Damage (Jimmy Eat World Album)
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Damage (Jimmy Eat World Album)
''Damage'' is the eighth studio album by American rock band Jimmy Eat World. It was released on June 11, 2013, through RCA Records, RCA and Exotic Location Recordings. As touring in support of ''Invented (album), Invented'' (2010) was winding down by late 2011, the band started writing new material in early 2012. The band spent September and October 2012 at producer Alain Johannes' house in Los Angeles, California recording their next album with Reel-to-reel audio tape recording, analog tape and Pro Tools. Described as an adult breakup album, ''Damage'' is a power pop and rock album. "I Will Steal You Back" was released as the lead single in April 2013, and Jimmy Eat World spent the next few months touring across the United States. The band performed songs on talk shows such as ''Jimmy Kimmel Live!'' and ''Conan (talk show), Conan''. The title-track "Damage (Jimmy Eat World song), Damage" was released as a Single (music), radio single in August. Stints of the United Kingdom, the U ...
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Jimmy Eat World
Jimmy Eat World is an American rock band formed in 1993 in Mesa, Arizona. The band is composed of lead vocalist and lead guitarist Jim Adkins, rhythm guitarist and backing vocalist Tom Linton, bassist Rick Burch, and drummer Zach Lind. They have released ten studio albums, the last nine featuring the current lineup. The four-piece's commercial breakthrough came with the release of several singles from their album ''Bleed American'' (2001), four of which charted within the top 20 positions of the Alternative Songs chart, with " The Middle" reaching No. 1. Their follow-up album, ''Futures'' (2004), featured the No. 1 song "Pain". The RIAA certified ''Bleed American'' platinum and ''Futures'' gold, rewarding the two albums for selling over 1.5 million records between them. The band's sixth LP, ''Chase This Light'' (2007), became their highest-charting album and peaked at No. 5 on the ''Billboard'' 200. The band released their tenth album, ''Surviving'', in October 2019. Histo ...
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Single (music)
In music, a single is a type of release, typically a song recording of fewer tracks than an LP record or an album. One can be released for sale to the public in a variety of formats. In most cases, a single is a song that is released separately from an album, although it usually also appears on an album. In other cases a recording released as a single may not appear on an album. Despite being referred to as a single, in the era of music downloads, singles can include up to as many as three tracks. The biggest digital music distributor, the iTunes Store, accepts as many as three tracks that are less than ten minutes each as a single. Any more than three tracks on a musical release or thirty minutes in total running time is an extended play (EP) or, if over six tracks long, an album. Historically, when mainstream music was purchased via vinyl records, singles would be released double-sided, i.e. there was an A-side and a B-side, on which two songs would appear, one on each si ...
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Jim Adkins
James Christopher Adkins (born November 10, 1975), is an American rock musician who is best known as the lead guitarist, vocalist, and songwriter of the rock band Jimmy Eat World. Music career Jimmy Eat World (1993–present) Adkins grew up in Mesa, Arizona, and had been playing guitar since at least the early age of two. He has cited Def Leppard's song Photograph as an early influence that sparked his desire to become a guitarist, and had also learned songs by hair metal bands such as Mötley Crüe. Although he had an early preference for virtuosic guitar players, he broadened his horizons after being introduced to Fugazi by a cousin in Nebraska, where his family comes from. Adkins has also stated that Drive Like Jehu is his favorite guitar-based band, and his love of the band inspired him to seek out drummer Mark Trombino to produce 1996's ''Static Prevails''. To date, Trombino has produced four of Jimmy Eat World's records. While attending Mountain View High School, Ad ...
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Gigwise
''Gigwise'' is a British online music news site that features music news, photos, album reviews, music festivals, concert tickets and video content. Founded in June 2001, the site is based in London, England. History Gigwise was launched in 2001 in Liverpool as a gig listings site. Over time, the site evolved into a music news site including reviews and interviews in its content. In 2006, the site relocated its main office to London. It was the UK's 20th most-visited music news website in Dec 2010 ranking above NME.COM in the comScore reports. Gigwise was acquired in 2016 by the team behind Second Screen and Techtonic. For the 20th Anniversary, Gigwise published its first ever print edition in July 2021 featuring Self Esteem on the front cover. Editors * Andy Day (2002–05) * Scott Colothan (2005–09) * Jason Gregory (2009–11) * Michael Baggs (2011–14) * Andy Morris (2014–15) * Andrew Trendell (2015–2016) * Cai Trefor (2016–19) * Shannon Cotton (2019–20) * Jes ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Interscope Records
Interscope Records is an American record label owned by Universal Music Group through its Interscope Geffen A&M imprint. Founded in late 1990 by Jimmy Iovine and Ted Field as a $20 million joint venture with Atlantic Records of Warner Music Group and Interscope Communications, it differed from most record companies by letting A&R staff control decisions and allowing artists and producers full creative control. Its first hit records arrived in under a year, and it achieved profitability in 1993. Chair and CEO until May 2014, Iovine was succeeded by John Janick. In 1992, Interscope acquired the exclusive rights to market and distribute releases from the hardcore hip hop label Death Row, whose artists included Dr. Dre and Snoop Dogg, a decision that ultimately put the label at the center of the mid-1990s gangsta rap controversy. As a result, Time Warner, owning Atlantic, severed ties with Interscope by selling its 50 percent stake back to Field and Iovine for $115  ...
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DGC Records
DGC Records (an initialism for the David Geffen Company) was an American record label that operated as a division of Interscope Geffen A&M Records, which is owned by the Universal Music Group. History DGC Records was launched in 1990 as a subsidiary label of Geffen Records and was distributed by Warner Bros. Records until 1991, when it was acquired by MCA Music Entertainment Group. The label was created as a response to the success Geffen had with the harder rock acts on its roster. Though it initially focused on more progressive rock and heavy metal, as the decade progressed it also embraced the emergence of (and become a seminal label of) alternative rock, with influential acts like Nirvana, Sonic Youth, Hole, Weezer and Beck. The label also released early titles by hip hop band The Roots. In 1999, during the consolidation of Geffen's Universal Music Group parent and PolyGram, the DGC label ceased operations. The retained acts went on to record for the main Geffen label. ...
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Music Journalism
Music journalism (or music criticism) is media criticism and reporting about music topics, including popular music, classical music, and traditional music. Journalists began writing about music in the eighteenth century, providing commentary on what is now regarded as classical music. In the 1960s, music journalism began more prominently covering popular music like rock and pop after the breakthrough of The Beatles. With the rise of the internet in the 2000s, music criticism developed an increasingly large online presence with music bloggers, aspiring music critics, and established critics supplementing print media online. Music journalism today includes reviews of songs, albums and live concerts, profiles of recording artists, and reporting of artist news and music events. Origins in classical music criticism Music journalism has its roots in classical music criticism, which has traditionally comprised the study, discussion, evaluation, and interpretation of music that has be ...
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Tastemaker Albums
The ''Billboard'' charts tabulate the relative weekly popularity of songs and albums in the United States and elsewhere. The results are published in ''Billboard'' magazine. ''Billboard'' biz, the online extension of the ''Billboard'' charts, provides additional weekly charts, as well as year-end charts. The two most important charts are the ''Billboard'' Hot 100 for songs and ''Billboard'' 200 for albums, and other charts may be dedicated to a specific genre such as R&B, country, or rock, or they may cover all genres. The charts can be ranked according to sales, streams, or airplay, and for main song charts such as the Hot 100 song chart, all three data are used to compile the charts. For the ''Billboard'' 200 album chart, streams and track sales are included in addition to album sales. The weekly sales and streams charts are monitored on a Friday-to-Thursday cycle since July 2015; previously it was on a Monday-to-Sunday cycle. Radio airplay song charts, however, follow t ...
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Rock Albums
The ''Billboard'' charts tabulate the relative weekly popularity of songs and albums in the United States and elsewhere. The results are published in ''Billboard'' magazine. ''Billboard'' biz, the online extension of the ''Billboard'' charts, provides additional weekly charts, as well as year-end charts. The two most important charts are the ''Billboard'' Hot 100 for songs and ''Billboard'' 200 for albums, and other charts may be dedicated to a specific genre such as R&B, country, or rock, or they may cover all genres. The charts can be ranked according to sales, streams, or airplay, and for main song charts such as the Hot 100 song chart, all three data are used to compile the charts. For the ''Billboard'' 200 album chart, streams and track sales are included in addition to album sales. The weekly sales and streams charts are monitored on a Friday-to-Thursday cycle since July 2015; previously it was on a Monday-to-Sunday cycle. Radio airplay song charts, however, follow th ...
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Digital Albums
The ''Billboard'' charts tabulate the relative weekly popularity of songs and albums in the United States and elsewhere. The results are published in ''Billboard'' magazine. ''Billboard'' biz, the online extension of the ''Billboard'' charts, provides additional weekly charts, as well as year-end charts. The two most important charts are the ''Billboard'' Hot 100 for songs and ''Billboard'' 200 for albums, and other charts may be dedicated to a specific genre such as R&B, country, or rock, or they may cover all genres. The charts can be ranked according to sales, streams, or airplay, and for main song charts such as the Hot 100 song chart, all three data are used to compile the charts. For the ''Billboard'' 200 album chart, streams and track sales are included in addition to album sales. The weekly sales and streams charts are monitored on a Friday-to-Thursday cycle since July 2015; previously it was on a Monday-to-Sunday cycle. Radio airplay song charts, however, follow th ...
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Alternative Albums
The ''Billboard'' charts tabulate the relative weekly popularity of songs and albums in the United States and elsewhere. The results are published in ''Billboard'' magazine. ''Billboard'' biz, the online extension of the ''Billboard'' charts, provides additional weekly charts, as well as year-end charts. The two most important charts are the ''Billboard'' Hot 100 for songs and ''Billboard'' 200 for albums, and other charts may be dedicated to a specific genre such as R&B, country, or rock, or they may cover all genres. The charts can be ranked according to sales, streams, or airplay, and for main song charts such as the Hot 100 song chart, all three data are used to compile the charts. For the ''Billboard'' 200 album chart, streams and track sales are included in addition to album sales. The weekly sales and streams charts are monitored on a Friday-to-Thursday cycle since July 2015; previously it was on a Monday-to-Sunday cycle. Radio airplay song charts, however, follow th ...
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