Dalek I Love You
Dalek I Love You were a synthpop group from the Wirral, England. At various points in their existence, the band was also known as Dalek I. Record executives at Phonogram shortened the band's name without telling them for the "Freedom Fighters" single. History Roots: Mr. McKenzie and Radio Blank By the mid-1970s, David Balfe, Alan Gill and Keith Hartley, three residents of Thingwall on the Wirral Peninsula, had formed a band called Mr. McKenzie. In November 1976, as punk was emerging and influencing them, the group changed their name to Radio Blank, composed of Balfe (bass and keyboards), Gill (guitar and vocals) and Hartley (lead vocals and guitar) as well as Stephen Brick (drums). They played their own material and also some covers, such as "You Really Got Me" and "Peaches". Five of their 15 live gigs were at Eric's Club in Liverpool. Balfe and Gill lost interest in punk during 1977, and dissolved the band in October 1977 to form a more experimental project. First years ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Wirral Peninsula
Wirral (; ), known locally as The Wirral, is a peninsula in North West England. The roughly rectangular peninsula is about long and wide and is bounded by the River Dee to the west (forming the boundary with Wales), the River Mersey to the east, and the Irish Sea to the north. Historically, the Wirral was wholly in Cheshire; in the Domesday Book, its border with the rest of the county was placed at "two arrow falls from Chester city walls". However, since the Local Government Act 1972, only the southern third has been in Cheshire, with almost all the rest lying in the Metropolitan Borough of Wirral, Merseyside. An area of saltmarsh to the south-west of the peninsula lies in the Welsh county of Flintshire. The most extensive urban development is on the eastern side of the peninsula. The Wirral contains both affluent and deprived areas, with affluent areas largely in the west, south and north of the peninsula, and deprived areas concentrated in the east, especially Bir ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Chris Teepee
Chris Shaw, also known as Chris Teepee (a name which originated during his 'Teachers Practice'), is an English musician from Upton on the Wirral. Shaw is a drummer, synthesizer player and guitarist who has played with various Wirral and Liverpool bands during the late 1970s and early 1980s. His first role as a musician was as founder member of synthpop group Dalek I Love You, formed in 1977 alongside Alan Gill, David Balfe (later with Big In Japan and Teardrop Explodes) and Dave Hughes (later with OMD and Thomas Lang). Shaw played the synthesizer, and became the bands rhythm unit coordinator (drum machines) and 'Tape Man.' He left the band in late 1978, leaving by the time the band signed to Phonogram. After leaving Dalek I Love You, Shaw formed Some Detergents with schoolfriend Chris Russell and Brendan Coyle, releasing the single "Moderne Problem (TV Times)" on Clean Records. The 7" contained the B-sides "Colors" and "Wake Up". The band were championed by local DJ's Jo ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Virgin Books
Virgin Books is a British book publisher 90% owned by the publishing group Random House, and 10% owned by Virgin Group, the company originally set up by Richard Branson as a record company. History Virgin established its book publishing arm in the late 1970s; in the latter part of the 1980s Virgin purchased several existing companies, including WH Allen, well known among ''Doctor Who'' fans for their Target Books imprint; Virgin Books was incorporated into WH Allen in 1989, but in 1991 WH Allen was renamed Virgin Publishing Ltd. Virgin Publishing's early success came with the ''Doctor Who'' New Adventures novels, officially licensed full-length novels carrying on the story of the popular science-fiction television series following its cancellation in 1989. Virgin published this series from 1991 to 1997, as well as a range of ''Doctor Who'' reference books from 1992 to 1998 under the Doctor Who Books imprint. In recent times the company is best known for its commercial non- ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Encyclopedia Of Popular Music
''The Encyclopedia of Popular Music'' is an encyclopedia created in 1989 by Colin Larkin. It is the "modern man's" equivalent of the '' Grove Dictionary of Music'', which Larkin describes in less than flattering terms.''The Times'', ''The Knowledge'', Christmas edition, 22 December 2007- 4 January 2008. It was described by ''The Times'' as "the standard against which all others must be judged". History of the encyclopedia Larkin believed that rock music and popular music were at least as significant historically as classical music, and as such, should be given definitive treatment and properly documented. ''The Encyclopedia of Popular Music'' is the result. In 1989, Larkin sold his half of the publishing company Scorpion Books to finance his ambition to publish an encyclopedia of popular music. Aided by a team of initially 70 contributors, he set about compiling the data in a pre-internet age, "relying instead on information gleaned from music magazines, individual expertise ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Kraftwerk
Kraftwerk (, "power station") is a German band formed in Düsseldorf in 1970 by Ralf Hütter and Florian Schneider. Widely considered innovators and pioneers of electronic music, Kraftwerk were among the first successful acts to popularize the genre. The group began as part of West Germany's experimental krautrock scene in the early 1970s before fully embracing electronic instrumentation, including synthesizers, drum machines, and vocoders. Wolfgang Flür joined the band in 1974 and Karl Bartos in 1975, expanding the band to a quartet. On commercially successful albums such as ''Autobahn'' (1974), '' Trans-Europe Express'' (1977), ''The Man-Machine'' (1978), and ''Computer World'' (1981), Kraftwerk developed a self-described "robot pop" style that combined electronic music with pop melodies, sparse arrangements, and repetitive rhythms, while adopting a stylized image including matching suits. Following the release of '' Electric Café'' (1986), Flür left the group in 1987, f ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Eric's Club
