David Henry Parry (artist)
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David Henry Parry (artist)
David Henry Parry (1793 – 1826) was a British portrait painter. He was the son of Joseph Parry and brother of James Parry, both also artists. A native of Manchester, he was the "founding father" of the city's first cultural institution—the Royal Manchester Institution. Early life Parry was born on 7 June 1783, the second-youngest of the biological children of Joseph and Esther Parry. He was born in Manchester; his father, an artist, had moved there from Liverpool in 1790 to seek the patronage of the city's new class of wealthy industrialists and merchants. Joseph Parry was an influential figure within Manchester's early artistic community, being given the title of "the Father of Art in Manchester" by his contemporaries for his role as a mentor and teacher of the younger artists who followed in his wake—including both David and his younger brother James, who studied in Joseph's studio. Career Parry specialised in portraits, painting in both oils and watercolours ...
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Portrait Painter
Portrait Painting is a genre in painting, where the intent is to represent a specific human subject. The term 'portrait painting' can also describe the actual painted portrait. Portraitists may create their work by commission, for public and private persons, or they may be inspired by admiration or affection for the subject. Portraits often serve as important state and family records, as well as remembrances. Historically, portrait paintings have primarily memorialized the rich and powerful. Over time, however, it became more common for middle-class patrons to commission portraits of their families and colleagues. Today, portrait paintings are still commissioned by governments, corporations, groups, clubs, and individuals. In addition to painting, portraits can also be made in other media such as prints (including etching and lithography), photography, video and digital media. It might seem obvious that a painted portrait is intended to achieve a likeness of the sitter that is ...
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Frank Stone (painter)
Frank Stone (22 August 1800 – 18 November 1859) was an English painter. He was born in Manchester, and was entirely self-taught. Career He was elected an Associate of the Society of Painters in Water Colours in 1833 and Member in 1843; and an Associate of the Royal Academy in 1851. The works he first exhibited at the Academy were portraits, but from 1840 onwards he contributed figure pictures, scenes from Shakespeare, scripture and sentimental subjects, many of which were engraved. In 1850 he led the opposition within the Academy to the innovations of the Pre-Raphaelite Brotherhood, having already criticised their work in the previous year. When Dante Gabriel Rossetti wrote a very critical review of Stone's work in return, Stone launched an outright assault on Pre-Raphaelitism, initiating the controversy that engulfed the movement. Leading Pre-Raphaelite William Holman Hunt later depicted a print of one of Stone's works in the background of his painting '' The Awakenin ...
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Dictionary Of National Biography
The ''Dictionary of National Biography'' (''DNB'') is a standard work of reference on notable figures from British history, published since 1885. The updated ''Oxford Dictionary of National Biography'' (''ODNB'') was published on 23 September 2004 in 60 volumes and online, with 50,113 biographical articles covering 54,922 lives. First series Hoping to emulate national biographical collections published elsewhere in Europe, such as the ''Allgemeine Deutsche Biographie'' (1875), in 1882 the publisher George Smith (1824–1901), of Smith, Elder & Co., planned a universal dictionary that would include biographical entries on individuals from world history. He approached Leslie Stephen, then editor of the ''Cornhill Magazine'', owned by Smith, to become the editor. Stephen persuaded Smith that the work should focus only on subjects from the United Kingdom and its present and former colonies. An early working title was the ''Biographia Britannica'', the name of an earlier eighteen ...
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Military Art
Military art is art with a military subject matter, regardless of its style or medium. The battle scene is one of the oldest types of art in developed civilizations, as rulers have always been keen to celebrate their victories and intimidate potential opponents. The depiction of other aspects of warfare, especially the suffering of casualties and civilians, has taken much longer to develop. As well as portraits of military figures, depictions of anonymous soldiers away from the battlefield have been very common; since the introduction of military uniforms such works often concentrate on showing the variety of these. Naval scenes are very common, and battle scenes and "ship portraits" are mostly considered as a branch of marine art; the development of other large types of military equipment such as warplanes and tanks has led to new types of work portraying these, either in action or at rest. In 20th century wars official war artists were retained to depict the military in ac ...
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Landscape Painting
Landscape painting, also known as landscape art, is the depiction of natural scenery such as mountains, valleys, trees, rivers, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent composition. In other works, landscape backgrounds for figures can still form an important part of the work. Sky is almost always included in the view, and weather is often an element of the composition. Detailed landscapes as a distinct subject are not found in all artistic traditions, and develop when there is already a sophisticated tradition of representing other subjects. Two main traditions spring from Western painting and Chinese art, going back well over a thousand years in both cases. The recognition of a spiritual element in landscape art is present from its beginnings in East Asian art, drawing on Daoism and other philosophical traditions, but in the West only becomes explicit with Romanticism. Landscape views in art may be entirely ...
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Trafalgar Square
Trafalgar Square ( ) is a public square in the City of Westminster, Central London, laid out in the early 19th century around the area formerly known as Charing Cross. At its centre is a high column bearing a statue of Admiral Nelson commemorating the victory at the Battle of Trafalgar. The battle of 21 October 1805, established the British navy's dominance at sea in the Napoleonic Wars over the fleets of France and Spain. The site around Trafalgar Square had been a significant landmark since the 1200s. For centuries, distances measured from Charing Cross have served as location markers. The site of the present square formerly contained the elaborately designed, enclosed courtyard of the King's Mews. After George IV moved the mews to Buckingham Palace, the area was redeveloped by John Nash, but progress was slow after his death, and the square did not open until 1844. The Nelson's Column at its centre is guarded by four lion statues. A number of commemorative statues and sc ...
