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David Pohl
David Pohle (1624 – 20 December 1695) was a German composer of the Baroque era. His surname is also spelled Pohl, Pohlen, Pole, Pol or Bohle. Biography Pohle was born in Marienberg into a family of civic musicians. He was a pupil of Heinrich Schütz in Dresden.Snyder. He and his brother Samuel joined the ''Kapelle'' of Christian I, Duke of Saxe-Merseburg as instrumentalists. From 1650 to 1652 his presence at Kassel is documented. From 1653 he was at the Holstein-Gottorp court in Schleswig. In a baptismal record of 1660 he is named as "'' Concertmeister'' to the prince of Magdeburg", namely Augustus, Duke of Saxe-Weissenfels. Pohle became the ''Kapellmeister'' for the Duke's court at Halle that same year, succeeding Philipp Stolle. The poet and dramatist David Elias Heidenreich worked in the Saxon courts as an official, and provided the libretti for a number of the ''Singspiel'' operas that Pohle composed. Christian Ritter was also at Halle, as organist, for some years up to 16 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Era
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. By ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christian Ritter
Christian Ritter (probably 1645 to 1650 – probably after 1725) was a composer and organist of the North German organ school. Biography Ritter was probably a pupil of Christoph Bernhard in Dresden. A notice on one of his works described him as ''Kammerorganist'' (chamber organist) in Halle in 1666, although this position does not appear in the records until 1672. In 1677 he was the ''Hoforganist'' (court organist). The composer David Pohle was ''Kapellmeister'' at Halle during these years. Ritter may have left Halle in 1677 as in that year the position of ''Kammerorganist'' was filled by Johann Philipp Krieger.Baselt (1993). pp. 236–237 Some years later he went to Sweden. In 1681 he was mentioned on a record of the Stockholm court, a year later as deputy ''Kapellmeister''. Ritter went back to Dresden in 1683 and was ''Kammerorganist'' and deputy ''Kapellmeister'' under Christoph Bernhard. In 1688 he was evidently back in Stockholm as ''Kapellmeister'', remaining there until ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aria
In music, an aria (Italian: ; plural: ''arie'' , or ''arias'' in common usage, diminutive form arietta , plural ariette, or in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompaniment, normally part of a larger work. The typical context for arias is opera, but vocal arias also feature in oratorios and cantatas, or they can be stand-alone concert arias. The term was originally used to refer to any expressive melody, usually, but not always, performed by a singer. Etymology The Italian term ''aria'', which derives from the Greek ἀήρ and Latin ''aer'' (air), first appeared in relation to music in the 14th century when it simply signified a manner or style of singing or playing. By the end of the 16th century, the term 'aria' refers to an instrumental form (cf. Santino Garsi da Parma lute works, 'Aria del Gran Duca'). By the early 16th century it was in common use as meaning a simple setting of strophic poetry; me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantata
A cantata (; ; literally "sung", past participle feminine singular of the Italian verb ''cantare'', "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir. The meaning of the term changed over time, from the simple single-voice madrigal of the early 17th century, to the multi-voice "cantata da camera" and the "cantata da chiesa" of the later part of that century, from the more substantial dramatic forms of the 18th century to the usually sacred-texted 19th-century cantata, which was effectively a type of short oratorio. Cantatas for use in the liturgy of church services are called church cantata or sacred cantata; other cantatas can be indicated as secular cantatas. Several cantatas were, and still are, written for special occasions, such as Christmas cantatas. Christoph Graupner, Georg Philipp Telemann and Johann Sebastian Bach composed cycles of church cantatas for the occasions of the liturgical year. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William VI, Landgrave Of Hesse-Kassel
Wilhelm VI, Landgrave of Hesse-Kassel (23 May 1629 – 16 July 1663), known as William the Just, was Landgrave of Hesse-Kassel from 1637 to 1663. Life Born in Kassel, he was the son of William V (whom he succeeded) and his wife Amalie Elisabeth, Gräfin of Hanau-Münzenberg (daughter of Philip Louis II of Hanau-Münzenberg and his wife Countess Catharina Belgica of Nassau). His mother remained his guardian until he came of age. Despite Hesse-Kassel's defeat in the Thirty Years' War, William's mother did not wish to acknowledge the accord of 1627. This required that the unmarried Marburger heir and the Landgraves of Hessen-Darmstadt should fall, but Amalie Elisabeth had other ideas and led Hesse-Kessel in 1645 into the "Hessenkrieg", ruling as Landgräfin on her son's behalf. This war began when Hesse-Kassel's troops began to besiege the city of Marburg. Three years later, in 1648, the war ended with a victory for Kassel, although the citizens of Darmstadt also gained from i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Fleming (poet)
Paul Fleming, also spelt Flemming (5 October 1609 – 2 April 1640), was a German physician and poet. As well as writing notable verse and hymns, he spent several years accompanying the Duke of Holstein's embassies to Russia and Persia. He also lived for a year at Reval on the coast of Estonia, where he wrote many love-songs. Life Born at Hartenstein, in Vogtland, Saxony, the son of Abraham Fleming, a well-to-do Lutheran pastor, Fleming received his early education from his father before attending a school at Mittweida and then the famous St. Thomas School at Leipzig. He received his initial medical training at Leipzig University, where he also studied literature and graduated as a Doctor of Philosophy before gaining his medical doctorate at the University of Hamburg.John Wesley Thomas, ''German verse from the 12th to the 20th century in English translation'' (AMS Press, 1966), p. 25Friedrich Max Müller, ''Early German classics from the fourth to fifteenth century'', vol. 2 (1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Strophic Form
Strophic form – also called verse-repeating form, chorus form, AAA song form, or one-part song form – is a song structure in which all verses or stanzas of the text are sung to the same music. Contrasting song forms include through-composed, with new music written for every stanza, and ternary form, with a contrasting central section. The term is derived from the Greek word , '' strophē'', meaning "turn". It is the simplest and most durable of musical forms, extending a piece of music by repetition of a single formal section. This may be analyzed as "A A A...". This additive method is the musical analogue of repeated stanzas in poetry or lyrics and, in fact, where the text repeats the same rhyme scheme from one stanza to the next, the song's structure also often uses either the same or very similar material from one stanza to the next. A ''modified'' strophic form varies the pattern in some stanzas (A A' A"...) somewhat like a rudimentary theme and variations. Contrasting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lieder
In Western classical music tradition, (, plural ; , plural , ) is a term for setting poetry to classical music to create a piece of polyphonic music. The term is used for any kind of song in contemporary German, but among English and French speakers, is often used interchangeably with "art song" to encompass works that the tradition has inspired in other languages as well. The poems that have been made into lieder often center on pastoral themes or themes of romantic love. The earliest lied date from the late fourteenth or early fifteenth centuries, and can even refer to from as early as the 12th and 13th centuries. It later came especially to refer to settings of Romantic poetry during the late eighteenth and nineteenth centuries, and into the early twentieth century. Examples include settings by Joseph Haydn, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Franz Schubert, Robert Schumann, Johannes Brahms, Hugo Wolf, Gustav Mahler or Richard Strauss. History For German sp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saxe-Merseburg
The Duchy of Saxe-Merseburg was a duchy of the Holy Roman Empire The Holy Roman Empire was a Polity, political entity in Western Europe, Western, Central Europe, Central, and Southern Europe that developed during the Early Middle Ages and continued until its Dissolution of the Holy Roman Empire, dissolution i ..., with Merseburg as its capital. It existed from 1656 or 1657 to 1738 and was owned by an Albertine secundogeniture of the Electorate of Saxony, Saxon House of House of Wettin, Wettin. History The Wettin Elector John George I, Elector of Saxony, John George I of Saxony stipulated in his will dated 20 July 1652 that his three younger sons should receive secundogeniture principalities. After the elector died on 8 October 1656, his sons concluded the "friend-brotherly main treaty" in the Saxon residence of Dresden on 22 April 1657 and a further treaty in 1663 delineating their territories and sovereign rights definitively. The treaties created three duchies: Saxe-Ze ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christian Heinrich Aschenbrenner
Christians () are people who follow or adhere to Christianity, a monotheistic Abrahamic religion based on the life and teachings of Jesus Christ. The words ''Christ'' and ''Christian'' derive from the Koine Greek title ''Christós'' (Χριστός), a translation of the Biblical Hebrew term ''mashiach'' (מָשִׁיחַ) (usually rendered as ''messiah'' in English). While there are diverse interpretations of Christianity which sometimes conflict, they are united in believing that Jesus has a unique significance. The term ''Christian'' used as an adjective is descriptive of anything associated with Christianity or Christian churches, or in a proverbial sense "all that is noble, and good, and Christ-like." It does not have a meaning of 'of Christ' or 'related or pertaining to Christ'. According to a 2011 Pew Research Center survey, there were 2.2 billion Christians around the world in 2010, up from about 600 million in 1910. Today, about 37% of all Christians live in the Ameri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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