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Dance Suite From Keyboard Pieces By François Couperin
The orchestral ''Dance Suite from Keyboard Pieces by François Couperin'' (), TrV 245 was composed by Richard Strauss in 1923 and consists of eight movements, each one based on a selection of pieces from François Couperin's '' Pièces de Clavecin'' written for the solo harpsichord over the period 1713 to 1730. It is also sometimes referred to as simply ''The Couperin Suite''. Composition history The origins of the Dance Suite arose out of the collaboration of Strauss with Heinrich Kröller (1880–1930) who had choreographed Strauss' ballet Josephslegende for its 1921 Berlin premier. The arrangements by Strauss of Couperin's keyboard pieces were part of a "Ballettsoirée" (ballet evening) which premiered on 17 February 1923 (as part of the Vienna Fasching or carnival), which consisted of four parts. Part 1 was ''François Couperin: social and theatrical dances in the manner of Louis XV'' based on books 1–4 of Couperin's ''Pièces de Clavecin'' (composed over the period 1713 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Bourgeois Gentilhomme (Strauss)
''Le bourgeois gentilhomme'' (in German, ''Der Bürger als Edelmann''), Op. 60, is an orchestral suite compiled by Richard Strauss from music he wrote between 1911 and 1917. The work has a complex genesis. Originally, Strauss collaborator Hugo von Hofmannsthal had the idea of reviving Molière's 1670 play ''Le bourgeois gentilhomme'', simplifying its plot, introducing a ''commedia dell'arte'' troupe, adding incidental music, and concluding what would be a long evening with a newly written one-act opera called ''Ariadne auf Naxos''. This idea did materialize, as planned, in Stuttgart on 25 October 1912. But it was apparent that the result was too long and expensive and that many in the audience for the play were uninterested in the opera, and vice versa. Strauss and Hofmannsthal accordingly opted to separate the two works entirely. In the case of the opera, this meant Strauss composing a new “Prologue” for it to explain the presence of the comedians. (The revised ''Ariadne au ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vienna Philharmonic
The Vienna Philharmonic (VPO; german: Wiener Philharmoniker, links=no) is an orchestra that was founded in 1842 and is considered to be one of the finest in the world. The Vienna Philharmonic is based at the Musikverein in Vienna, Austria. Its members are selected from the orchestra of the Vienna State Opera. Selection involves a lengthy process, with each musician demonstrating their capability for a minimum of three years' performance for the opera and ballet. After this probationary period, the musician may request an application for a position in the orchestra from the Vienna Philharmonic's board. History Precursors and formation Until the 1830s, orchestral performance in Vienna was done by ''ad hoc'' orchestras, consisting of professional and (often) amateur musicians brought together for specific performances. In 1833, Franz Lachner formed the forerunner of the Vienna Philharmonic, the – an orchestra of professional musicians from the Vienna Court Opera (''Wiener Hof ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Strauss Richard
Strauss, Strauß or Straus is a common Germanic surname. Outside Germany and Austria ''Strauß'' is always spelled ''Strauss'' (the letter " ß" is not used in the German-speaking part of Switzerland). In classical music, "Strauss" usually refers to Richard Strauss or Johann Strauss II. The name has been used by families in the Germanic area for at least a thousand years. The overlord of Gröna, for example, went by the name of Struz and used the image of an ostrich as his symbol. Examples of it could still be seen on the thousand-year-old church bell of that town. "Struz" or "Strutz" is the North-German form of the word "Strauss", which is the modern German word for ostrich. Some of the earliest Jewish bearers of the name hailed from the Judengasse in medieval Frankfurt, where families have been known by the name of the houses they inhabited. All the houses had names and these included Haus Strauss, complete with an image of an ostrich on the façade. When, for tax purpo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suite (music)
A suite, in Western classical music and jazz, is an ordered set of instrumental or orchestral/ concert band pieces. It originated in the late 14th century as a pairing of dance tunes and grew in scope to comprise up to five dances, sometimes with a prelude, by the early 17th century. The separate movements were often thematically and tonally linked. The term can also be used to refer to similar forms in other musical traditions, such as the Turkish fasıl and the Arab nuubaat. In the Baroque era, the suite was an important musical form, also known as ''Suite de danses'', ''Ordre'' (the term favored by François Couperin), ''Partita'', or ''Ouverture'' (after the theatrical " overture" which often included a series of dances) as with the orchestral suites of Christoph Graupner, Telemann and J.S. Bach. During the 18th century, the suite fell out of favour as a cyclical form, giving way to the symphony, sonata and concerto. It was revived in the later 19th century, but in a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norman Del Mar
Norman René Del Mar CBE (31 July 19196 February 1994) was a British conductor, horn player, and biographer. As a conductor, he specialised in the music of late romantic composers; including Edward Elgar, Gustav Mahler, and Richard Strauss. He left a great legacy of recordings of British music, in particular Elgar, Ralph Vaughan Williams, Frederick Delius, and Benjamin Britten. He notably conducted the premiere recording of Britten's children's opera '' Noye's Fludde''. Life and career Born in Hampstead, London, Del Mar began his career as a horn player. He was one of the original members of the Royal Philharmonic Orchestra (RPO), which was established by Sir Thomas Beecham in 1946. Within the first few months of the RPO's existence, Beecham appointed Del Mar as his assistant conductor. Del Mar made his professional debut as a conductor with the RPO in 1947. In 1949 Del Mar was appointed principal conductor of the English Opera Group, in which post he remained until 1954. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Divertimento For Chamber Orchestra After Keyboard Pieces By Couperin, Opus 86 (Strauss)
The ''Divertimento for Chamber Orchestra after Keyboard Pieces by Couperin'', Op. 86 (German: ''Divertimento aus Klavierstücken von François Couperin für kleines Orchester'') is an orchestral suite composed by Richard Strauss published in 1942 which consists of eight movements, each one based on a selection of pieces from François Couperin's '' Pièces de Clavecin'' written for the solo harpsichord over the period 1713 to 1730. Composition history The bulk of the divertimento was written to complement the earlier 1923 ''Dance Suite after Keyboard Pieces by Couperin'' for a ballet ''Verklungene Feste: Tanzvisionen aus zwei Jahrhunderten'' (''Bygone Celebrations: Dance Visions from Two Centuries'') premiered in Munich on May 20, 1941. The divertimento was then published in 1942 with two additional movements (III and VIII) as an orchestral suite and given an opus number. The premiere was given on 31 January 1943 by the Vienna Philharmonic conducted by Clemens Krauss. Althou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Rosenkavalier (1926 Film)
' is a 1926 Austrian silent film of the opera of the same name by Richard Strauss (music) and Hugo von Hofmannsthal (libretto). Directed by Robert Wiene, it premiered on 10 January 1926 at the Dresden Semperoper, which had also hosted the actual opera's premiere 15 years earlier. Hofmannsthal considerably changed the storyline for the film version (which included a final scene in the formal gardens behind the Field Marshal's residence) and Strauss' score included music not only from the opera but also sections of his Couperin Suite and a march for the Field Marshal, who appears in this version. The film was shot at the Schönbrunn Studios in Vienna. The music during the film's performances was provided by an orchestra. At the premiere, this was conducted by Richard Strauss himself. The film's projection speed had to be adjusted by the projector in order to fit the speed of the orchestra. This task fell to the film's cameraman, Hans Androschin, because only he knew the exact ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Semperoper
The Semperoper () is the opera house of the Sächsische Staatsoper Dresden (Saxon State Opera) and the concert hall of the Staatskapelle Dresden (Saxon State Orchestra). It is also home to the Semperoper Ballett. The building is located on the Theaterplatz near the Elbe River in the historic centre of Dresden, Germany. The opera house was originally built by the architect Gottfried Semper in 1841. After a devastating fire in 1869, the opera house was rebuilt, partly again by Semper, and completed in 1878. The opera house has a long history of premieres, including major works by Richard Wagner and Richard Strauss. History The first opera house at the location of today's Semperoper was built by the architect Gottfried Semper. It opened on 13 April 1841 with an opera by Carl Maria von Weber. The building style itself is debated among many, as it has features that appear in three styles: early Renaissance and Baroque, with Corinthian style pillars typical of Greek classical r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clemens Krauss
Clemens Heinrich Krauss (31 March 189316 May 1954) was an Austrian conductor and opera impresario, particularly associated with the music of Richard Strauss, Johann Strauss and Richard Wagner. Krauss was born in Vienna to Clementine Krauss, then a 15-year-old dancer in the Vienna Imperial Opera Ballet, later a leading actress and operetta singer, niece of the prominent nineteenth-century operatic soprano Gabrielle Krauss. His natural father, Chevalier Hector (1851-1916), came from a family of wealthy Phanariot bankers resident in Vienna. Baltazzi's older sister Helene was married to Baron Albin Vetsera and was the mother of Baroness Mary Vetsera, who was accordingly Clemens Krauss' first cousin. Krauss sang in the Hofkapelle (Imperial Choir) as a Vienna Choir Boy. He graduated from the Vienna Conservatory in 1912, after studying composition with Hermann Graedener and theory with Richard Heuberger there. He was then appointed chorus master in the Brünn Theatre, Moravia, (1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neoclassicism (music)
Neoclassicism in music was a twentieth-century trend, particularly current in the interwar period, in which composers sought to return to aesthetic precepts associated with the broadly defined concept of "classicism", namely order, balance, clarity, economy, and emotional restraint. As such, neoclassicism was a reaction against the unrestrained emotionalism and perceived formlessness of late Romanticism, as well as a "call to order" after the experimental ferment of the first two decades of the twentieth century. The neoclassical impulse found its expression in such features as the use of pared-down performing forces, an emphasis on rhythm and on contrapuntal texture, an updated or expanded tonal harmony, and a concentration on absolute music as opposed to Romantic program music. In form and thematic technique, neoclassical music often drew inspiration from music of the 18th century, though the inspiring canon belonged as frequently to the Baroque and even earlier periods as t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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