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Daji
Daji () was the favourite consort of King Zhou of Shang, the last king of the Shang dynasty in History of China, ancient China. In legends and fictions, she is portrayed as a malevolent fox spirit who kills and impersonates the real Daji. Her identification as a fox spirit seems to have originated from at least the Tang dynasty. These accounts have been popularized in works such as the (), the , and the . She is considered a classic example of how a beautiful femme fatale can cause the downfall of a dynasty in Chinese culture. In the Song dynasty, fox spirit cults, including those dedicated to Daji, became outlawed, but their suppression was unsuccessful. For example, in 1111, an imperial edict was issued for the destruction of many spirit shrines within Kaifeng, including those of Daji. Biography Daji was from a noble family of Yousu (); her style name is Da (), and her clan name is Ji (). Hence, she is also known as Su Da Ji or Da Ji in ancient sources. At some time during hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Creations Of Daji
''The Investiture of the Gods'', also known by its Chinese names () and is a 16th-century Chinese novel and one of the major Written vernacular Chinese, vernacular Chinese works in the gods and demons (''shenmo'') genre written during the Ming dynasty (1368–1644). Consisting of 100 chapters, it was first published in book form between 1567 and 1619. Another source claims it was published in 1605. The work combines elements of history, folklore, mythology, legends and fantasy.Chew, Katherine Liang (2002). ''Tales of the Teahouse Retold: Investiture of the Gods''. Page XI. . The story is set in the era of the decline of the Shang dynasty (1600–1046 BC) and the rise of the Zhou dynasty (1046–256 BC). It intertwines numerous elements of Chinese mythology, including deities, immortals and spirits. The authorship is attributed to Xu Zhonglin. Plot The novel is a romanticised retelling of the overthrow of King Zhou of Shang, King Zhou, the last ruler of the Shang dy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Feng Shen Yan Yi
''The Investiture of the Gods'', also known by its Chinese names () and is a 16th-century Chinese novel and one of the major vernacular Chinese works in the gods and demons (''shenmo'') genre written during the Ming dynasty (1368–1644). Consisting of 100 chapters, it was first published in book form between 1567 and 1619. Another source claims it was published in 1605. The work combines elements of history, folklore, mythology, legends and fantasy.Chew, Katherine Liang (2002). ''Tales of the Teahouse Retold: Investiture of the Gods''. Page XI. . The story is set in the era of the decline of the Shang dynasty (1600–1046 BC) and the rise of the Zhou dynasty (1046–256 BC). It intertwines numerous elements of Chinese mythology, including deities, immortals and spirits. The authorship is attributed to Xu Zhonglin. Plot The novel is a romanticised retelling of the overthrow of King Zhou, the last ruler of the Shang dynasty, by Ji Fa, who would establish the Zhou dy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Investiture Of The Gods
''The Investiture of the Gods'', also known by its Chinese names () and is a 16th-century Chinese novel and one of the major vernacular Chinese works in the gods and demons (''shenmo'') genre written during the Ming dynasty (1368–1644). Consisting of 100 chapters, it was first published in book form between 1567 and 1619. Another source claims it was published in 1605. The work combines elements of history, folklore, mythology, legends and fantasy.Chew, Katherine Liang (2002). ''Tales of the Teahouse Retold: Investiture of the Gods''. Page XI. . The story is set in the era of the decline of the Shang dynasty (1600–1046 BC) and the rise of the Zhou dynasty (1046–256 BC). It intertwines numerous elements of Chinese mythology, including deities, immortals and spirits. The authorship is attributed to Xu Zhonglin. Plot The novel is a romanticised retelling of the overthrow of King Zhou, the last ruler of the Shang dynasty, by Ji Fa, who would establish the Zhou dy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hu Li Jing
