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David J. Buch
David Joseph Buch (born 1950) is an American musicologist. Life and career Buch was born in Detroit and studied at the School of the Art Institute of Chicago and the Accademia Musicale Chigiana in Siena, Italy. He received his PhD in Music History from Northwestern University. He had been Professor of Music at Wayne State University and Professor of Music History at the University of Northern Iowa (UNI), where he is Professor Emeritus. Buch was a visiting professor at the University of Chicago from 2008 until 2011. He has published numerous scholarly studies on a range of topics in music, having explored archives and libraries in many European cities. His research has received international attention owing to the discovery of new attributions to Mozart in Emanuel Schikaneder's collaborative opera '' Der Stein der Weisen oder Die Zauberinsel'' (Vienna, 1790). His study of the theatrical tradition in which Mozart's ''The Magic Flute'' originated has led him to new interpretations ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Detroit
Detroit ( , ; , ) is the largest city in the U.S. state of Michigan. It is also the largest U.S. city on the United States–Canada border, and the seat of government of Wayne County. The City of Detroit had a population of 639,111 at the 2020 census, making it the 27th-most populous city in the United States. The metropolitan area, known as Metro Detroit, is home to 4.3 million people, making it the second-largest in the Midwest after the Chicago metropolitan area, and the 14th-largest in the United States. Regarded as a major cultural center, Detroit is known for its contributions to music, art, architecture and design, in addition to its historical automotive background. ''Time'' named Detroit as one of the fifty World's Greatest Places of 2022 to explore. Detroit is a major port on the Detroit River, one of the four major straits that connect the Great Lakes system to the Saint Lawrence Seaway. The City of Detroit anchors the second-largest regional economy in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Libretto Of The Magic Flute
''The Magic Flute'' is a celebrated opera composed in 1791 by Wolfgang Amadeus Mozart. Mozart employed a libretto written by his close colleague Emanuel Schikaneder, the director of the Theater auf der Wieden at which the opera premiered in the same year. (He also played the role of Papageno). Grout and Williams describe the libretto thus: Schikaneder, a kind of literary magpie, filched characters, scenes, incidents, and situations from others' plays and novels and with Mozart's assistance organized them into a libretto that ranges all the way from buffoonery to high solemnity, from childish faerie to sublime human aspiration – in short from the circus to the temple, but never neglecting an opportunity for effective theater along the way. Sources The sources for the work fall into (at least) four categories: works of literature, earlier productions of Schikaneder's theater company, Freemasonry, and the 18th-century tradition of popular theater in Vienna. Literary sources * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Journal
The ''Theatre Journal'' is a quarterly peer-reviewed academic journal covering the theatre arts, with articles from the October and December issues centering on a predetermined theme. It is an official publication of The Association for Theatre in Higher Education and is published on their behalf by the Johns Hopkins University Press. History The journal was established in 1949 as the ''Educational Theatre Journal'' and obtained its current name in 1979. The American Educational Theatre Association intended the journal to serve the field of educational theatre and drama in a manner similar to how the ''Quarterly Journal of Speech'' and ''Publications of the Modern Language Association of America'' served the fields of speech and modern languages respectively. The founding editor-in-chief was Barnard Hewitt (University of Illinois at Urbana–Champaign). Other past editors include Oscar Brockett, James S. Moy, Sue-Ellen Case, Enoch Brater, William B. Worthen, Janelle Reinelt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Zauberflöte
''The Magic Flute'' (German: , ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a ''Singspiel'', a popular form during the time it was written that included both singing and spoken dialogue. The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death. Still a staple of the opera repertory, its popularity was reflected by two immediate sequels, Peter Winter's ''Das Labyrinth oder Der Kampf mit den Elementen. Der Zauberflöte zweyter Theil'' (1798) and a fragmentary libretto by Johann Wolfgang von Goethe titled ''The Magic Flute Part Two''. The allegorical plot was influenced by Schikaneder and Mozart's interest in Freemasonry and concerns the initiation of Prince Tamino. Enlisted by the Queen of the Night to rescue her daughter Pamina from the high priest Sarastro, Tamino comes to a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tomislav Volek
Tomislav Volek, is a Czech musicologist who is best known for his research on the music of Wolfgang Amadeus Mozart. Biography Spending much of his career in Prague, Volek made a virtue of necessity by exploring the musical life of eighteenth-century Bohemia, with particular emphasis on Mozart’s activities in Prague. Meticulous archival research combined with a willingness to advance daring new hypotheses led to a series of pathbreaking articles, one of which, ''“Über den Ursprung von Mozarts Oper La clemenza di Tito”'' (''Mozart-Jahrbuch'', 1959), contributed to a fundamental reassessment of one of Mozart’s late operas, although some of his theories, especially the claim that Mozart began work on the opera much earlier than the summer of 1791, have been thoroughly refuted in English-language musicological literature.For a summary of this literature, see Daniel E. Freeman, ''Mozart in Prague'' (2013), pp. 300-301. His work on '' Don Giovanni'' and its Bohemian context ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Festschrift
