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Dan Levenson (artist)
Dan Levenson (born 1972) is a contemporary artist based in Los Angeles, California. He works in painting, sculpture, installation, performance and video. Early life and education Levenson was born in New York City. He attended Oberlin College as an undergraduate and the Royal College of Art for graduate school. Work Levenson's work involves a fictional Swiss art school based on the Bauhaus, Russian Constructivism, and the Abstraction-Création group. His work ties together themes of education, professionalization, utopia, freedom, labor, subjectivity, language, individualism, authorship, authenticity, theatricality, modernism, nationalism, and globalization. He is influenced by the legacy of institutional critique, especially the artists Andrea Fraser, Hans Haacke, Mel Bochner, and the art historian and critic Benjamin H. D. Buchloh. Exhibitions Levenson has performed at the Hammer Museum, and has exhibited at Vielmetter Los Angeles, Praz-Delavallade ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contemporary Art
Contemporary art is the art of today, produced in the second half of the 20th century or in the 21st century. Contemporary artists work in a globally influenced, culturally diverse, and technologically advancing world. Their art is a dynamic combination of Medium (arts), materials, methods, concepts, and subjects that continue the challenging of boundaries that was already well underway in the 20th century. Diverse and eclectic, contemporary art as a whole is distinguished by the very lack of a uniform, organising principle, ideology, or "-ism". Contemporary art is part of a cultural dialogue that concerns larger contextual frameworks such as personal and cultural identity, family, community, and nationality. In vernacular English, ''modern'' and ''contemporary'' are synonyms, resulting in some conflation and confusion of the terms ''modern art'' and ''contemporary art'' by non-specialists. Scope Some define contemporary art as art produced within "our lifetime," recognising tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Subjectivity
Subjectivity in a philosophical context has to do with a lack of objective reality. Subjectivity has been given various and ambiguous definitions by differing sources as it is not often the focal point of philosophical discourse.Bykova, Marina F. (February 2018). "On the Problem of Subjectivity: Editor's Introduction". ''Russian Studies in Philosophy''. 56: 1-5 - via EBSCOhost. However, it is related to ideas of consciousness, agency, personhood, philosophy of mind, reality, and truth. Three common definitions include that subjectivity is the quality or condition of: * Something being a '' subject'', narrowly meaning an individual who possesses conscious experiences, such as perspectives, feelings, beliefs, and desires. Solomon, Robert C. "Subjectivity," in Honderich, Ted. ''Oxford Companion to Philosophy (Oxford University Press, 2005), p.900. * Something being a ''subject'', broadly meaning an entity that has agency, meaning that it acts upon or wields power over some other en ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benjamin H
Benjamin ( he, ''Bīnyāmīn''; "Son of (the) right") blue letter bible: https://www.blueletterbible.org/lexicon/h3225/kjv/wlc/0-1/ H3225 - yāmîn - Strong's Hebrew Lexicon (kjv) was the last of the two sons of Jacob and Rachel (Jacob's thirteenth child and twelfth and youngest son) in Jewish, Christian and Islamic tradition. He was also the progenitor of the Israelite Tribe of Benjamin. Unlike Rachel's first son, Joseph, Benjamin was born in Canaan according to biblical narrative. In the Samaritan Pentateuch, Benjamin's name appears as "Binyamēm" (Samaritan Hebrew: , "son of days"). In the Quran, Benjamin is referred to as a righteous young child, who remained with Jacob when the older brothers plotted against Joseph. Later rabbinic traditions name him as one of four ancient Israelites who died without sin, the other three being Chileab, Jesse and Amram. Name The name is first mentioned in letters from King Sîn-kāšid of Uruk (1801–1771 BC), who called himself “King ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mel Bochner
Mel Bochner (born 1940) is an American conceptual artist. Bochner received his BFA in 1962 and honorary Doctor of Fine Arts in 2005 from the School of Art at Carnegie Mellon University. He lives in New York City. Life Bochner was born in Pittsburgh in 1940. In high school, he won early recognition for his talent from The Scholastic Art & Writing Awards and studied with Joseph Fitzpatrick]. He studied art at Carnegie Mellon University and graduated in 1962. After leaving Pittsburgh, he studied philosophy at Northwestern University near Chicago. He moved to New York in 1964 and worked as a guard at The Jewish Museum. In 1966, he was recruited by the influential art critic Dore Ashton to teach art history at the School of Visual Arts in New York. Bochner is Jewish and his work sometimes explores Jewish themes. Starting in the 1960s, he evolved several of the exhibition strategies now taken for granted, including using the walls of the gallery as the subject of the work and using p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Haacke
Hans Haacke (born August 12, 1936) is a German-born artist who lives and works in New York City. Haacke is considered a "leading exponent" of Institutional Critique. Early life Haacke was born in Cologne, Germany. He studied at the '' Staatliche Werkakademie'' in Kassel, Germany, from 1956 to 1960. In 1959, Haacke was hired to assist with the second documenta, working as a guard and tour guide. He was a student of Stanley William Hayter, a well-known and influential English printmaker, draftsman, and painter. From 1961 to 1962, he studied on a Fulbright grant at the Tyler School of Art at Temple University in Philadelphia. From 1967 to 2002, Haacke was a professor at the Cooper Union in New York City. During his formative years in Germany, he was a member of Zero (an international group of artists, active ca. 1957–1966).Haacke, Hans. ''Framing and Being Framed''. Halifax: Press of Nova scotia College of Art and Design, 1975. This group was held together with common moti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Fraser
Andrea Rose Fraser (born 1965) is a performance artist, mainly known for her work in the area of Institutional Critique. Fraser is based in New York and Los Angeles and is currently Department Head and Professor of Interdisciplinary Studio of the UCLA School of Arts and Architecture at the University of California, Los Angeles. Early life and career Fraser was born in Billings, Montana and grew up in Berkeley, California. She attended New York University, the Whitney Museum of American Art's Independent Study Program, and the School of Visual Arts.Andrea Fraser: Boxed Set, February 11 — April 4, 2010 Carpenter Center for the Vis ...