Huli jing () are Chinese mythological creatures usually capable of shapeshifting, who may either be benevolent or malevolent spirits. In Chinese mythology and folklore, the fox spirit takes variant forms with different meanings, powers, characteristics, and shapes, including ''huxian'' (), ''hushen'' (), ''husheng'' (), ''huwang'' (), ''huyao'' (), and ''jiuweihu'' (). Fox spirits and nine-tailed foxes appear frequently in Chinese folklore, literature, and mythology. Depending on the story, the fox spirit's presence may be a good or a bad omen. The motif of nine-tailed foxes from Chinese culture was eventually transmitted and introduced to Japanese and Korean cultures. Descriptions The nine-tailed fox occurs in the ''Shanhaijing'' (''Classic of Mountains and Seas''), compiled from the Warring States period to the Western Han period (circa fourth to circa first century BC). The work states: In chapter 14 of the ''Shanhaijing'', Guo Pu, a scholar of the Eastern Jin dynasty, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Huli Jing
Huli jing () are Chinese mythological creatures usually capable of shapeshifting, who may either be benevolent or malevolent spirits. In Chinese mythology and folklore, the fox spirit takes variant forms with different meanings, powers, characteristics, and shapes, including ''huxian'' (), ''hushen'' (), ''husheng'' (), ''huwang'' (), ''huyao'' (), and ''jiuweihu'' (). Fox spirits and nine-tailed foxes appear frequently in Chinese folklore, literature, and mythology. Depending on the story, the fox spirit's presence may be a good or a bad omen. The motif of nine-tailed foxes from Chinese culture was eventually transmitted and introduced to Japanese and Korean cultures. Descriptions The nine-tailed fox occurs in the ''Shanhaijing'' (''Classic of Mountains and Seas''), compiled from the Warring States period to the Western Han period (circa fourth to circa first century BC). The work states: In chapter 14 of the ''Shanhaijing'', Guo Pu, a scholar of the Eastern Jin dynasty, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fox Spirit
Huli jing () are Chinese mythological creatures usually capable of shapeshifting, who may either be benevolent or malevolent spirits. In Chinese mythology and folklore, the fox spirit takes variant forms with different meanings, powers, characteristics, and shapes, including ''huxian'' (), ''hushen'' (), ''husheng'' (), ''huwang'' (), ''huyao'' (), and ''jiuweihu'' (). Fox spirits and nine-tailed foxes appear frequently in Chinese folklore, literature, and mythology. Depending on the story, the fox spirit's presence may be a good or a bad omen. The motif of nine-tailed foxes from Chinese culture was eventually transmitted and introduced to Japanese and Korean cultures. Descriptions The nine-tailed fox occurs in the ''Shanhaijing'' (''Classic of Mountains and Seas''), compiled from the Warring States period to the Western Han period (circa fourth to circa first century BC). The work states: In chapter 14 of the ''Shanhaijing'', Guo Pu, a scholar of the Eastern Jin dynasty, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jiang Ziya
Jiang Ziya ( century BC – century BC), also known by several other names, was a Chinese noble who helped kings Wen and Wu of Zhou overthrow the Shang in ancient China. Following their victory at Muye, he continued to serve as a Zhou minister. He remained loyal to the regent Duke of Zhou during the Rebellion of the Three Guards; following the Duke's punitive raids against the restive Eastern Barbarians or ''Dongyi'', Jiang was enfeoffed with their territory as the marchland of Qi. He established his seat at Yingqiu (in modern Linzi). Names The first marquis of Qi bore the given name Shang. The nobility of ancient China bore two surnames, an ancestral name and a clan name. His were Jiang (姜) and Lü (呂), respectively. He had two courtesy names, Shangfu (尚父; lit. "Esteemed Father") and Ziya (lit. "Master Ivory, Master Tusk"), which were used for respectful address by his peers. The names Jiang Shang and Jiang Ziya became the most common after th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Zhou Of Shang
King Zhou (; ) was the pejorative posthumous name given to Di Xin of Shang () or King Shou of Shang (), the last king of the Shang dynasty of ancient China. He is also called Zhou Xin (). In Chinese, his name Zhòu (wikt:紂, 紂) also refers to a horse crupper, the part of a saddle or harness that is most likely to be soiled by the horse. It is not to be confused with the name of the Zhou dynasty, succeeding dynasty which has a different character and pronunciation (). Early reign In the ''Records of the Grand Historian'', Sima Qian wrote that Di Xin, in the early part of his reign, had abilities which surpassed those of the ordinary man, and was quick-witted and quick-tempered. According to legend, he was intelligent enough to win all of his arguments, and he was strong enough to hunt wild beasts with his bare hands. He was the younger brother of Weizi of Song, Zi Qi (子啓) and Weizhong of Song, Zi Yan (子衍) (later rulers of Zhou dynasty, Zhou's vassal state Song (state), So ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yunzhongzi
