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Daychovo Horo
Daychovo horo () is a Bulgarian folk dance done to a nine-beat meter. It is unique in two ways: it is a circle dance (most Bulgarian dances are either line or couple dances), and yet it has a leader (most circle dances have no leader). Dance steps The dance has a basic step pattern consisting of a lift of the right knee on the first beat, followed by three steps in place. This pattern is repeated, alternating which knee is lifted. Each pattern is done in a single measure of 9 beats () with a pattern counted 2+2+2+3 or "quick-quick-quick-slow". A leader in the circle can then call out variations to be performed, starting on the first beat of a pattern (when the right knee would be lifted). This is done as a banter between the leader and the rest of the circle. Following the banter, the entire circle performs the variation, and then resumes the basic dance step. The banter and most variations take up four measures of the music. This means that the leader can choose to cal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bulgarian Dances
Bulgarian folk dances are intimately related to the music of Bulgaria. This distinctive feature of Balkan folk music is the asymmetrical meter, built up around various combinations of 'quick' and 'slow' beats. The music, in Western musical notation, is often described using compound meter notation, where the notational meter accents, i.e., the heard beats, can be of different lengths, usually 1, 2, 3, or 4. Many Bulgarian dances are line dances, in which the dancers dance in a straight or curved line, holding hands. Overview Many Bulgarian dances are line dances, with the dancers holding hands in a straight or curved line, facing in toward the center of the dance space. Originally men and women danced in separate lines, or in a gender-segregated line in which the last woman and first man held opposite ends of a handkerchief, to avoid gender contact but today men and women often dance in mixed lines. Several different handholds are used in the different dances" * Holding hands ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Circle Dance
Circle dance, or chain dance, is a style of social dance done in a circle, semicircle or a curved line to musical accompaniment, such as rhythm instruments and singing, and is a type of dance where anyone can join in without the need of partners. Unlike line dancing, circle dancers are in physical contact with each other; the connection is made by hand-to-hand, finger-to-finger or hands-on-shoulders, where they follow the leader around the dance floor. Ranging from gentle to energetic, the dance can be an uplifting group experience or part of a meditation. Being probably the oldest known dance formation, circle dancing is an ancient tradition common to many cultures for marking special occasions, rituals, strengthening community and encouraging togetherness. Circle dances are choreographed to many different styles of music and rhythms. Modern circle dance mixes traditional folk dances, mainly from European or Near Eastern sources, with recently choreographed ones to a va ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Line Dance
A line dance is a choreographed dance in which a group of people dance along to a repeating sequence of steps while arranged in one or more lines or rows. These lines usually face all in the same direction, or less commonly face each other.Knight, Gladys L. (2014). ''Pop Culture Places: An Encyclopedia of Places in American Popular Culture'', p.102. ABC-CLIO. .Lane, Christy (2000/1995). ''Christy Lane's Complete Book of Line Dancing'', p.2-4. Human Kinetics. .Zakrajsek, Dorothy; Carnes, Lois; and Pettigrew, Frank E. (2003). ''Quality Lesson Plans for Secondary Physical Education, Volume 1'', p.188. Human Kinetics. . Unlike circle dancing, line dancers are not in physical contact with each other. Each dance is usually associated with, and named for, a specific song, such as the Macarena (both eponymous) or Electric Slide (associated with the 1982 single "Electric Boogie") are a few of the line dances that have consistently remained part of modern American culture for years. Line da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance Step
Dance moves or dance steps (more complex dance moves are called dance patterns, dance figures, dance movements, or dance variations) are usually isolated, defined, and organized so that beginning dancers can learn and use them independently of each other. However, more complex movements are influenced by musicality and lyrical relevance to express emotions or refer to a message. Dance moves tend to emphasize the concepts of lead and follow and connection. In most cases, dance moves by themselves are independent of musicality, which is the appropriateness of a move to the music (for a notable exception, see Bharatanatyam). Generally, they are memorized in sets of eight counts. Also there are two different movements: concrete and abstract. These two movements show time, space, relationship, quality and focus. For example, relationship could describe the movement of two or more different dancers. The names of moves may be somewhat arbitrary and vary from person to person and city to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paidushko Horo
Pajdushko oro ( bg, Пайдушко хоро; mk, Пајдушко оро, Pajduško oro; tr, Payduşka Dansı; el, χορός Μπαϊντούσκα, khorós Baïntoúska) is a folk dance from Bulgaria, Greece and North Macedonia. It features a 5-beat meter divided into "quick" (2-beat) and "slow" (3-beat) units, abbreviated ''quick-slow'' or 2+3. In Bulgaria it is part of the "Northern folklore region" time . Like many other Balkan folk dances, each region or village has its own version of the dance. It is traditionally a men's dance, but in modern times it is often performed in lines of both men and women. It is a line dance, with the dancers in a line facing left, holding hands. The dance starts moving right with a series of four lift-steps, followed by moving left: crossing the right foot in front of the left, transferring the weight onto the right foot while moving the left foot to the right (this is the characteristic movement of this dance, and is done four times). Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Counterclockwise
Two-dimensional rotation can occur in two possible directions. Clockwise motion (abbreviated CW) proceeds in the same direction as a clock's hands: from the top to the right, then down and then to the left, and back up to the top. The opposite sense of rotation or revolution is (in Commonwealth English) anticlockwise (ACW) or (in North American English) counterclockwise (CCW). Terminology Before clocks were commonplace, the terms " sunwise" and "deasil", "deiseil" and even "deocil" from the Scottish Gaelic language and from the same root as the Latin "dexter" ("right") were used for clockwise. "Widdershins" or "withershins" (from Middle Low German "weddersinnes", "opposite course") was used for counterclockwise. The terms clockwise and counterclockwise can only be applied to a rotational motion once a side of the rotational plane is specified, from which the rotation is observed. For example, the daily rotation of the Earth is clockwise when viewed from above the South Pole, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clockwise
Two-dimensional rotation can occur in two possible directions. Clockwise motion (abbreviated CW) proceeds in the same direction as a clock's hands: from the top to the right, then down and then to the left, and back up to the top. The opposite sense of rotation or revolution is (in Commonwealth English) anticlockwise (ACW) or (in North American English) counterclockwise (CCW). Terminology Before clocks were commonplace, the terms " sunwise" and "deasil", "deiseil" and even "deocil" from the Scottish Gaelic language and from the same root as the Latin "dexter" ("right") were used for clockwise. "Widdershins" or "withershins" (from Middle Low German "weddersinnes", "opposite course") was used for counterclockwise. The terms clockwise and counterclockwise can only be applied to a rotational motion once a side of the rotational plane is specified, from which the rotation is observed. For example, the daily rotation of the Earth is clockwise when viewed from above the South Pole, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aksak
In Ottoman musical theory, ''aksak'' is a rhythmic system in which pieces or sequences, executed in a fast tempo, are based on the uninterrupted reiteration of a matrix, which results from the juxtaposition of rhythmic cells based on the alternation of binary and ternary quantities, as in , , , etc. The name literally means "limping", "stumbling", or "slumping", and has been borrowed by Western ethnomusicologists to refer generally to irregular, or additive meters. In Turkish folk music, these metres occur mainly in vocal and instrumental dance music, though they are found also in some folksongs. Strictly speaking, in Turkish music theory the term refers only to the grouping of nine pulses into a pattern of . Some examples are shown below. In jazz The ''aksak'' rhythm is prominently featured in the jazz standard "Blue Rondo à la Turk" by Dave Brubeck. In rock The Belgian experimental rock group Aksak Maboul take their name from this rhythm. See also *Additive rhythm and div ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dave Brubeck
David Warren Brubeck (; December 6, 1920 – December 5, 2012) was an American jazz pianist and composer. Often regarded as a foremost exponent of cool jazz, Brubeck's work is characterized by unusual time signatures and superimposing contrasting rhythms, Metre (music), meters, and tonality, tonalities. Born in Concord, California, Brubeck was drafted into the US Army, but was spared from combat service when a International Red Cross and Red Crescent Movement, Red Cross show he had played at became a hit. Within the US Army, Brubeck formed one of the first racial integration, racially diverse bands. In 1951, Brubeck formed the Dave Brubeck Quartet, which kept its name despite shifting personnel. The most successful—and prolific—lineup of the quartet was the one between 1958 and 1968. This lineup, in addition to Brubeck, featured saxophonist Paul Desmond, bassist Eugene Wright and drummer Joe Morello. A U.S. Department of State-sponsored tour in 1958 featuring the band inspir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blue Rondo à La Turk
"Blue Rondo à la Turk" is a jazz standard composition by Dave Brubeck. It appeared on the album '' Time Out'' in 1959. It is written in time, with one side theme in and the choice of rhythm was inspired by the Turkish aksak time signatures. It was originally recorded by the Dave Brubeck Quartet with Dave Brubeck on piano, Paul Desmond on alto saxophone, Eugene Wright on bass, and Joe Morello on drums. History Brubeck heard this unusual rhythm performed by Turkish musicians on the street. Upon asking the musicians where they got the rhythm, one replied "This rhythm is to us what the blues is to you." Hence the title "Blue Rondo à la Turk." Contrary to popular belief, the piece is neither inspired by nor related to the last movement of Wolfgang Amadeus Mozart's Piano Sonata No. 11, known by the near-identical title "Rondo Alla Turca". The rhythm is an additive rhythm that consists of three measures of followed by one measure of and the cycle then repeats. Taking the sma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bulgarian Folk Dances
Bulgarian folk dances are intimately related to the music of Bulgaria. This distinctive feature of Balkan folk music is the asymmetrical meter, built up around various combinations of 'quick' and 'slow' beats. The music, in Western musical notation, is often described using compound meter notation, where the notational meter accents, i.e., the heard beats, can be of different lengths, usually 1, 2, 3, or 4. Many Bulgarian dances are line dances, in which the dancers dance in a straight or curved line, holding hands. Overview Many Bulgarian dances are line dances, with the dancers holding hands in a straight or curved line, facing in toward the center of the dance space. Originally men and women danced in separate lines, or in a gender-segregated line in which the last woman and first man held opposite ends of a handkerchief, to avoid gender contact but today men and women often dance in mixed lines. Several different handholds are used in the different dances" * Holding hands ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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