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Daniel Levy (classical Pianist)
Daniel Levy (born 1947) is a classical pianist from Argentina. He is also an author, radio broadcaster and educator. Early life Levy was born in Buenos Aires, Argentina. He began playing the piano at age six and received a musical education under the tutorship of Ana Gelber and Vincenzo Scaramuzza, whose former pupils include Martha Argerich and Bruno Leonardo Gelber. He gave his debut performance at age 16, playing a piano recital with works by Bach, Chopin and Schumann. In 1967 he won the piano competition and in 1969 was announced the winner of the Mozarteum piano competition. Professional career Levy has recorded extensively over a 43-year career, with a catalogue of over 50 recordings for the Nimbus Records, Edelweiss Emission and Syntony record labels. His recording career has included a number of notable collaborations with artists that include Dietrich Fischer-Dieskau, the Philharmonia Orchestra, Wolfgang Holzmair and Franco Maggio Ormezowski. Levy has perfo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buenos Aires
Buenos Aires ( or ; ), officially the Autonomous City of Buenos Aires ( es, link=no, Ciudad Autónoma de Buenos Aires), is the capital and primate city of Argentina. The city is located on the western shore of the Río de la Plata, on South America's southeastern coast. "Buenos Aires" can be translated as "fair winds" or "good airs", but the former was the meaning intended by the founders in the 16th century, by the use of the original name "Real de Nuestra Señora Santa María del Buen Ayre", named after the Madonna of Bonaria in Sardinia, Italy. Buenos Aires is classified as an alpha global city, according to the Globalization and World Cities Research Network (GaWC) 2020 ranking. The city of Buenos Aires is neither part of Buenos Aires Province nor the Province's capital; rather, it is an autonomous district. In 1880, after decades of political infighting, Buenos Aires was federalized and removed from Buenos Aires Province. The city limits were enlarged to include t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fantasie In C (Schumann)
The ''Fantasie in C'', Op. 17, was written by Robert Schumann in 1836. It was revised prior to publication in 1839, when it was dedicated to Franz Liszt. It is generally described as one of Schumann's greatest works for solo piano, and is one of the central works of the early Romantic period. It is often called by the Italian version, ''Fantasia''; the word "Fantasie" is the German spelling. Structure The Fantasie is in loose sonata form. Its three movements are headed: The first movement is rhapsodic and passionate; the middle movement is a grandiose rondo based on a majestic march, with episodes that recall the emotion of the first movement; and the finale is slow and meditative. Genesis The piece has its origin in early 1836, when Schumann composed a piece entitled ''Ruines'' expressing his distress at being parted from his beloved Clara Wieck (later to become his wife). This later became the first movement of the Fantasy. Later that year, he wrote two more movements ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faschingsschwank Aus Wien
''Faschingsschwank aus Wien'' (''Carnival Scenes from Vienna'' or ''Carnival Jest from Vienna''), Op. 26, is a solo piano work by Robert Schumann. He began composition of the work in 1839 in Vienna. He wrote the first four movements in Vienna, and the last on his return to Leipzig. Eric Sams has noted that the word "Faschingsschwank" contains the letters ASCH SCHA in that order of appearance, and that Schumann used these notes in sequence as melodic material for this work. Robert Morgan has noted Schumann's use of Ludwig van Beethoven's Op. 26 as a model in this work, and also Schumann's use of musical symmetry. David Neumeyer has noted the similarity of the first section to the '' Valse Noble'', Op. 77, No. 7 (D. 969) of Franz Schubert. Form The work is in five movements: * Allegro: Very lively ('), B♭ major Marked (') (very lively), this is the longest and one of the more virtuosic movements, notable for its innovative rhythms and its brief quote of "La Marseillaise. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carnaval (Schumann)
''Carnaval'', Op. 9, is a work by Robert Schumann for piano solo, written in 1834–1835 and subtitled ''Scènes mignonnes sur quatre notes'' (Little Scenes on Four Notes). It consists of 21 short pieces representing masked revelers at Carnival, a festival before Lent. Schumann gives musical expression to himself, his friends and colleagues, and characters from improvised Italian comedy ('' commedia dell'arte''). He dedicated the work to the violinist Karol Lipiński. Background ''Carnaval'' had its origin in a set of variations on a ''Sehnsuchtswalzer'' by Franz Schubert, whose music Schumann had only discovered in 1827. The catalyst for writing the variations may have been a work for piano and orchestra by Schumann's close friend Ludwig Schuncke, a set of variations on the same Schubert theme. Schumann felt that Schuncke's heroic treatment was an inappropriate reflection of the tender nature of the Schubert piece, so he set out to approach his variations in a more intimate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nachtstücke