Yunzhongzi () is a character from the famed classic Chinese novel ''Fengshen Yanyi''. Yunzhongzi is a renowned immortal of the Jade Column Cave atop Mount South End. After the sinister Daji had taken her grasp over King Zhou of Shang, Yunzhongzi was the first immortal to see the injustice from above the clouds. After Yunzhongzi realized that this was none other than the Thousand-Year Vixen, he exclaimed the words "''If she is not eliminated, great disaster will befall the Red Dust! I must prevent this from happening!''" Following this event, Yunzhongzi presented himself before King Zhou. After the king had asked for Yunzhongzi's home, Yunzhongzi responded by saying that he is from water--heart of cloud, mind of fluidity. Thus following this point, Yunzhongzi would engage in a great reformative conversation with the king in the hopes that he would be rid of Daji and employ the Taoist way to his kingdom. Before Yunzhongzi left the king, he handed him his wooden sword, a sword that wou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bo Yikao
Bo Yikao was the eldest son of King Wen of Zhou and the elder brother of King Wu who was the founder of the Zhou dynasty of ancient China. As a member of the Zhou royal house, his family name was Ji (姬). "Bo" refers to his status as the oldest son of his father. "Yikao" may have been his personal name or a posthumous name used for ritual purposes. It is known that he did not inherit his father's realm along the Wei River. Based on later Chinese inheritance laws and legends, it is typically thought that he predeceased his father, e.g. by Sima Qian. Stories such as the ''Fengshen Yanyi'' lay the guilt upon King Zhou, the last king of the Shang dynasty, and the traditional account of his death was taken by later Chinese jurists as the first instance of ''lingchi'' (the "death by a thousand cuts"). However, passages in the ''Book of Rites'' and the '' Masters of Huainan'' assume that King Wu's inheritance simply represented an aberration or even an older tradition among the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Femme Fatale
A ''femme fatale'' ( or ; ), sometimes called a maneater or vamp, is a stock character of a mysterious, beautiful, and seductive woman whose charms ensnare her lovers, often leading them into compromising, deadly traps. She is an archetype of literature and art. Her ability to enchant, entice and hypnotize her victim with a spell was in the earliest stories seen as verging on supernatural; hence, the femme fatale today is still often described as having a power akin to an enchantress, seductress, witch, having power over men. Femmes fatales are typically villainous, or at least morally ambiguous, and always associated with a sense of mystification, and unease.Mary Ann Doane, ''Femme Fatales'' (1991) pp. 1–2 The term originates from the French phrase '' femme fatale'', which means 'deadly woman' or 'lethal woman'. A femme fatale tries to achieve her hidden purpose by using feminine wiles such as beauty, charm, or sexual allure. In many cases, her attitude towards sexuality is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tang Dynasty
The Tang dynasty (, ; zh, t= ), or Tang Empire, was an Dynasties in Chinese history, imperial dynasty of China that ruled from 618 to 907 AD, with an Zhou dynasty (690–705), interregnum between 690 and 705. It was preceded by the Sui dynasty and followed by the Five Dynasties and Ten Kingdoms period. Historians generally regard the Tang as a high point in Chinese civilization, and a Golden age (metaphor), golden age of cosmopolitan culture. Tang territory, acquired through the military campaigns of its early rulers, rivaled that of the Han dynasty. The House of Li, Lǐ family () founded the dynasty, seizing power during the decline and collapse of the Sui Empire and inaugurating a period of progress and stability in the first half of the dynasty's rule. The dynasty was formally interrupted during 690–705 when Empress Wu Zetian seized the throne, proclaiming the Zhou dynasty (690–705), Wu Zhou dynasty and becoming the only legitimate Chinese empress regnant. The devast ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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