Eric's Club was a music club in Liverpool, England. It opened on 1 October 1976 in the basement of The Fruit Exchange in Victoria Street, with performances by The Runaways and The Sex Pistols (their only Liverpool gig) before soon moving around the block to its long-term site on Mathew Street opposite The Cavern Club where The Beatles and other bands of the 1960s played, and became notable for hosting early performances by many punk and post-punk bands. The club was started by Roger Eagle and Ken Testi (manager of cult Liverpool band Deaf School) and joined later by Pete Fulwell (owner of a small record label "Inevitable" and later to become manager of Liverpool bands It's Immaterial and The Christians). The club was given the name 'Eric's' by Ken Testi as an antidote to disco clubs with names such as 'Tiffany's' and 'Samantha's' Music The club played host to many local, national and international bands primarily within the music sub-cultures of the time, such as Elvis Costell ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Peaches (The Stranglers Song)
"Peaches" is a punk rock single by the Stranglers, from their debut studio album ''Rattus Norvegicus'' (1977). Notable for its distinctive bassline, the track peaked at No. 8 in the UK Singles Chart. Song information The lyrics to "Peaches" featured coarse sexual language and innuendo to a degree that was unusual for the time. The song's narrator is girl-watching on a crowded beach one hot summer day. It is never made clear if his lascivious thoughts (such as "there goes a girl and a half") are an interior monologue, comments to his mates, or come-on lines to the attractive women in question. The critic Tom Maginnis wrote that Hugh Cornwell sings with "a lecherous sneer, the sexual tension is so unrelenting as to spill into macho parody or even censor-baiting territory". The single was a double A-side with pub rock song "Go Buddy Go". The latter was played on UK radio at the time and also was performed on the band's first BBC TV ''Top of the Pops'' appearance, because the sexu ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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You Really Got Me
"You Really Got Me" is a song written by Ray Davies for English rock band the Kinks. The song, originally performed in a more blues-oriented style, was inspired by artists such as Lead Belly and Big Bill Broonzy. Two versions of the song were recorded, with the second performance being used for the final single. Although it was rumoured that future Led Zeppelin guitarist Jimmy Page had performed the song's guitar solo, the myth has since been proven false. "You Really Got Me" was built around power chords ( perfect fifths and octaves) and heavily influenced later rock musicians, particularly in the genres of heavy metal and punk rock. Built around a guitar riff played by Dave Davies, the song's lyrics were described by Dave as "a love song for street kids." "You Really Got Me" was released in the UK on 4 August 1964 by Pye Records as the group's third single, and reached number one on the ''Record Retailer'' chart the following month, remaining there for two weeks. It wa ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Thingwall
Thingwall is a village on the Wirral Peninsula, in Merseyside, England. The village is situated approximately to the south west of Birkenhead and north east of Heswall. Historically part of Cheshire, the area is within the Pensby and Thingwall Ward of the Metropolitan Borough of Wirral and the parliamentary constituency of Wirral West. At the 2001 census, Thingwall had 3,140 inhabitants. The 2011 census registered the total ward population at 13,007. History From the Old Norse , meaning 'assembly field', the name indicates that it was once the site of a Germanic ''thing'' (or ''þing''). Similar place names in the British Isles include Tynwald, Dingwall, and Tingwall; see also Thingvellir in Iceland and Tingvoll in Norway. The settlement was recorded in the Domesday Book of 1086 as ''Tuigvelle'', and has been variously known as ''Fingwalle'' (1180); ''Thingale'' (circa 1250); ''Thynghwall'' (1426). Previously a township in Woodchurch Parish, Wirral Hundred, it was a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Wirral
Wirral (; ), known locally as The Wirral, is a peninsula in North West England. The roughly rectangular peninsula is about long and wide and is bounded by the River Dee, Wales, River Dee to the west (forming the boundary with Wales), the River Mersey to the east, and the Irish Sea to the north. Historically, the Wirral was wholly in Cheshire; in the Domesday Book, its border with the rest of the county was placed at "two arrow falls from Chester city walls". However, since the Local Government Act 1972, only the southern third has been in Cheshire, with almost all the rest lying in the Metropolitan Borough of Wirral, Merseyside. An area of saltmarsh to the south-west of the peninsula lies in the Welsh county of Flintshire. The most extensive urban development is on the eastern side of the peninsula. The Wirral contains both affluent and deprived areas, with affluent areas largely in the west, south and north of the peninsula, and deprived areas concentrated in the east, es ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Synthpop
Synth-pop (short for synthesizer pop; also called techno-pop; ) is a subgenre of new wave music that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s. Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, and the mid-1970s saw the rise of electronic art musicians. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s. In Japan, Yellow Magic Orchestra introduced the TR-808 rhythm machine to popular music, and the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |