Dances For Harp And String Orchestra
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Dances For Harp And String Orchestra
Dances for Harp and String Orchestra, in full in the original, Danses pour harpe chromatique avec accompagnement d'orchestre d'instruments à cordes (Dances for chromatic harp with string orchestra accompaniment), is a 1904 work by Claude Debussy. There are two sections: ''Danse sacrée'' and ''Danse profane'', and the work is sometimes billed accordingly. It is a two-movement work, of about ten minutes' duration. Background By 1904 Claude Debussy was established as one of France's leading composers. His 1902 opera '' Pelléas et Mélisande'' had brought him international fame, and he had been appointed a Chevalier of the Légion d'honneur the following year. Gustav Lyon, director of the Pleyel harp-making company, had invented a new type of instrument – the chromatic harp – with no pedals but with an additional set of strings, slanting across the others, enabling harpists to play any note in the chromatic scale with either hand.Avis, Peter (1992). Notes to EMI CD set 7243 5 85 ...
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Claude Debussy Atelier Nadar
Claude may refer to: __NOTOC__ People and fictional characters * Claude (given name), a list of people and fictional characters * Claude (surname), a list of people * Claude Lorrain (c. 1600–1682), French landscape painter, draughtsman and etcher traditionally called just "Claude" in English * Madame Claude, French brothel keeper Fernande Grudet (1923–2015) Places * Claude, Texas, a city * Claude, West Virginia, an unincorporated community Other uses * Allied reporting name of the Mitsubishi A5M Japanese carrier-based fighter aircraft * Claude (alligator), an albino alligator at the California Academy of Sciences See also * Claude's syndrome Claude's syndrome is a form of brainstem stroke syndrome characterized by the presence of an ipsilateral oculomotor nerve palsy, contralateral hemiparesis, contralateral ataxia, and contralateral hemiplegia of the lower face, tongue, and shoulder ...
, a form of brainstem stroke syndrome {{disambig, geo ...
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Wigmore Hall
Wigmore Hall is a concert hall located at 36 Wigmore Street, London. Originally called Bechstein Hall, it specialises in performances of chamber music, early music, vocal music and song recitals. It is widely regarded as one of the world's leading centres for this type of music and an essential port of call for many of the classical music world's leading stars. With near-perfect acoustic, the Hall quickly became celebrated across Europe and featured many of the great artists of the 20th century. Today, the Hall promotes 550 concerts a year and broadcasts a weekly concert on BBC Radio 3. The Hall also promotes an extensive education programme throughout London and beyond and has a huge digital broadcasting arm, which includes the Wigmore Hall Live Label and many live streams of concerts. Origins Originally named Bechstein Hall, it was built between 1899 and 1901 by C. Bechstein Pianofortefabrik, the German piano manufacturer, whose showroom was next door. The renowned British a ...
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Concertgebouw Orchestra
The Royal Concertgebouw Orchestra ( nl, Koninklijk Concertgebouworkest, ) is a Dutch symphony orchestra, based at the Amsterdam Royal Concertgebouw (concert hall). Considered one of the world's leading orchestras, Queen Beatrix conferred the "Royal" title upon the orchestra in 1988. History The Concertgebouw opened on 11 April 1888. The Concertgebouw Orchestra was established several months later and gave its first concert in the Concertgebouw on 3 November 1888. This performance was conducted by the orchestra's first chief conductor, Willem Kes. 1888–1945: Kes and Mengelberg Kes served as the orchestra's chief conductor from its 1888 founding to 1895. In 1895, Willem Mengelberg became chief conductor and remained in this position for fifty years, an unusually long tenure for a music director. He is generally regarded as having brought the orchestra to a level of major international significance, with a particular championing of such then-contemporary composers as Gustav ...
