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Deaccessioning
Deaccessioning is the process by which a work of art or other object is permanently removed from a museum's collection to sell it or otherwise dispose of it.Report from the AAMD Task Force on Deaccessioning. 2010. ''AAMD Policy on Deaccessioning''. The Association of American Museum Directors, June 9, 2010. Retrieved from Accessed November 14, 2015. Deaccession policy The process undertaken by a museum to deaccession a work involves several steps that are usually laid out in a museum's collection management policy. The terms under which an object may be considered for removal, as well as the individuals with the authority to approve the process are outlined in the ''deaccession'' section of this article. Additionally, this section lays out the legal restrictions and ethical considerations associated with removal of the object and the types of disposal that are appropriate based on the reason for the deaccession. Decision process Each museum establishes its own method and workf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Collection (artwork)
A museum is distinguished by a collection of often unique objects that forms the core of its activities for exhibitions, education, research, etc. This differentiates it from an archive or library, where the contents may be more paper-based, replaceable and less exhibition oriented, or a private collection of art formed by an individual, family or institution that may grant no public access. A museum normally has a collecting policy for new acquisitions, so only objects in certain categories and of a certain quality are accepted into the collection. The process by which an object is formally included in the collection is called ''accessioning'' and each object is given a unique accession number. Museum collections, and archives in general, are normally catalogued in a collection catalogue, traditionally in a card index, but nowadays in a computerized database. Transferring collection catalogues onto computer-based media is a major undertaking for most museums. All new acquisiti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Collection Management Policy
Collections management involves the development, storage, and preservation of cultural property, as well as objects of contemporary culture (including contemporary art, literature, technology, and documents) in museums, libraries, archives and private collections. The primary goal of collections management is to meet the needs of the individual collector or collecting institution's mission statement , while also ensuring the long-term safety and sustainability of the cultural objects within the collector's care. Collections management, which consists primarily of the administrative responsibilities associated with collection development, is closely related to collections care, which is the physical preservation of cultural heritage. The professionals most influenced by collections management include collection managers, registrars, and archivists. Definition Cultural property collections require a great deal of care and protection in order to ensure their safety from external l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Registrar (museum)
A museum/library/archival registrar is responsible for implementing policies and procedures that relate to caring for collections of cultural institutions like archives, libraries, and museums. These policies are found in the museum's collections policy, the guiding tenet of the museum explaining why the institution is in operation, dictating the museum's professional standards regarding the objects left in its care. Registrars focus on sections that include acquisitions, loans, exhibitions, deaccessions, storage, packing and shipping, security of objects in transit, insurance policies, and risk management. As a collections care professional, they work with collection managers, conservators, and curators to balance public access to objects with the conditions needed to maintain preservation. Focusing on documentation, registrars are responsible for developing and maintaining records management systems, with individual files for each object in the collection. Smaller and mid-si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Northampton Sekhemka Statue
The Northampton Sekhemka statue is an ancient Egyptian artefact, given by the Marquess of Northampton to Northampton Museum, in or about 1870. The statue dates from the 5th dynasty (c. 2494–2345 BC, making it slightly older than Stonehenge) and depicts Sekhemka the scribe with his wife, Sitmerit. It was the subject of a controversial sale in July 2014, that raised questions of the museum's ownership and the ethics of selling artefacts. The statue was sold to an unidentified buyer for £15.76m, which broke the world record for Ancient Egyptian art at auction."Museum faces outcry over sale of ancient Egyptian statue", ''Financial Times'' (London), 11 July 2014 On 1 August 2014, Northampton Museums had their accreditation removed by Arts Council England, which ruled that the sale did not meet the accredited standards for museums in managing their collections. Description The statue depicts Sekhemka sitting in a traditional scribal pose and holding on his knees a partly unrol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Association Of Art Museum Directors
The Association of Art Museum Directors (AAMD) is an organization of art museum directors from the United States, Canada, and Mexico. The AAMD was established in 1916 by the directors of twelve American museums and was formally incorporated in 1969. It currently has 220 members. The Association of Art Museum Directors aims "to support its members in increasing the contribution of art museums to society" by promoting professional standards of practice, facilitating education, and advocating for museums. AAMD's policies and guidelines are developed by its members and it issues publications that prescribe professional practices, from accessioning and deaccessioning, to ethics and censorship. See also *List of female art museum directors *List of museums A museum is an institution that cares for (conserves) a collection of artifacts and other objects of artistic, cultural, historical, or scientific importance and makes them available for public viewing through exhibits that may b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flickr - USCapitol - AOC Registrar Examines Artifacts