The '' Nachtstücke'' or ''Night Pieces'' are a set of four character pieces for piano by the German composer and pianist Robert Schumann. Historical background The ''Nachtstücke'' (''Night Pieces''), Op. 23, were composed in 1839 together with ''Faschingsschwank aus Wien'' and published one year later. The ''Intermezzo'' from ''Faschingsschwank'' was originally published as a supplement to the '' Neue Zeitschrift'' and identified as a 'fragment from the ''Nachtstücke'' which are to appear shortly'. Schumann envisaged the following titles for the four pieces: # ''Trauerzug'' ("Funeral procession") # ''Kuriose Gesellschaft'' ("Strange company") # ''Nächtliches Gelage'' ("Nocturnal revelries") # ''Rundgesang mit Solostimmen'' ("Roundelay with solo voices") These titles were not included in the original edition. Death of brother Schumann wrote the ''Nachtstücke'' under extremely stressful circumstances. He was spending the winter in Vienna. On March 30, 1839, he received ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Waldszenen
''Waldszenen'' (''Forest Scenes''), Op. 82, is a set of nine short solo piano pieces composed by Robert Schumann in 1848–1849, first published in 1850–1851 in Leipzig by Bartholf Senff. On the set, Schumann wrote: "The titles for pieces of music, since they again have come into favor in our day, have been censured here and there, and it has been said that 'good music needs no sign-post.' Certainly not, but neither does a title rob it of its value; and the composer, by adding one, at least prevents a complete misunderstanding of the character of his music. What is important is that such a verbal heading should be significant and apt. It may be considered the test of the general level of the composer's education." Movements The nine movements are shown in the table below. : References External links * *, Jörg Demus Jörg Wolfgang Demus (2 December 1928 – 16 April 2019) was an Austrian classical pianist who appeared internationally and made many recordings. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Sonata No
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album Für Die Jugend
''Album for the Young'' ('), Op. 68, was composed by Robert Schumann in 1848 for his three daughters. The album consists of a collection of 43 short works. Unlike the ', they are suitable to be played by children or beginners. The second part, starting at Nr. 19 (""), is marked ' (For adults; For more grown-up ones) and contains more demanding pieces. List of pieces First part # Melodie (Melody), C major # Soldatenmarsch (Soldiers' march), G major # Trällerliedchen (Lilting song or Humming song), C major # Ein Choral (Chorale), G major. Harmonisation of "Selig sind, die aus Erbamen" or "Freu dich sehr, o meine Seele" found in number 7 of BWV 39 # Stückchen (A little piece), C major # Armes Waisenkind (The poor orphan), A minor # Jägerliedchen (Hunting song), F major # Wilder Reiter (The wild rider), A minor (This piece is more commonly known in English as "The Wild Horseman") # Volksliedchen (Folk song), D minor # Fröhlicher Landmann, von der Arbeit zurückkehrend ('The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kinderszenen
' (, "Scenes from Childhood"), Opus number, Op. 15, by Robert Schumann, is a set of thirteen pieces of music for piano written in 1838. History and description Schumann wrote 30 movements for this work but chose 13 for the final version. The unused movements were later published in Bunte Blätter, ''Bunte Blätter'', Op. 99, and ''Albumblätter (Schumann), Albumblätter'', Op. 124. Schumann initially intended to publish ''Kinderszenen'' together with ''Novelletten (Schumann), Novelletten'' (Opus 21); the shared literary theme is suggested by the original title ''Kindergeschichten'' (Children's Tales). He told his wife Clara Schumann, Clara that the "thirty small, droll things", most of them less than a page in length, were inspired by her comment that he sometimes seemed "like a child". He described them in 1840 as "more cheerful, gentler, more melodic" than his earlier works. Movement No. 7 of the work, ', is one of Schumann's best known pieces; it is the opening and closin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Davidsbündlertänze
''Davidsbündlertänze'' (''Dances of the League of David''), Op. 6, is a group of eighteen pieces for piano composed in 1837 by Robert Schumann, who named them after his music society Davidsbündler. The low opus number is misleading: the work was written after '' Carnaval'', Op. 9, and the '' Symphonic Studies'', Op. 13. Background Robert Schumann's early piano works were substantially influenced by his relationship with Clara Wieck. On September 5, 1839, Schumann wrote to his former professor: "She was practically my sole motivation for writing the ''Davidsbündlertänze'', the Concerto, the Sonata and the "Novelettes"." They are an expression of his passionate love, anxieties, longings, visions, dreams and fantasies. The theme of the ''Davidsbündlertänze'' is based on a mazurka by Clara Wieck. The intimate character pieces are his most personal work. In 1838, Schumann told Clara that the ''Dances'' contained "many wedding thoughts" and that "the story is an entire ''Polt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfonsina Y El Mar
"Alfonsina y el mar" () is a zamba composed by Argentine pianist Ariel Ramírez and written by Argentine writer Félix Luna. It was first released as part of Mercedes Sosa's 1969 album ''Mujeres argentinas''. The song is a tribute to Argentine poet Alfonsina Storni, who committed suicide in 1938 by jumping into the sea from a jetty A jetty is a structure that projects from land out into water. A jetty may serve as a breakwater, as a walkway, or both; or, in pairs, as a means of constricting a channel. The term derives from the French word ', "thrown", signifying somet .... The song is a classic and has been interpreted by many artists of different nationalities. References Further reading * 1969 songs {{Folk-song-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
