Dandelion (Rolling Stones Song)
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Dandelion (Rolling Stones Song)
"Dandelion" is a song by the English rock band the Rolling Stones, written by Mick Jagger and Keith Richards, and first released as a B-side to "We Love You" in August 1967. John Lennon and Paul McCartney sing backing vocals. '' Billboard'' described the single as "an easy beat rocker with good story line." Background The song has lyrical references to British counting or nursery rhymes. The first demo version of "Dandelion" was recorded in November 1966. Originally titled "Sometimes Happy, Sometimes Blue", it had different lyrics and was sung and played by Keith Richards. On the released version, Mick Jagger sings the lead vocal. The recording's arrangement makes use of baroque instrumentation; Brian Jones contributed a distinctive melodic figure played on Mellotron, while Nicky Hopkins performed on harpsichord. The two parts move in contrary motion, with Jones' melody ascending against Hopkins' descending pedal point. The song is in the key of B-flat major and in the 4/4 t ...
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The Rolling Stones
The Rolling Stones are an English rock band formed in London in 1962. Active for six decades, they are one of the most popular and enduring bands of the rock era. In the early 1960s, the Rolling Stones pioneered the gritty, rhythmically driven sound that came to define hard rock. Their first stable line-up consisted of vocalist Mick Jagger, multi-instrumentalist Brian Jones, guitarist Keith Richards, bassist Bill Wyman, and drummer Charlie Watts. During their formative years, Jones was the primary leader: he assembled the band, named it, and drove their sound and image. After Andrew Loog Oldham became the group's manager in 1963, he encouraged them to write their own songs. Jagger and Richards became the primary creative force behind the band, alienating Jones, who had developed a drug addiction that interfered with his ability to contribute meaningfully. Rooted in blues and early rock and roll, the Rolling Stones started out playing covers and were at the forefront ...
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Paul McCartney
Sir James Paul McCartney (born 18 June 1942) is an English singer, songwriter and musician who gained worldwide fame with the Beatles, for whom he played bass guitar and shared primary songwriting and lead vocal duties with John Lennon. One of the most successful composers and performers of all time, McCartney is known for his melodic approach to bass-playing, versatile and wide tenor vocal range, and musical eclecticism, exploring styles ranging from pre–rock and roll pop to classical and electronica. His songwriting partnership with Lennon remains the most successful in history. Born in Liverpool, McCartney taught himself piano, guitar and songwriting as a teenager, having been influenced by his father, a jazz player, and rock and roll performers such as Little Richard and Buddy Holly. He began his career when he joined Lennon's skiffle group, the Quarrymen, in 1957, which evolved into the Beatles in 1960. Sometimes called "the cute Beatle", McCartney later invo ...
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The London Years
''Singles Collection: The London Years'' is a compilation album by the Rolling Stones, released in 1989. It was released as a 3-CD and a 4-LP set. Background ''Singles Collection: The London Years'' was released by former manager Allen Klein's ABKCO Records (who usurped control of the band's Decca/London material in 1970) after the band's departure from Decca and Klein. The set is a triple album of every Rolling Stones single—and their B-Sides—mostly in their original mono mixes (at least as of the 2002 reissue), in both the UK and US encompassing their entire era with Decca Records in the United Kingdom and London Records in the United States—hence the album's title. The original collection was produced by Andrew Loog Oldham, and digitally compiled and prepared under his supervision by P. D. Rain and Jody Klein. With a range from 1963 to 1971, the set begins with their very first UK single, Chuck Berry's " Come On", and runs to '' Sticky Fingers "Brown Sugar" and " ...
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More Hot Rocks (Big Hits & Fazed Cookies)
''More Hot Rocks (Big Hits & Fazed Cookies)'' is a compilation album by the Rolling Stones released in December 1972 on London Records. The album was a follow-up to the hugely successful ''Hot Rocks 1964–1971''. When ''Hot Rocks 1964–1971 ''proved to be a big seller, there was never any doubt that a successor would follow. However, initially—with Andrew Loog Oldham getting involved—the project was to feature previously unreleased (or more accurately, discarded) material and be titled ''Necrophilia''. Artwork was prepared and the album made it as far as the mastering phase when it was recalled and something a little more practical was compiled (ABKCO would revisit this concept with 1975's ''Metamorphosis''). The result was ''More Hot Rocks (Big Hits & Fazed Cookies)''. This was the second "post-contract" compilation released under the aegis of London/ABKCO Records after the termination of the Stones relationship with ABKCO and Decca Records. Because of the nature of the ...
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Through The Past, Darkly (Big Hits Vol
Prepositions and postpositions, together called adpositions (or broadly, in traditional grammar, simply prepositions), are a class of words used to express spatial or temporal relations (''in'', ''under'', ''towards'', ''before'') or mark various semantic roles (''of'', ''for''). A preposition or postposition typically combines with a noun phrase, this being called its complement, or sometimes object. A preposition comes before its complement; a postposition comes after its complement. English generally has prepositions rather than postpositions – words such as ''in'', ''under'' and ''of'' precede their objects, such as ''in England'', ''under the table'', ''of Jane'' – although there are a few exceptions including "ago" and "notwithstanding", as in "three days ago" and "financial limitations notwithstanding". Some languages that use a different word order have postpositions instead, or have both types. The phrase formed by a preposition or postposition together with its co ...
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Time Signature
The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are contained in each measure (bar), and which note value is equivalent to a beat. In a music score, the time signature appears at the beginning as a time symbol or stacked numerals, such as or (read ''common time'' or ''four-four time'', respectively), immediately following the key signature (or immediately following the clef symbol if the key signature is empty). A mid-score time signature, usually immediately following a barline, indicates a change of meter. There are various types of time signatures, depending on whether the music follows regular (or symmetrical) beat patterns, including simple (e.g., and ), and compound (e.g., and ); or involves shifting beat patterns, including complex (e.g., or ), mixed (e.g., & or & ), additive (e.g., ), fractional (e.g., ), and irrational met ...
