscatter X-ray). To create an image in conventional radiography, a beam of X-rays is produced by an X-ray generator and is projected toward the object. A certain amount of the X-rays or other radiation is absorbed by the object, dependent on the object's density and structural composition. The X-rays that pass through the object are captured behind the object by a detector (either photographic film or a digital detector). The generation of flat two dimensional images by this technique is called projectional radiography. In computed tomography (CT scanning) an X-ray source and its associated detectors rotate around the su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kunsthalle Bremen
The Kunsthalle Bremen is an art museum in Bremen, Germany. It is located close to the Bremen Old Town on the "Culture Mile" (german: Kulturmeile). The Kunsthalle was built in 1849, enlarged in 1902 by architect Eduard Gildemeister, and expanded several more times, most notably in 2011. Since 1977, the building has been designated a Kulturdenkmal on Germany's buildings heritage list. The museum houses a collection of European paintings from the 14th century to the present day, sculptures from the 16th to 21st centuries and a New Media collection. Among its highlights are French and German paintings from the 19th and 20th century, including important works by Claude Monet, Édouard Manet and Paul Cézanne, along with major paintings by Lovis Corinth, Max Liebermann, Max Beckmann and Paula Modersohn-Becker. The New Media section features works by John Cage, Otto Piene, Peter Campus, Olafur Eliasson, and Nam June Paik. The Department of Prints and Drawings has 220,000 sheets from th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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