In academia, a ''Festschrift'' (; plural, ''Festschriften'' ) is a book honoring a respected person, especially an academic, and presented during their lifetime. It generally takes the form of an edited volume, containing contributions from the honoree's colleagues, former pupils, and friends. ''Festschriften'' are often titled something like ''Essays in Honour of...'' or ''Essays Presented to... .'' Terminology The term, borrowed from German, and literally meaning 'celebration writing' (cognate with ''feast-script''), might be translated as "celebration publication" or "celebratory (piece of) writing". An alternative Latin term is (literally: 'book of friends'). A comparable book presented posthumously is sometimes called a (, 'memorial publication'), but this term is much rarer in English. A ''Festschrift'' compiled and published by electronic means on the internet is called a (pronounced either or ), a term coined by the editors of the late Boris Marshak's , ''Eran ud Aner ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simon Keefe
Simon Patrick Keefe (born 24 December 1968) is a musicologist, author, and Mozart expert. He was educated at the University of Cambridge, Boston University and Columbia University. After being awarded his PhD in 1997, he was appointed to a lectureship at Christ Church, Oxford, and then lectured at Queen's University Belfast in 1999. In 2003, he took up a post at City, University of London, where he became a professor of music. In 2008, he was appointed to the James Rossiter Hoyle Chair of Music at the University of Sheffield. Keefe specialises in Mozart, and is the only British member of the Salzburg-based Akademie für Mozart-Forschung of the Internationale Stiftung Mozarteum, as of 2005. Keefe has also written on other composers such as Haydn and Beethoven, and has also studied Wagner Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cambridge Companions To Music
The Cambridge Companions to Music form a book series published by Cambridge University Press Cambridge University Press is the university press of the University of Cambridge. Granted letters patent by Henry VIII of England, King Henry VIII in 1534, it is the oldest university press A university press is an academic publishing hou .... Each book is a collection of essays on the topic commissioned by the publisher. on Cambridge University Press website, accessed 21 September 2015. Volumes (sortable table) References External links ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theater Auf Der Wieden
The Theater auf der Wieden, also called the Freihaus-Theater auf der Wieden or the Wiednertheater, was a theater located in the then-suburban Wieden district of Vienna in the late 18th century. It existed for only 14 years (1787–1801), but during this time it was the venue for the premiere of no fewer than 350 theatrical works, of which the most celebrated was Mozart's opera ''The Magic Flute''. During most of this period the director of the theater was Emanuel Schikaneder, remembered today as librettist and impresario of ''The Magic Flute''. Origin The "Freihaus" was a large complex of businesses and residences belonging to the Starhemberg family. It was located at the northern edge of the Wiedner suburb, separated from the inner city by the "Glacis", the ring of open land that surrounded inner Vienna for purposes of military defense. The Freihaus attracted intensive development because by an earlier Imperial decree (1647) it was free from taxation. The complex was called ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acta Musicologica
''Acta Musicologica'' is the official peer-reviewed journal of the International Musicological Society, which has its headquarters in Basel, Switzerland. It contains articles on musicological research of international importance in five different languages (English, French, German, Italian, and Spanish) and is published semiannually by Bärenreiter. Abstracting and indexing The journal is abstracted and indexed in: * Arts and Humanities Citation Index * JSTOR * Répertoire International de Littérature Musicale * Scopus References External links * Website of the International Musicological Society* ''Acta Musicologica'' at {{JSTOR, issn=00016241 ''Acta Musicologica'' Project MUSE Project MUSE, a non-profit collaboration between libraries and publishers, is an online database of peer-reviewed academic journals and electronic books. Project MUSE contains digital humanities and social science content from over 250 university ... Publications established in 1928 Music jo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Musical Quarterly
''The Musical Quarterly'' is the oldest academic journal on music in America. Originally established in 1915 by Oscar Sonneck, the journal was edited by Sonneck until his death in 1928. Sonneck was succeeded by a number of editors, including Carl Engel (1930–1944), Gustave Reese (1944-45), Paul Henry Lang, who edited the journal for over 25 years, from 1945 to 1973, Joan Peyser (1977–84), Eric Salzman who served as editor from 1984 to 1991 and several others. Since 1993 ''The Musical Quarterly'' has been edited by Leon Botstein, president of Bard College and principal conductor of the American Symphony Orchestra. Originally published by G. Schirmer, Inc., it is published by Oxford University Press. References External links * Articles published before 1923at the Internet Archive The Internet Archive is an American digital library with the stated mission of "universal access to all knowledge". It provides free public access to collections of digitized materials, i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claudio Abbado
Claudio Abbado (; 26 June 1933 – 20 January 2014) was an Italian conductor who was one of the leading conductors of his generation. He served as music director of the La Scala opera house in Milan, principal conductor of the London Symphony Orchestra, principal guest conductor of the Chicago Symphony Orchestra, music director of the Vienna State Opera, founder and director of Lucerne Festival Orchestra, founder and director of Mahler Chamber Orchestra, founding Artistic Director of Orchestra Mozart, music director of European Union Youth Orchestra, and principal conductor of the Berlin Philharmonic orchestra. Biography Early life and background The Abbado family for several generations enjoyed both wealth and respect in their community. Abbado's great-grandfather tarnished the family reputation by gambling away the family fortune. His son, Abbado's grandfather, became a professor at the University of Turin. His grandfather re-established the family's reputation and also show ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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