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David Drew (dancer)
David Drew (12 March 1938 – 16 October 2015) was an English ballet dancer and Principal Character Artist of The Royal Ballet. Biography Drew was born in London in 1938. He received his early training in dance at the Westbury School of Dancing in Bristol, before entering professional ballet training at the Royal Ballet School. He was a dancer with The Royal Ballet for the entire duration of his career: he joined the company in 1955 and was promoted to Soloist in 1961 and to Principal in 1974. He retired from The Royal Ballet as a Principal dancer following the 2002/2003 season, but continued to dance with the company as a Principal Character Artist and, in recognition of his long service to the company, he was also awarded the honorary title of Guest Artist. He contributed significantly to the improvement of the working conditions of the dancers notably during the redevelopment of the Royal Opera House between 1997 and 1999. He was the union representative of The Royal Ballet fo ...
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Ballet Dancer
A ballet dancer ( it, ballerina fem.; ''ballerino'' masc.) is a person who practices the art of classical ballet. Both females and males can practice ballet; however, dancers have a strict hierarchy and strict gender roles. They rely on years of extensive training and proper technique to become a part of a professional ballet company. Ballet dancers are at a high risk of injury due to the demanding technique of ballet. Training and technique Ballet dancers typically begin training at an early age if they desire to perform professionally and often take part in international competitions such as YAGP and Prix de Lausanne. At these events, scholarships are being granted to the most talented dancers, enabling them to continue their training at renowned ballet schools around the world, such as the John Kranko Schule in Germany and the Académie de Danse Classique Princesse Grace in Monaco. Pre-professional ballet dancers can audition to enroll at a vocational ballet school such ...
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The Crucible
''The Crucible'' is a 1953 play by American playwright Arthur Miller. It is a dramatized and partially fictionalized story of the Salem witch trials that took place in the Massachusetts Bay Colony during 1692–93. Miller wrote the play as an allegory for McCarthyism, when the United States government persecuted people accused of being communists. Miller was questioned by the House of Representatives' Committee on Un-American Activities in 1956 and convicted of contempt of Congress for refusing to identify others present at meetings he had attended. The play was first performed at the Martin Beck Theatre on Broadway on January 22, 1953, starring E. G. Marshall, Beatrice Straight and Madeleine Sherwood. Miller felt that this production was too stylized and cold, and the reviews for it were largely hostile (although ''The New York Times'' noted "a powerful play n adriving performance"). The production won the 1953 Tony Award for Best Play. A year later a new production suc ...
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People Educated At Bristol Grammar School
A person ( : people) is a being that has certain capacities or attributes such as reason, morality, consciousness or self-consciousness, and being a part of a culturally established form of social relations such as kinship, ownership of property, or legal responsibility. The defining features of personhood and, consequently, what makes a person count as a person, differ widely among cultures and contexts. In addition to the question of personhood, of what makes a being count as a person to begin with, there are further questions about personal identity and self: both about what makes any particular person that particular person instead of another, and about what makes a person at one time the same person as they were or will be at another time despite any intervening changes. The plural form "people" is often used to refer to an entire nation or ethnic group (as in "a people"), and this was the original meaning of the word; it subsequently acquired its use as a plural form of per ...
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Dancers From London
Dance is a performing art form consisting of sequences of movement, either improvised or purposefully selected. This movement has aesthetic and often symbolic value. Dance can be categorized and described by its choreography, by its repertoire of movements, or by its historical period or place of origin. An important distinction is to be drawn between the contexts of theatrical and participatory dance, although these two categories are not always completely separate; both may have special functions, whether social, ceremonial, competitive, erotic, martial, or sacred/liturgical. Other forms of human movement are sometimes said to have a dance-like quality, including martial arts, gymnastics, cheerleading, figure skating, synchronized swimming, marching bands, and many other forms of athletics. There are many professional athletes like, professional football players and soccer players, who take dance classes to help with their skills. To be more specific professional athletes ta ...
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Members Of The Order Of The British Empire
The Most Excellent Order of the British Empire is a British order of chivalry, rewarding contributions to the arts and sciences, work with charitable and welfare organisations, and public service outside the civil service. It was established on 4 June 1917 by King George V and comprises five classes across both civil and military divisions, the most senior two of which make the recipient either a knight if male or dame if female. There is also the related British Empire Medal, whose recipients are affiliated with, but not members of, the order. Recommendations for appointments to the Order of the British Empire were originally made on the nomination of the United Kingdom, the self-governing Dominions of the Empire (later Commonwealth) and the Viceroy of India. Nominations continue today from Commonwealth countries that participate in recommending British honours. Most Commonwealth countries ceased recommendations for appointments to the Order of the British Empire when they cre ...
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English Male Ballet Dancers
English usually refers to: * English language * English people English may also refer to: Peoples, culture, and language * ''English'', an adjective for something of, from, or related to England ** English national identity, an identity and common culture ** English language in England, a variant of the English language spoken in England * English languages (other) * English studies, the study of English language and literature * ''English'', an Amish term for non-Amish, regardless of ethnicity Individuals * English (surname), a list of notable people with the surname ''English'' * People with the given name ** English McConnell (1882–1928), Irish footballer ** English Fisher (1928–2011), American boxing coach ** English Gardner (b. 1992), American track and field sprinter Places United States * English, Indiana, a town * English, Kentucky, an unincorporated community * English, Brazoria County, Texas, an unincorporated community * Englis ...
