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David Bowie BBC Sessions
David Bowie recorded twelve radio sessions for the BBC between 1967 and 1972. Many of the tracks – but not all – were released on the ''Bowie at the Beeb'' 2-CD Set (2000). Some of the tracks missing from the first few sessions not included on ''Bowie at the Beeb'' 2-CD Set appear on later editions of ''David Bowie'' (1967) and ''David Bowie'' (1969). A few more tracks appear on ''BBC Sessions 1969–1972 (Sampler)'' 996 ''Bowie at the Beeb'' 4-LP Edition 016. However, many of the missing tracks from the ''Bowie at the Beeb'' 2-CD Set are only available on bootlegs and online. 'Hang Onto Yourself' from 11 Jan 1972 has,to date, not appeared in either master tape or bootleg form. This is because many of the original mastertapes are long gone, with sometimes only the broadcast tapes existing, meaning songs that were recorded but not originally broadcast, or only broadcast in edited form, are lost; or in at least one case, only a partial recording of a broadcast exists, with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Bowie
David Robert Jones (8 January 194710 January 2016), known professionally as David Bowie ( ), was an English singer-songwriter and actor. A leading figure in the music industry, he is regarded as one of the most influential musicians of the 20th century. Bowie was acclaimed by critics and musicians, particularly for his innovative work during the 1970s. His career was marked by reinvention and visual presentation, and his music and stagecraft had a significant impact on popular music. Bowie developed an interest in music from an early age. He studied art, music and design before embarking on a professional career as a musician in 1963. "Space Oddity", released in 1969, was his first top-five entry on the UK Singles Chart. After a period of experimentation, he re-emerged in 1972 during the glam rock era with his flamboyant and androgynous alter ego Ziggy Stardust (character), Ziggy Stardust. The character was spearheaded by the success of Bowie's single "Starman (song), Starma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I'm Waiting For The Man
"I'm Waiting for the Man" is a song by American rock band the Velvet Underground. Written by Lou Reed, it was first released on their 1967 debut album, ''The Velvet Underground & Nico''. The lyrics describe a man's efforts to obtain heroin in Harlem. In various reviews, it is described as "tough garage rock", "proto-punk classic", and "one of the all-time classic rock songs", with renditions by a number of artists. Recording Along with "Venus in Furs" and "Heroin", "I'm Waiting for the Man" was recorded in May 1966 at TTG Studios while the band was staying in Hollywood. It has been musically described as garage rock, proto-punk, and hard rock. The lyrics describe a man's efforts to obtain heroin. Despite the song's title, the lyrics refer to "my man" rather than "the man" throughout. Reception and legacy In a song review for AllMusic, Dave Thompson called it "one of the all-time classic rock songs... Over chunky guitar, clunking piano, and jackhammer drums, Reed half-sings, ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andy Warhol (song)
"Andy Warhol" is a song written by English singer-songwriter David Bowie in 1971 for the album ''Hunky Dory''. It is an acoustic song about one of Bowie's early artist inspirations, the American pop artist Andy Warhol. Background The album track opens with a series of strange electronic tones which fades into studio chatter in which producer Ken Scott mispronounces Warhol's name and Bowie repeatedly corrects him. Scott then solemnly reintroduces the take with the correct pronunciation, and Bowie asks if the tape is rolling. Upon realising he is indeed being recorded, Bowie bursts into laughter and the song proper begins. The song is memorable for a distinctive repeated riff played by Mick Ronson on acoustic guitar. Originally the song was written for Dana Gillespie, who recorded it in 1971, but her version of the song was not released until 1973 on her album ''Weren't Born a Man''. Bowie produced Gillespie's version and Ronson also plays guitar. Gillespie performed the song i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Underwood (artist)