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B-flat Major
B-flat major is a major scale based on B, with pitches B, C, D, E, F, G, and A. Its key signature has two flats. Its relative minor is G minor and its parallel minor is B-flat minor. The B-flat major scale is: : Many transposing instruments are pitched in B-flat major, including the clarinet, trumpet, tenor saxophone, and soprano saxophone. As a result, B-flat major is one of the most popular keys for concert band compositions. History Joseph Haydn's Symphony No. 98 is often credited as the first symphony written in that key, including trumpet and timpani parts. However, his brother Michael Haydn wrote one such symphony earlier, No. 36. Nonetheless, Joseph Haydn still gets credit for writing the timpani part at actual pitch with an F major key signature (instead of transposing with a C major key signature), a procedure that made sense since he limited that instrument to the tonic and dominant pitches.H. C. Robbins Landon, ''Haydn Symphonies'', London: British Broa ...
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Pedal Point
In music, a pedal point (also pedal note, organ point, pedal tone, or pedal) is a sustained tone, typically in the bass, during which at least one foreign (i.e. dissonant) harmony is sounded in the other parts. A pedal point sometimes functions as a "non-chord tone", placing it in the categories alongside suspensions, retardations, and passing tones. However, the pedal point is unique among non-chord tones, "in that it begins on a consonance, sustains (or repeats) through another chord as a dissonance until the harmony", not the non-chord tone, "resolves back to a consonance".Frank, Robert J. (2000)"Non-Chord Tones" , ''Theory on the Web'', Southern Methodist University. Pedal points "have a strong tonal effect, 'pulling' the harmony back to its root". Pedal points can also build drama or intensity and expectation. When a pedal point occurs in a voice other than the bass, it is usually referred to as an inverted pedal pointBenward & Saker (2003). ''Music: In Theory and Prac ...
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Contrary Motion
In music theory, contrapuntal motion is the general movement of two melodic lines with respect to each other. In traditional four-part harmony, it is important that lines maintain their independence, an effect which can be achieved by the judicious use of the four types of contrapuntal motion: parallel motion, similar motion, contrary motion, and oblique motion.Free-Ed.NeTraditional Harmony: Voice Motion Retrieved 2011-09-15. Parallel motion Parallel motion is motion in the same direction, keeping the same interval between them. For example : : Parallel motion at an interval of a perfect fifth is known as parallel or consecutive fifths, and at an interval of an octave is known as parallel or consecutive octaves. These motions are generally avoided in traditional counterpoint because they offer the lines so little independence from each other. Similar motion Similar motion is motion in the same direction, but with the interval between them changing. In other words, both line ...
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Nicky Hopkins
Nicholas Christian "Nicky" Hopkins (24 February 1944 – 6 September 1994) was an English pianist and organist. Hopkins performed on many popular and enduring British and American rock music recordings from the 1960s to the 1990s, most notably on songs recorded by the Rolling Stones, the Kinks, the Who, the Beatles, the Steve Miller Band, Jefferson Airplane, Rod Stewart, George Harrison, John Lennon, Paul McCartney, Ringo Starr, The Hollies, Cat Stevens, Carly Simon, Harry Nilsson, Joe Walsh, Peter Frampton, Jerry Garcia, Jeff Beck, Joe Cocker, Art Garfunkel, Badfinger, Graham Parker, Gary Moore, and Donovan. He is widely considered to be one of the greatest studio pianists in the history of popular rock music. Early life Nicholas Christian Hopkins was born in Perivale, Middlesex, England, on 24 February 1944. He began playing the piano at the age of three. He attended Sudbury Primary School in Perrin Road and Wembley County Grammar School, which now forms part of Alperton Comm ...
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Mellotron
The Mellotron is an electro-mechanical musical instrument developed in Birmingham, England, in 1963. It is played by pressing its keys, each of which pushes a length of magnetic tape against a capstan, which pulls it across a playback head. As the key is released, the tape is retracted by a spring to its initial position. Different portions of the tape can be played to access different sounds. The Mellotron evolved from the similar Chamberlin, but could be mass-produced more efficiently. The first models were designed for the home and contained a variety of sounds, including automatic accompaniments. Bandleader Eric Robinson and television personality David Nixon helped promote the first instruments, and celebrities such as Princess Margaret were early adopters. It was adopted by rock and pop groups in the mid to late 1960s. One of the first pop songs featuring the Mellotron was Manfred Mann's " Semi-Detached, Suburban Mr. James" (1966). The Beatles used it on tracks includ ...
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Brian Jones
Lewis Brian Hopkin Jones (28 February 1942 – 3 July 1969) was an English multi-instrumentalist and singer best known as the founder, rhythm/lead guitarist, and original leader of the Rolling Stones. Initially a guitarist, he went on to provide backing vocals and played a wide variety of instruments on Rolling Stones recordings and in concerts. After he founded the Rolling Stones as a British blues outfit in 1962, and gave the band its name, Jones' fellow band members Keith Richards and Mick Jagger began to take over the band's musical direction, especially after they became a successful songwriting team. Jones and fellow guitarist Richards also developed a unique style of guitar play that Richards refers to as the "ancient art of weaving" in which both players would play rhythm and lead parts together, which became a Rolling Stones trademark. Jones, however, did not get along with the band's manager, Andrew Loog Oldham, who pushed the band into a musical direction at odds w ...
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