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De Wild Goose-Nation
"De Wild Goose-Nation" is an American song composed by blackface minstrel performer Dan Emmett. The song is a parody (or possibly an adaptation) of "Gumbo Chaff", a blackface minstrel song dating to the 1830s, the music of which most closely resembles an 1844 version of that song. Musicologist Hans Nathan sees similarities in the introduction of the song to the later "Dixie". Animal characters are the song's protagonists, tying "De Wild Goose-Nation" to similar tales in African American folklore. Despite the title, the phrase "wild goose nation" occurs only once, in the first verse. Some lyrics from the song are repeated in "Dixie": "De tarapin he thot it was time for to trabble / He screw aron his tail and begin to scratch grabble." Emmett published the song through the Charles Keith Company in Boston Boston (), officially the City of Boston, is the state capital and most populous city of the Commonwealth of Massachusetts, as well as the cultural and financial c ...
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Dan Emmett
Daniel Decatur Emmett (October 29, 1815June 28, 1904) was an American songwriter, entertainer, and founder of the first troupe of the blackface minstrel tradition, the Virginia Minstrels. He is most remembered as the composer of the song "Dixie". Early and family life Dan Emmett was born in Mount Vernon, Knox County, Ohio, then a frontier region. His grandfather, Rev. John Emmett (1759–1847) had been born in Cecil County, Maryland, and after serving as a private in the American Revolutionary War and fighting at the Battle of White Plains in New York and later in Delaware, became a Methodist minister in the then-vast frontier Augusta County, Virginia, and then moved across the Appalachian Mountains to Licking County, Ohio and also served in the Ohio legislature representing Pickaway County, Ohio in the Scioto River valley. His father, Abraham Emmett (1791–1846) served as a private in the War of 1812 while his father served in the Ohio legislature. Notwithstanding his g ...
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Music Of The United States
The music of the United States reflects the country's multi-ethnic population through a diverse array of styles. It is a mixture of music influenced by the music of Europe, Indigenous peoples, West Africa, Latin America, Middle East, North Africa, amongst many other places. The country's most internationally renowned genres are traditional pop, jazz, blues, country, bluegrass, rock, rock and roll, R&B, pop, hip hop, soul, funk, gospel, disco, house, techno, ragtime, doo-wop, folk music, americana, boogaloo, tejano, reggaeton, surf, and salsa. American music is heard around the world. Since the beginning of the 20th century, some forms of American popular music have gained a near global audience. Native Americans were the earliest inhabitants of the land that is today known as the United States and played its first music. Beginning in the 17th century, settlers from the United Kingdom, Ireland, Spain, Germany, and France began arriving in large numbers, bringing wi ...
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Song
A song is a musical composition intended to be performed by the human voice. This is often done at distinct and fixed pitches (melodies) using patterns of sound and silence. Songs contain various forms, such as those including the repetition and variation of sections. Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in classical music it is an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs composed in a simple style that are learned informally "by ear" are often referred to as folk songs. Songs that are composed for professional singers who sell their recordings or live shows to the mass market are called popular songs. These songs, which have broad appeal, are often composed by professional songwriters, composers, and lyricists. Art songs are composed by trained classical compose ...
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Blackface
Blackface is a form of theatrical makeup used predominantly by non-Black people to portray a caricature of a Black person. In the United States, the practice became common during the 19th century and contributed to the spread of racial stereotypes such as the "happy-go-lucky darky on the plantation" or the " dandified coon". By the middle of the century, blackface minstrel shows had become a distinctive American artform, translating formal works such as opera into popular terms for a general audience. Early in the 20th century, blackface branched off from the minstrel show and became a form in its own right. In the United States, blackface declined in popularity beginning in the 1940s and into the civil rights movement of the 1950s and 1960s,Clark, Alexis.How the History of Blackface Is Rooted in Racism. ''History''. A&E Television Networks, LLC. 2019. and was generally considered highly offensive, disrespectful, and racist by the turn of the 21st century, though the practice ...
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Minstrel Show
The minstrel show, also called minstrelsy, was an American form of racist theatrical entertainment developed in the early 19th century. Each show consisted of comic skits, variety acts, dancing, and music performances that depicted people specifically of African descent. The shows were performed by mostly white people wearing blackface make-up for the purpose of playing the role of black people. There were also some African-American performers and black-only minstrel groups that formed and toured. Minstrel shows caricatured black people as dim-witted, lazy, buffoonish, superstitious, and happy-go-lucky.The Coon Character
, Jim Crow Museum of Racist Memorabilia, Ferris State University. Retrieved 29 January 2016.
John Kenrick

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Parody
A parody, also known as a spoof, a satire, a send-up, a take-off, a lampoon, a play on (something), or a caricature, is a creative work designed to imitate, comment on, and/or mock its subject by means of satiric or ironic imitation. Often its subject is an original work or some aspect of it (theme/content, author, style, etc), but a parody can also be about a real-life person (e.g. a politician), event, or movement (e.g. the French Revolution or 1960s counterculture). Literary scholar Professor Simon Dentith defines parody as "any cultural practice which provides a relatively polemical allusive imitation of another cultural production or practice". The literary theorist Linda Hutcheon said "parody ... is imitation, not always at the expense of the parodied text." Parody may be found in art or culture, including literature, music, theater, television and film, animation, and gaming. Some parody is practiced in theater. The writer and critic John Gross observes in his ''Oxford Boo ...
