Day After Tomorrow (Day After Tomorrow Album)
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Day After Tomorrow (Day After Tomorrow Album)
''Day After Tomorrow'' is the first studio album by Japanese J-pop band Day After Tomorrow. Track listing Personnel * Misono Kōda – vocals * Masato Kitano – guitar * Daisuke Suzuki – keyboard {{Authority control 2002 debut albums Day After Tomorrow (band) albums Avex Group albums ...
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Day After Tomorrow (band)
Day After Tomorrow (also known as dat) was a 3-member Japanese pop band under the Avex label. History Due to their music being produced by former Every Little Thing member Mitsuru Igarashi, Day After Tomorrow's music took on a decidedly similar feel to that group's music, particularly the more synthpop-based music that Every Little Thing released in their earlier years. As of the release of their best albums in August 2005, Day After Tomorrow had gone on hiatus. Since the hiatus, Misono had performed as a soloist between 2006 and 2014, after which she quit music, though still performs on television variety programs. Daisuke Suzuki went on to play keyboard for the band Girl Next Door. Misono's older sister is Koda Kumi. Day After Tomorrow performed the theme song "More than a Million Miles" for the Japanese release of the movie ''The Day After Tomorrow''. Members * , real name: – born October 13, 1984; vocalist and songwriter * (nicknamed ''Maa-kun'') – born ...
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J-pop
J-pop ( ja, ジェイポップ, ''jeipoppu''; often stylized as J-POP; an abbreviated form of "Japanese popular music"), natively also known simply as , is the name for a form of popular music that entered the musical mainstream of Japan in the 1990s. Modern J-pop has its roots in traditional music of Japan, and significantly in 1960s pop and rock music. J-pop replaced ''kayōkyoku'' ("Lyric Singing Music", a term for Japanese popular music from the 1920s to the 1980s) in the Japanese music scene. J-rock bands such as Happy End fused the Beatles and Beach Boys-style rock with Japanese music in the 1960s1970s. J-country had popularity during the international popularity of Westerns in the 1960s1970s as well, and it still has appeal due to the work of musicians like Charlie Nagatani and venues including Little Texas, Tokyo. J-rap became mainstream with producer Nujabes and his work on ''Samurai Champloo'', Japanese pop culture is often seen with anime in hip hop. Other trends ...
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Max Matsuura
, better known by his stage name , is a Japanese record producer and businessman. He is the founder of Avex Group, one of the largest music labels. He is known mainly for discovering and developing new artists into stars (most notably Ayumi Hamasaki), as well as for reviving Ami Suzuki's career after she was released by her previous record label. Radio program His weekly radio program, , started on September 5, 2009, and it is broadcast every Sunday, 1:00–1:30 am, on Nippon Broadcasting System. Controversies In 2004, Matsuura was the subject of some controversy when he considered leaving Avex Music Group due to a feud with Tom Yoda. Many artists, including Ayumi Hamasaki, said that they would also move in the event that he did so. Thus, stocks for Avex Trax plunged and Yoda ended up resigning, ending the feud. In March 2009, Matsuura helped Tetsuya Komuro in the latter's fraud case. Matsuura paid the plaintiff ¥648,000,000 (¥500,000,000 for the exact amount, ¥100,000 ...
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Day After Tomorrow II
''Day After Tomorrow II'' is the second studio album An album is a collection of audio recordings issued on compact disc (CD), vinyl, audio tape, or another medium such as digital distribution. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records co ... by Japanese J-pop band Day After Tomorrow. Track listing Personnel * Misono Kōda – vocals * Masato Kitano – guitar * Daisuke Suzuki – keyboard {{Authority control 2002 albums Day After Tomorrow (band) albums Avex Group albums ...
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Studio Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Day After Tomorrow (band) Albums
''The Day After Tomorrow'' is a 2004 science-fiction disaster film by Roland Emmerich. The Day After Tomorrow may also refer to: Literature * "The Day After Tomorrow", an 1887 essay by Robert Louis Stevenson * ''Meg Langholme; or, The Day After To-morrow'', an 1897 novel by Mary Louisa Molesworth * ''Sixth Column'' or ''The Day After Tomorrow'', a 1949 novel by Robert Heinlein * ''The Day After Tomorrow'', a 1956 novel by Roy Farran * ''The Day After Tomorrow'' (novel), a 1994 novel by Allan Folsom * ''The Day After Tomorrow'', a 2004 novel by Whitley Strieber, the novelization of the Emmerich film Music * Day After Tomorrow (band), a J-Pop band * ''Day After Tomorrow'' (Day After Tomorrow album), 2002 * ''Day After Tomorrow'' (Joan Baez album), 2008 * ''The Day After Tomorrow'' (Maino album), 2012 * "The Day After Tomorrow", a 2010 song by David Archuleta from ''The Other Side of Down'' * "The Day After Tomorrow", a 2002 song by Saybia from ''The Second You Sleep'' * "The Da ...
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