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Principal Dancers Of The Royal Ballet
The Royal Ballet is a British internationally renowned classical ballet company, based at the Royal Opera House in Covent Garden, London, England. The largest of the five major ballet companies in Great Britain, the Royal Ballet was founded in 1931 by Dame Ninette de Valois. It became the resident ballet company of the Royal Opera House in 1946, and has purpose-built facilities within these premises. It was granted a royal charter in 1956, becoming recognised as Britain's flagship ballet company. The Royal Ballet was one of the foremost ballet companies of the 20th century, and continues to be one of the world's most famous ballet companies to this day, generally noted for its artistic and creative values. The company employs approximately 100 dancers. The official associate school of the company is the Royal Ballet School, and it also has a sister company, the Birmingham Royal Ballet, which operates independently. The Prima ballerina assoluta of the Royal Ballet is the late Dam ...
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People Educated At The Royal Ballet School
The Royal Ballet School is a British school of classical ballet training founded in 1926 by the Anglo-Irish ballerina and choreographer Ninette de Valois. The school's aim is to train and educate outstanding classical ballet dancers, especially for the Royal Ballet (based at the Royal Opera House in London) and the Birmingham Royal Ballet. Admission to the school is based purely on dancing talent and potential, regardless of academic ability or personal circumstances, and 90% of current students rely on financial support to attend the school. The school is based at two sites, White Lodge, Richmond Park (for students aged 11–16) and Covent Garden (for students from 16 to 19 years old) based in purpose-built studios on Floral Street, adjacent to the Royal Opera House. The Royal Ballet School has produced dancers and choreographers of international renown, including Dame Margot Fonteyn, Dame Beryl Grey, Sir Kenneth MacMillan, Dame Darcey Bussell, Alessandra Ferri, Viviana Dur ...
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A Month In The Country (ballet)
''A Month in the Country'' is a narrative ballet created in 1976 with choreography by Frederick Ashton, to the music of Frédéric Chopin (three works for piano and orchestra) arranged by John Lanchbery. It is based on the play by Ivan Turgenev of the same name, and lasts for about 40 minutes.Vaughan D. ''Frederick Ashton and his Ballets.'' A & C Black Ltd, London, 1977. History Ashton had had the idea of a ballet based on ''A Month in the Country'' since seeing the play in the 1930s at the Westminster Theatre, but a meeting with Isaiah Berlin in the late 1960s helped him decide on the subject, and he took up Berlin's suggestion of using the music of Chopin. During the preparation of the ballet, Ashton encouraged the dancers to see the play in London with Dorothy Tutin as Natalia.Kavanagh J. ''Secret Muses: The Life of Frederick Ashton.'' Faber & Faber Ltd, London, 1996. Ashton also credited Michael Somes "who brought the music used in the ballet to my notice" and Martyn Thomas who ...
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La Fille Mal Gardée (Ashton)
''La fille mal gardée'' (English: ''The Wayward Daughter'', literal translation: "The Poorly Guarded Girl"), Frederick Ashton's Royal Ballet production, began in 1959 when British choreographer Frederick Ashton created a new version of ''La fille mal gardée'' for the Royal Ballet of London. This production premiered on 28 January 1960, with Nadia Nerina as Lise, David Blair as Colas, Stanley Holden as the Widow Simone, and Alexander Grant as Alain. Since its inception Ashton's staging has become a celebrated classic of the ballet repertory. Background Originally Ashton intended to use the 1864 score of Peter Ludwig Hertel, as it had been used for nearly every revival of the ballet since the late 19th century, but after close inspection of this music Ashton decided it would not suit his plans for the revival. At the suggestion of the ballet historian and musicologist Ivor Guest, Ashton studied the 1828 score by Ferdinand Hérold, and found the light, simple music more su ...
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Isadora (ballet)
''Isadora'' is a ballet created for the Royal Ballet by Kenneth MacMillan to music by Richard Rodney Bennett with a scenario by Gillian Freeman, based on the life and dance of Isadora Duncan. In following the life of Isadora Duncan, the title role is taken jointly by a ballerina and by an actress, whose spoken text is drawn from sections of the memoirs of Duncan. Following the initial run at Covent Garden and performances New York, the ballet was not seen until revised in consultation with MacMillan's widow, and revived by the company in 2009. The scenario in the ballet concentrates on the dramatic events in Duncan's personal life and her relationships with four of her partners. The first performance of ''Isadora'' was at the Royal Opera House, Covent Garden on 30 April 1981 with Merle Park in the title role. Designs were by Barry Kay. The ballet was featured in the 50th anniversary BBC programme 'Right Royal Company', in May 1981 and was filmed by Granada Television with the or ...
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L'histoire De Manon
''L'histoire de Manon'', generally referred to as ''Manon'', is a ballet choreographed by Kenneth MacMillan to music by Jules Massenet and based on the 1731 novel ''Manon Lescaut'' by Abbé Prévost. The ballet was first performed by The Royal Ballet in London in 1974 with Antoinette Sibley and Anthony Dowell in the leading roles. It continues to be performed and recognised internationally. Background Kenneth MacMillan had been thinking about choreographing a ballet about the story of Manon Lescaut for some time. Three years into his artistic directorship of The Royal Ballet, he wanted to create a large-scale operatic ballet that would provide exciting roles both for the company's principal dancers and the ''corps de ballet''.Parry, p. 428 On the last night of the company's summer season in 1973, MacMillan left a copy of Prévost's novel in Antoinette Sibley's dressing room, with a note informing her that it would "come in handy for March 7, '74". As the copy of ''Manon Lescaut' ...
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