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Phia Berghout
Sophia Rosa Berghout (14 December 1909 - 22 March 1993) was a Dutch harpist. Her obituary in ''The Independent'' called her "arguably the most influential harpist this century". Career She was born in Rotterdam on 14 December 1909 and started playing the harp when she was 15 years old. She studied the harp at the Amsterdam Conservatoire with . She played in the Amsterdam Concertgebouw, as second harp 1933-1945 and principal harp 1945–1960, as well as having a successful solo career. She taught at the Amsterdam Conservatoire and then, from 1974, at the Maastricht Conservatoire. Together with Maria Korchinska (1895-1979) she established the International Harpweeks held at Queekhoven near Amsterdam in the 1960s; these developed into the World Harp Congress. Personal life Berghout married Johannes den Hertog, pianist and assistant conductor of the Amsterdam Concertgebouw: they divorced after a short time. She died in Doorn Doorn is a town in the municipality of Utrechts ...
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Leopold Stokowski
Leopold Anthony Stokowski (18 April 1882 – 13 September 1977) was a British conductor. One of the leading conductors of the early and mid-20th century, he is best known for his long association with the Philadelphia Orchestra and his appearance in the Disney film '' Fantasia'' with that orchestra. He was especially noted for his free-hand conducting style that spurned the traditional baton and for obtaining a characteristically sumptuous sound from the orchestras he directed. Stokowski was music director of the Cincinnati Symphony Orchestra, the Philadelphia Orchestra, the NBC Symphony Orchestra, New York Philharmonic Symphony Orchestra, the Houston Symphony Orchestra, the Symphony of the Air and many others. He was also the founder of the All-American Youth Orchestra, the New York City Symphony, the Hollywood Bowl Symphony Orchestra and the American Symphony Orchestra. Stokowski conducted the music for and appeared in several Hollywood films, most notably Disney's '' ...
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Philadelphia Orchestra
The Philadelphia Orchestra is an American symphony orchestra, based in Philadelphia, Pennsylvania. One of the " Big Five" American orchestras, the orchestra is based at the Kimmel Center for the Performing Arts, where it performs its subscription concerts, numbering over 130 annually, in Verizon Hall. From its founding until 2001, the Philadelphia Orchestra gave its concerts at the Academy of Music. The orchestra continues to own the Academy, and returns there one week per year for the Academy of Music's annual gala concert and concerts for school children. The Philadelphia Orchestra's summer home is the Mann Center for the Performing Arts. It also has summer residencies at the Saratoga Performing Arts Center, and since July 2007 at the Bravo! Vail Valley Festival in Vail, Colorado. The orchestra also performs an annual series of concerts at Carnegie Hall. From its earliest days the orchestra has been active in the recording studio, making extensive numbers of recordings, ...
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Edna Phillips
Edna Phillips (January 7, 1907 – December 2, 2003), later Edna Phillips Rosenbaum (though she never changed her professional name and was still known as "Miss Phillips"), was an American harpist long associated with the Philadelphia Orchestra and a teacher at the Philadelphia Conservatory of Music. Her most lasting contribution to the instrument was a body of works she commissioned as a soloist, including the concertos of Alberto Ginastera, Nicolai Berezowsky, Ernst Krenek, and Ernst von Dohnányi. Early life Edna Phillips was born on January 7, 1907, in Reading, Pennsylvania, where she learned to play the piano and the violin. At the age of seventeen she began harp study with Florence Wightman. Miss Wightman was a student of Carlos Salzedo at the recently established Curtis Institute of Music in Philadelphia. She was his teaching assistant as well. When Edna moved to Philadelphia two years later, she continued her private lessons with Miss Wightman, and audited lessons and ...
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Gymnopédies
The ''Gymnopédies'' (), or ''Trois Gymnopédies'', are three piano compositions written by French composer and pianist Erik Satie. He completed the whole set by 2 April 1888, but they were at first published individually: the first and the third in 1888, the second in 1895. History The work's unusual title comes from the French form of gymnopaedia, the ancient Greek word for an annual festival where young men danced naked – or perhaps simply unarmed. The source of the title has been a subject of debate. Satie and his friend Alexis Roland-Manuel maintained that he adopted it after reading Gustave Flaubert's novel '' Salammbô'', while others see a poem by J. P. Contamine de Latour as the source of Satie's inspiration, since the first ''Gymnopédie'' was published in the magazine ''La Musique des familles'' in the summer of 1888 together with an excerpt of Latour's poem ''Les Antiques'', where the term appears. However, it remains uncertain whether the poem was composed ...
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Erik Satie
Eric Alfred Leslie Satie (, ; ; 17 May 18661 July 1925), who signed his name Erik Satie after 1884, was a French composer and pianist. He was the son of a French father and a British mother. He studied at the Paris Conservatoire, but was an undistinguished student and obtained no diploma. In the 1880s he worked as a pianist in café-cabaret in Montmartre, Paris, and began composing works, mostly for solo piano, such as his ''Gymnopédies'' and '' Gnossiennes''. He also wrote music for a Rosicrucian sect to which he was briefly attached. After a spell in which he composed little, Satie entered Paris's second music academy, the Schola Cantorum, as a mature student. His studies there were more successful than those at the Conservatoire. From about 1910 he became the focus of successive groups of young composers attracted by his unconventionality and originality. Among them were the group known as Les Six. A meeting with Jean Cocteau in 1915 led to the creation of the ballet '' P ...
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Léon Vallas
Léon Vallas (17 May 1879 in Roanne – 9 May 1956 in Lyon) was a 20th-century French musicologist. Biography Orphaned at 8 years of age, after studying at the St. Mary's Institution at St. Chamond, held by the Marists, he passed his baccalaureate and studied medicine in Lyon, which he dropped out. In 1908, he defended a thesis of musicology on ''La Musique à l'Académie de Lyon au XVIIIe'' ("Music at the Academy of Lyon in the 17th Century"). A collaborator of Vincent d'Indy, in 1902 he became a music critic at ''Tout Lyon'', then founded ''La Revue musicale de Lyon'' in 1903, which later became the ''Revue française de musique'' in 1912, and then the ''Nouvelle revue musicale'' in 1920. He was involved in the creation of the "Société des grands concerts" in 1905, with the composer Georges Martin Witkowski and the construction of the in 1908. A physician during the war, he received his doctorate in 1919 on ''Un Siècle de musique et de théâtre à Lyon (1688–1789)'' (" ...
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Pianissimo
In music, the dynamics of a piece is the variation in loudness between notes or phrases. Dynamics are indicated by specific musical notation, often in some detail. However, dynamics markings still require interpretation by the performer depending on the musical context: for instance, the ''forte'' marking (meaning loud) in one part of a piece might have quite different objective loudness in another piece or even a different section of the same piece. The execution of dynamics also extends beyond loudness to include changes in timbre and sometimes tempo rubato. Purpose and interpretation Dynamics are one of the expressive elements of music. Used effectively, dynamics help musicians sustain variety and interest in a musical performance, and communicate a particular emotional state or feeling. Dynamic markings are always relative. never indicates a precise level of loudness; it merely indicates that music in a passage so marked should be considerably quieter than . There are ma ...
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Introduction And Allegro (Ravel)
Introduction and Allegro for Harp, Flute, Clarinet and String Quartet (french: Introduction et allegro pour harpe, flûte, clarinette et quatuor) is a chamber work by Maurice Ravel. It is a short piece, typically lasting between ten and eleven minutes in performance. It was commissioned in 1905 by the Érard harp manufacturers to showcase their instruments, and has been described as a miniature harp concerto. The premiere was in Paris on 22 February 1907. The work has been arranged for piano and for large orchestral forces but the version for seven instruments is usually performed, and has been recorded many times. Harpists who have featured in recordings include Lily Laskine, Nicanor Zabaleta, Osian Ellis, Markus Klinko, Lavinia Meijer and Marie-Pierre Langlamet. Background To showcase its new chromatic harp, the Pleyel company commissioned Claude Debussy in 1904 to write his '' Danses sacrée et profane'' for harp and orchestra. The rival Érard company responded by ...
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