George Underwood (born 5 February 1947) is a British artist and musician. He is best known for designing album covers for numerous bands in the 1970s and his collaborations with long-term friend, singer-songwriter David Bowie. Early life and career George Underwood attended Bromley Technical High School where he developed an interest in music alongside classmates David Bowie and Peter Frampton. Underwood's and Bowie's band, George and the Dragons was short-lived due to Underwood punching Bowie in the left eye while wearing a ring on his finger, during a fight over a girl, causing paralysis in Bowie's left pupil and his distinctive mismatched appearance. The injury did not affect their friendship in the end, and Underwood went on to record one album with Bowie (in their band The King Bees) and also a solo record under the name Calvin James. After deciding that the music business was not for him, Underwood returned to art studies and worked in design studios as an illustrator. Ini ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Song For Bob Dylan
"Song for Bob Dylan" is a song written by English singer-songwriter David Bowie for his 1971 album ''Hunky Dory''. The song references Bob Dylan's 1962 homage to Woody Guthrie, " Song to Woody". Yet while Dylan opens with "Hey, hey, Woody Guthrie, I wrote you a song," Bowie addresses Dylan by his birth name saying, "Now, hear this, Robert Zimmerman, I wrote a song for you." In the song, Bowie also describes Bob Dylan's voice "like sand and glue" which is similar to how Joyce Carol Oates described it upon first hearing Dylan: "When we first heard this raw, very young, and seemingly untrained voice, frankly nasal, as if sandpaper could sing, the effect was dramatic and electrifying."Hedin (ed.), 2004, ''Studio A: The Bob Dylan Reader'', p. 259. Reproduced online: History and recording Bowie premiered "Song for Bob Dylan" on 3 June 1971 during a BBC concert session, with George Underwood (King Bees bandmate and school friend) singing lead vocals. During broadcast, Bowie introdu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kooks (song)
"Kooks" is a song written by English singer-songwriter David Bowie, which appears on his 1971 album ''Hunky Dory''. Bowie wrote this song to his newborn son Duncan Jones. The song was a pastiche of early 1970s Neil Young because Bowie was listening to a Neil Young record at home on 30 May 1971 when he got the news of the arrival of his son.Kevin Cann (2010). ''Any Day Now - David Bowie: The London Years: 1947-1974'': p.218 Live versions * Before the studio recording of the song was made, it was recorded for the BBC ''In Concert'' radio show with John Peel, on 3 June 1971 (broadcast on 20 June 1971). In 2000 this recording was released on the ''Bowie at the Beeb'' album. * The song was recorded again for the BBC "Sounds of the 70s" radio show with Bob Harris on 21 September 1971 (broadcast on 4 October 1971). Personnel *David Bowie: lead and backing vocals, acoustic guitar *Mick Ronson: string arrangement *Trevor Bolder: bass, trumpet *Mick Woodmansey: drums *Rick Wakeman: piano ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chuck Berry
Charles Edward Anderson Berry (October 18, 1926 – March 18, 2017) was an American singer, songwriter and guitarist who pioneered rock and roll. Nicknamed the " Father of Rock and Roll", he refined and developed rhythm and blues into the major elements that made rock and roll distinctive with songs such as " Maybellene" (1955), "Roll Over Beethoven" (1956), "Rock and Roll Music" (1957) and " Johnny B. Goode" (1958). Writing lyrics that focused on teen life and consumerism, and developing a music style that included guitar solos and showmanship, Berry was a major influence on subsequent rock music.Campbell, M. (ed.) (2008). ''Popular Music in America: And the Beat Goes On''. 3rd ed. Cengage Learning. pp. 168–169. Born into a middle-class black family in St. Louis, Berry had an interest in music from an early age and gave his first public performance at Sumner High School. While still a high school student, he was convicted of armed robbery and was sent to a reformator ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Almost Grown (song)
"Almost Grown" is a song written and recorded by Chuck Berry. It was released as a double A-side with "Little Queenie". Background The song was released as Chess single 1722, and was later notable when featured in the 1973 film ''American Graffiti'', and on its soundtrack album. Recording The song was recorded on February 17, 1959, at Chess Studios in Chicago, Illinois. * Chuck Berry, vocals and guitar * Johnnie Johnson on piano * Willie Dixon on bass * Fred Below on drums * The background vocals on Berry's recording are by Etta James and The Marquees aka Harvey & the New Moonglows, featuring the young Marvin Gaye. Track listing 7" Vinyl # "Almost Grown" # "Little Queenie" Chart performance The song reached number thirty-two on the ''Billboard'' Hot 100 chart and number three on the ''Billboard'' R&B chart. Covers * The song was covered by The Animals on their 1963 album of the same name. * Australian band Ol' 55 covered the song on their album ''Take It Greasy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oh! You Pretty Things