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Adaptation
In biology, adaptation has three related meanings. Firstly, it is the dynamic evolutionary process of natural selection that fits organisms to their environment, enhancing their evolutionary fitness. Secondly, it is a state reached by the population during that process. Thirdly, it is a phenotypic trait or adaptive trait, with a functional role in each individual organism, that is maintained and has evolved through natural selection. Historically, adaptation has been described from the time of the ancient Greek philosophers such as Empedocles and Aristotle. In 18th and 19th century natural theology, adaptation was taken as evidence for the existence of a deity. Charles Darwin proposed instead that it was explained by natural selection. Adaptation is related to biological fitness, which governs the rate of evolution as measured by change in allele frequencies. Often, two or more species co-adapt and co-evolve as they develop adaptations that interlock with those of the oth ...
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Gumbo Chaff
"Gumbo Chaff", also spelled "Gombo Chaff", is an American song, first performed in the early 1830s. It was part of the repertoire of early blackface performers, including Thomas D. Rice and George Washington Dixon. The title character was one of the earliest blackface characters in the United States. He was based largely on the tall-tale riverboatsmen and frontiersmen characters that were popular in fiction during the Jacksonian Era. "Gumbo Chaff" merged these frontier elements with stereotypes of black slaves, creating a new character who lives "On de Ohio bluff in de state of Indiana" and who "jump into iskiff / And . . . down de river driff, / And . . . cotch as many cat fish as ever nigger liff."Nathan 173. Due to this song's popularity, the black riverboatsman (usually named "Gumbo Chaff") became a popular character in minstrelsy for a time. Blackface singers would often perform "Gumbo Chaff" with a mock flatboat on stage. The song's melody seems to be at least part ...
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Musicology
Musicology (from Greek μουσική ''mousikē'' 'music' and -λογια ''-logia'', 'domain of study') is the scholarly analysis and research-based study of music. Musicology departments traditionally belong to the humanities, although some music research is scientific in focus (psychological, sociological, acoustical, neurological, computational). Some geographers and anthropologists have an interest in musicology so the social sciences also have an academic interest. A scholar who participates in musical research is a musicologist. Musicology traditionally is divided in three main branches: historical musicology, systematic musicology and ethnomusicology. Historical musicologists mostly study the history of the western classical music tradition, though the study of music history need not be limited to that. Ethnomusicologists draw from anthropology (particularly field research) to understand how and why people make music. Systematic musicology includes music theory, aesthe ...
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Dixie (song)
"Dixie", also known as "Dixie's Land", "I Wish I Was in Dixie", and other titles, is a song about the Southern United States first made in 1859. It is one of the most distinctively Southern musical products of the 19th century. It was not a folk song at its creation, but it has since entered the American folk vernacular. The song likely cemented the word "Dixie" in the American vocabulary as a nickname for the Southern U.S. Most sources credit Ohio-born Daniel Decatur Emmett with the song's composition, although other people have claimed credit, even during Emmett's lifetime. Compounding the problem are Emmett's own confused accounts of its writing and his tardiness in registering its copyright. "Dixie" originated in the minstrel shows of the 1850s and quickly became popular throughout the United States. During the American Civil War, it was adopted as a de facto national anthem of the Confederacy, along with "The Bonnie Blue Flag" and "God Save the South". New versions app ...
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African American Folklore
African-American folktales are the storytelling and oral history of enslaved African Americans during the 1700-1900s. These stories reveal life lessons, spiritual teachings, and cultural knowledge and wisdom for the African-American community African-American cultural heritage. During slavery, African-Americans created folk stories that spoke about the hardships of slavery and created folk spirits and heroes that were able to out wit and out smart their slaveholders and defeat their enemies. These folk stories gave hope to enslaved people that folk spirits will free them from slavery. Many folktales are unique to African-American culture, while others are influenced by African, European, and Native American tales. Overview African-American folktales is a storytelling tradition based in Africa containing a rich oral tradition that expanded as Africans were brought to the Americas as slaves. In general, most African-American Folktales fall into one of seven categories: tales ...
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Boston
Boston (), officially the City of Boston, is the state capital and most populous city of the Commonwealth of Massachusetts, as well as the cultural and financial center of the New England region of the United States. It is the 24th- most populous city in the country. The city boundaries encompass an area of about and a population of 675,647 as of 2020. It is the seat of Suffolk County (although the county government was disbanded on July 1, 1999). The city is the economic and cultural anchor of a substantially larger metropolitan area known as Greater Boston, a metropolitan statistical area (MSA) home to a census-estimated 4.8 million people in 2016 and ranking as the tenth-largest MSA in the country. A broader combined statistical area (CSA), generally corresponding to the commuting area and including Providence, Rhode Island, is home to approximately 8.2 million people, making it the sixth most populous in the United States. Boston is one of the oldest ...
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