Flickr ( ; ) is an American image hosting and video hosting service, as well as an online community, founded in Canada and headquartered in the United States. It was created by Ludicorp in 2004 and was a popular way for amateur and professional photographers to host high-resolution photos. It has changed ownership several times and has been owned by SmugMug since April 20, 2018. Flickr had a total of 112 million registered members and more than 3.5 million new images uploaded daily. On August 5, 2011, the site reported that it was hosting more than 6 billion images. Photos and videos can be accessed from Flickr without the need to register an account, but an account must be made to upload content to the site. Registering an account also allows users to create a profile page containing photos and videos that the user has uploaded and also grants the ability to add another Flickr user as a contact. For mobile users, Flickr has official mobile apps for iOS, Android, and an op ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Impact Of The COVID-19 Pandemic On The Arts And Cultural Heritage
The COVID-19 pandemic had a sudden and substantial impact on the arts and cultural heritage sector. The global health crisis and the uncertainty resulting from it profoundly affected organisations' operations as well as individuals—both employed and independent—across the sector. Arts and culture sector organisations attempted to uphold their (often publicly funded) mission to provide access to cultural heritage to the community; maintain the safety of their employees, collections, and the public; while reacting to the unexpected change in their business model with an unknown end. By March 2020, most cultural institutions across the world were indefinitely closed (or at least had radically curtailed their services), and in-person exhibitions, events, and performances were cancelled or postponed. In response, there were intensive efforts to provide alternative or additional services through digital platforms, to maintain essential activities with minimal resources, and to do ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Whitney Museum Of American Art
The Whitney Museum of American Art, known informally as "The Whitney", is an art museum in the Meatpacking District and West Village neighborhoods of Manhattan in New York City. It was founded in 1930 by Gertrude Vanderbilt Whitney (1875–1942), a wealthy and prominent American socialite, sculptor, and art patron after whom it is named. The Whitney focuses on 20th- and 21st-century American art. Its permanent collection, spanning the late-19th century to the present, comprises more than 25,000 paintings, sculptures, drawings, prints, photographs, films, videos, and artifacts of new media by more than 3,500 artists. It places particular emphasis on exhibiting the work of living artists as well as maintaining an extensive permanent collection of important pieces from the first half of the last century. The museum's Annual and Biennial exhibitions have long been a venue for younger and lesser-known artists whose work is showcased there. From 1966 to 2014, the Whitney was at 945 Mad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Northampton Museum And Art Gallery
Northampton Museum and Art Gallery is a public museum in Northampton, England. The museum is owned and run by West Northamptonshire Council and houses one of the largest collection of shoes in the world, with over 15,000 pairs,"Northampton's world famous shoe museum reopens after refurbishment" , Northampton, 14 April 2012. which was designated by as being of local, national and international importance. The town's museum was established in 1865, but moved to the current site in 1884, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Public Trust Doctrine
The public trust doctrine is the principle that the sovereign holds in trust for public use some Natural resource, resources such as shoreline between the high and low tide lines, regardless of private property ownership. Origins The Roman law, ancient laws of the Byzantine Emperor Justinian held that the sea, the shores of the sea, the air and running water were common to everyone. The Coast, seashore, later defined as waters affected by the ebb and flow of the tides could not be appropriated for private use and was open to all. This principle became the law in England as well. Centuries later, ''Magna Carta'' further strengthened public rights. At the insistence of English Nobility, nobles, fishing weirs which obstructed free navigation were to be removed from rivers. These rights were further strengthened by later laws in England and subsequently became part of the common law of the United States. The Supreme Court first accepted the public trust doctrine in ''Martin v. Wadde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
International Council Of Museums
The International Council of Museums (ICOM) is a non-governmental organisation dedicated to museums, maintaining formal relations with UNESCO and having a consultative status with the United Nations Economic and Social Council. Founded in 1946, ICOM also partners with entities such as the World Intellectual Property Organization, Interpol, and the World Customs Organization in order to carry out its international public service missions, which include fighting illicit traffic in cultural goods and promoting risk management and emergency preparedness to protect world cultural heritage in the event of natural or man-made disasters. Members of the ICOM get the ICOM membership card, which provides free entry, or entry at a reduced rate, to many museums all over the world. History ICOM traces it roots back to the defunct International Museums Office (OIM), created in 1926 by the League of Nations. An agency of the League's International Commission on Intellectual Cooperation, like many ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Association For State And Local History
The American Association for State and Local History (AASLH) is a non-profit association for state and local history, with a primary focus on history professionals, history volunteers, museums, historical societies, and other history-related organizations and public history professionals. Since 1964, it is headquartered in Nashville, TN, and currently has about 3,200 institutional members, 1,300 individual members, and 34 academic program members. The organization has 11 full-time staff members. History In 1904, the American Historical Association, itself at the time a fledgling professional body, established the semi-autonomous Conference of State and Local Historical Societies to serve the leaders of those agencies. In 1939, a group of Conference members, chaired by Christopher C. Crittenden, director of the North Carolina Department of Archives and History, proposed the creation of an independent entity. Its job would be to better coordinate the activities of historical soci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