"Oh! You Pretty Things" is a song written by English singer-songwriter David Bowie, released on his 1971 album ''Hunky Dory''. It was the first song he wrote for the album. Bowie recorded the song as a demo before giving it to singer Peter Noone, lead singer of Herman's Hermits, who decided to release it as his debut solo single. Featuring Bowie on piano, Noone's recording was produced by Mickie Most and featured structural and lyrical differences from Bowie's later version. Released by RAK Records in April 1971 under the title "Oh! You Pretty Thing", the single peaked at number 12 in the UK, becoming Bowie's biggest success as a songwriter since his own single "Space Oddity" two years earlier. Bowie recorded his own version at Trident Studios in London during the sessions for ''Hunky Dory'' between June and July 1971. Co-produced by Bowie and Ken Scott, it featured the musicians who would later become known as the Spiders from Mars: guitarist Mick Ronson, bassist Trevor Bolde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Queen Bitch
"Queen Bitch" is a song by English singer-songwriter David Bowie. It was originally released on his 1971 album ''Hunky Dory'' before appearing as the B-side of the single "Rebel Rebel" in the United Kingdom in early 1974. The song was inspired by the Velvet Underground and, in particular, lead singer Lou Reed. It was debuted on BBC radio in June 1971 before being properly recorded at Trident Studios in London between late June and mid-July. Co-produced by Bowie and Ken Scott, the lineup consisted of the musicians who would later become known as the Spiders from Mars: guitarist Mick Ronson, bassist Trevor Bolder and drummer Mick Woodmansey. As a tribute to the Velvet Underground, the song contains both musical and lyrical references to the band. The provocative lyrics concern a male character whose lover searches for drag queens and hookups after the narrator refuses his advances. The drag queen is described using stereotypical phrases. Unlike the majority of ''Hunky Dory''s track ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Supermen
"The Supermen" is a song written by English singer-songwriter David Bowie in 1970 and released as the closing track on the album '' The Man Who Sold the World''. It was one of a number of pieces on the album inspired by the works of literary figures such as Friedrich Nietzsche and H. P. Lovecraft. Music and lyrics The song has been cited as reflecting the influence of German Romanticism, its theme and lyrics referencing the apocalyptic visions of Friedrich Nietzsche and its prominent timpani part being likened to Richard Strauss' ''Also Sprach Zarathustra''.Nicholas Pegg (2000). ''The Complete David Bowie'': pp.209–210 Bowie later said "I was still going through the thing when I was pretending that I understood Nietzsche... And I had tried to translate it into my own terms to understand it so 'Supermen' came out of that." Critics have also seen the influence of H. P. Lovecraft's stories of "dormant elder gods". According to Bowie himself the guitar riff was given to him by Ji ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Memory Of A Free Festival
"Memory of a Free Festival" is a 1970 single by English singer-songwriter David Bowie. The song had originally been recorded in September 1969 as a seven-minute opus for Bowie's second self-titled album. It was reworked in March–April 1970 at the behest of Mercury Records, the label believing that the track had a better chance of success as a single than "The Prettiest Star", released earlier in the year. Bowie and Tony Visconti roughly split the track in half, re-recording it so both halves could function as individual songs. A more rock-oriented version than the earlier album cut, this rendition featured guitarist Mick Ronson. Biographer David Buckley described "Memory of a Free Festival" as "a sort of trippy retake of the Stones' 'Sympathy for the Devil' but with a smiley lyric". The track was written as a homage to the Free Festival, organised by the Beckenham Arts Lab, which was held at Croydon Road Recreation Ground in Beckenham on 16 August 1969. Released in Amer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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