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Globalization
Globalization, or globalisation (Commonwealth English; see spelling differences), is the process of interaction and integration among people, companies, and governments worldwide. The term ''globalization'' first appeared in the early 20th century (supplanting an earlier French term ''mondialization''), developed its current meaning some time in the second half of the 20th century, and came into popular use in the 1990s to describe the unprecedented international connectivity of the post-Cold War world. Its origins can be traced back to 18th and 19th centuries due to advances in transportation and communications technology. This increase in global interactions has caused a growth in international trade and the exchange of ideas, beliefs, and culture. Globalization is primarily an economic process of interaction and integration that is associated with social and cultural aspects. However, disputes and international diplomacy are also large parts of the history of globalizat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nationalism
Nationalism is an idea and movement that holds that the nation should be congruent with the State (polity), state. As a movement, nationalism tends to promote the interests of a particular nation (as in a in-group and out-group, group of people),Anthony D. Smith, Smith, Anthony. ''Nationalism: Theory, Ideology, History''. Polity (publisher), Polity, 2010. pp. 9, 25–30; especially with the aim of gaining and maintaining the nation's sovereignty (self-governance) over its homeland to create a nation-state. Nationalism holds that each nation should govern itself, free from outside interference (self-determination), that a nation is a natural and ideal basis for a polity, and that the nation is the only rightful source of political power. It further aims to build and maintain a single national identity, based on a combination of shared social characteristics such as culture, ethnicity, geographic location, language, politics (or the government), religion, traditions and belief ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modernism
Modernism is both a philosophy, philosophical and arts movement that arose from broad transformations in Western world, Western society during the late 19th and early 20th centuries. The movement reflected a desire for the creation of new forms of art, philosophy, and social organization which reflected the newly emerging industrial society, industrial world, including features such as urbanization, architecture, new technologies, and war. Artists attempted to depart from traditional forms of art, which they considered outdated or obsolete. The poet Ezra Pound's 1934 injunction to "Make it New" was the touchstone of the movement's approach. Modernist innovations included abstract art, the stream-of-consciousness novel, montage (filmmaking), montage cinema, atonal and twelve-tone music, divisionist painting and modern architecture. Modernism explicitly rejected the ideology of Realism (arts), realism and made use of the works of the past by the employment of reprise, incorpor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antitheatricality
Antitheatricality is any form of opposition or hostility to theater. Such opposition is as old as theater itself, suggesting a deep-seated ambivalence in human nature about the dramatic arts. Jonas Barish's 1981 book, ''The Antitheatrical Prejudice'', was, according to one of his Berkeley colleagues, immediately recognized as having given intellectual and historical definition to a phenomenon which up to that point had been only dimly observed and understood. The book earned the American Theater Association's Barnard Hewitt Award for outstanding research in theater history. Barish and some more recent commentators treat the anti-theatrical, not as an enemy to be overcome, but rather as an inevitable and valuable part of the theatrical dynamic. Antitheatrical views have been based on philosophy, religion, morality, psychology, aesthetics and on simple prejudice. Opinions have focussed variously on the art form, the artistic content, the players, the lifestyle of theater people, and o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Authenticity In Art
Authenticity in art is manifest in the different ways that a work of art, or an artistic performance, can be considered authentic. The initial distinction is between ''nominal authenticity'' and ''expressive authenticity''. In the first sense, nominal authenticity is the correct identification of the author of a work of art; of how closely an actor or an actress interprets a role in a stageplay as written by the playwright; of how well a musician's performance of an artistic composition corresponds to the composer's intention; and how closely an '' objet d’art'' conforms to the artistic traditions of its genre. In the second sense, expressive authenticity is how much the work of art possesses inherent authority of and about its subject, and how much of the artist's intent is in the work of art. For the spectator, the listener, and the viewer, the ''authenticity of experience'' is an emotion impossible to recapture beyond the first encounter with the work of art in its original ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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