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St Martin-in-the-Fields
St Martin-in-the-Fields is a Church of England parish church at the north-east corner of Trafalgar Square in the City of Westminster, London. It is dedicated to Saint Martin of Tours. There has been a church on the site since at least the medieval period. It was at that time located in the farmlands and fields beyond the London wall, when it was awarded to Westminster Abbey for oversight. It became a principal parish church west of the old City in the early modern period as Westminster's population grew. When its medieval and Jacobean structure was found to be near failure, the present building was constructed in an influential neoclassical design by James Gibbs in 1722–1726. The church is one of the visual anchors adding to the open-urban space around Trafalgar Square. History Roman era Excavations at the site in 2006 uncovered a grave from about A.D. 410. The site is outside the city limits of Roman London (as was the usual Roman practice for burials) but is particularly ...
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National Portrait Gallery, London
The National Portrait Gallery (NPG) is an art gallery in London housing a collection of portraits of historically important and famous British people. It was arguably the first national public gallery dedicated to portraits in the world when it opened in 1856. The gallery moved in 1896 to its current site at St Martin's Place, off Trafalgar Square, and adjoining the National Gallery (London), National Gallery. It has been expanded twice since then. The National Portrait Gallery also has regional outposts at Beningbrough Hall in Yorkshire and Montacute House in Somerset. It is unconnected to the Scottish National Portrait Gallery in Edinburgh, with which its remit overlaps. The gallery is a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport. Collection The gallery houses portraits of historically important and famous British people, selected on the basis of the significance of the sitter, not that of the artist. The collection includes ...
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Market Street, Manchester
Market Street is one of the principal retail streets in Manchester, England. It runs from its junction with Piccadilly and Mosley Street, close to Piccadilly Gardens, in the east to where it meets St. Mary's Gate at the crossroads with Exchange Street and New Cathedral Street in the west. St Mary's Gate then continues to where it meets Deansgate ( A56). Other major streets crossed are High Street, Corporation Street (on the north side), Cross Street and Fountain Street (on the south side). History Market Street in Manchester, once known as Market Stead Lane, lies along the former route of the A6 road which goes from Luton, Bedfordshire, to Carlisle, Cumbria. The A6 arrives at Manchester city centre as London Road and formerly went north-west along Piccadilly, Market Street, St. Mary's Gate and Blackfriars Street and then over the River Irwell to Blackfriars Street, Salford. But since the pedestrianisation of Market Street the A6 disappears at the junction of Piccadilly a ...
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Charles Barry
Sir Charles Barry (23 May 1795 – 12 May 1860) was a British architect, best known for his role in the rebuilding of the Palace of Westminster (also known as the Houses of Parliament) in London during the mid-19th century, but also responsible for numerous other buildings and gardens. He is known for his major contribution to the use of Italianate architecture in Britain, especially the use of the Palazzo as basis for the design of country houses, city mansions and public buildings. He also developed the Italian Renaissance garden style for the many gardens he designed around country houses.Bisgrove, p. 179 Background and training Born on 23 May 1795Barry p. 4 in Bridge Street, Westminster (opposite the future site of the Clock Tower of the Palace of Westminster), he was the fourth son of Walter Edward Barry (died 1805), a stationer, and Frances Barry ''née'' Maybank (died 1798). He was baptised at St Margaret's, Westminster, into the Church of England, of which he was ...
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Mosley Street
Mosley Street is a street in Manchester, England. It runs between its junction with Piccadilly Gardens and Market Street to St Peter's Square. Beyond St Peter's Square it becomes Lower Mosley Street. It is the location of several Grade II and Grade II* listed buildings. Mosley Street tram stop was located near Piccadilly Gardens. In 2009, the tram lines were reconstructed, and buses used Mosley Street en route to Piccadilly Gardens until May 2011, when they were rerouted along Portland Street. The street is now exclusively used by Metrolink trams and no cars are permitted on the street. The tram stop closed on 17 May 2013. History The streets in the neighbourhood were laid in the 1780s and by the early 19th century Mosley Street was the centre of the fashionable residential part of town with institutions such as the Portico Library and the Royal Manchester Institution. The street was named after Nicholas Mosley who in 1596 bought the manor of Manchester for £3,500. His fath ...
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Sir Oswald Mosley, 2nd Baronet, Of Ancoats
Sir Oswald Mosley, 2nd Baronet (27 March 1785 – 24 May 1871) was an Anglo-Irish aristocrat, politician, historian and naturalist. He served as High Sheriff of Staffordshire in 1814. Family He was the son of Oswald Mosley (17 March 1761 – 27 July 1789), son of Sir John Mosley, 1st Baronet, of Ancoats (1732 - 29 September 1798), created 1st Baronet Mosley, of Ancoats, in the Baronetage of Great Britain, on 8 June 1781, and wife (married 7 April 1760) Elizabeth Bayley (died 15 October 1797), daughter of James Bayley of Withington (1705–1769) and Anne Peploe (1702–1769), daughter of Samuel Peploe. John Mosley, 1st Baronet was the son of Nicholas Mosley (died 1734) and Elizabeth Parker. He had four aunts. Mosley's family were prosperous landowners in Staffordshire and County Monaghan, Ireland. The family seat was at Rolleston Hall, near Burton upon Trent and he succeeded to the title of 2nd Baronet Mosley, of Ancoats, on 29 September 1798. His uncle Ashton Nicholas Mosl ...
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