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Dadaruhi
''Dadaruhi'' is the second album by the Turkish band Replikas Replikas is a Turkish rock band from Istanbul. The band features consist of Gökçe Akçelik (vocals, guitar), Barkın Engin (guitar), Selçuk Artut (bass guitar), Orçun Baştürk (drums) and Burak Tamer (electronics). History Their debut alb .... The album was released by Ada Muzik in 2002. Dadaruhi can be described both as an instinctive outcome and the antithesis of Koledoyuran. The main attribute of the album is that the musical forms that were under focus have naturally blended into one another and none of them are predominant. Sampling technology was involved in the composing process, which provided the tracks with a varied and contemporary touch and enabled a more liberated use of sounds. Studio technology was not ruled out; the pure and unprocessed experience inherent in Koledoyuran was substituted by an effort to create an integrated album in atmosphere and sound. The album enjoyed contributions from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Replikas
Replikas is a Turkish rock band from Istanbul. The band features consist of Gökçe Akçelik (vocals, guitar), Barkın Engin (guitar), Selçuk Artut (bass guitar), Orçun Baştürk (drums) and Burak Tamer (electronics). History Their debut album, '' Köledoyuran'' was released in 2000, by the Ada Music label. Their second album, '' Dadaruhi'' followed in 2002. The band's third album '' Avaz'' was produced by Wharton Tiers. The album was released in May 2005 by the Doublemoon label. Alongside releasing albums and playing concerts, Replikas wrote music for films too. The first soundtrack by the band was in 2001 for the movie ''Maruf'' by Serdar Akar. In 2005, the band composed music for Kutluğ Ataman's movie titled ''İki Genç Kız'' which won them the best film music award by Turkish Film Critics Association in 2006. The soundtracks were collected into an album named '' Film Müzikleri'' which was released by Pozitif in October 2006. Replikas band took part in Fatih Akin's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avaz (album)
''Avaz'' is the third album by the Turkish band Replikas. Spending a lot of their early career in dingy backstreet venues of Istanbul, Replikas - “great Beyoglu hopes” (the Wire, UK) – have never taken much notice of the mainstream making so much noise around them or tried to make themselves easy to classify. In a country where popular musicians face challenges when trying to stand out, Replikas have made a unique name for themselves. Taking inspiration from Avant- and Kraut-Rock, and adding Turkish elements with bits of traditional or cultures spices, their new album Avaz has a new bounce and, compared with their previous two post-punk/noise albums, a return-to-roots feel. Perhaps this is best seen in the raw reworking of Ömür Sayacı, a song which appears on their previous album adaruhi Producer Wharton Tiers (Sonic Youth, Glenn Branca, Dinosaur JR and White Zombie) has taken their material born in those crowded cellar bars and helped shape and guide their back-t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Köledoyuran
''Köledoyuran'' is the debut album by the Turkish band Replikas Replikas is a Turkish rock band from Istanbul. The band features consist of Gökçe Akçelik (vocals, guitar), Barkın Engin (guitar), Selçuk Artut (bass guitar), Orçun Baştürk (drums) and Burak Tamer (electronics). History Their debut alb .... The album was released by Ada Muzik in 2000. The album, which was recorded live in 15 days, echoes in an authentic form all musical sources that have influenced the band's composing experience beginning from 1996. Their interest in local tunes and new musics evolving from them, which first manifested itself in Erkin Koray and then expanded into tekke* music, lo-fi and minimalist influences were incorporated in an unprocessed sound and recorded as if in a live performance, where unwanted sounds and slipups as well as improvisations were preserved. A strings group also contributed to the album. Two main tendencies are apparent in Koledoyuran's lyrics: Allusions to th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Experimental Rock
Experimental rock, also called avant-rock, is a subgenre of rock music that pushes the boundaries of common composition and performance technique or which experiments with the basic elements of the genre. Artists aim to liberate and innovate, with some of the genre's distinguishing characteristics being improvisation (music), improvisational performances, avant-garde influences, odd instrumentation, opaque lyrics (or instrumentals), unorthodox structures and rhythms, and an underlying rejection of commercial aspirations. From its inception, rock music was experimental, but it was not until the late 1960s that rock artists began creating extended and complex compositions through advancements in multitrack recording. In 1967, the genre was as commercially viable as Popular music, pop music, but by 1970, most of its leading players had incapacitated themselves in some form. In Germany, the krautrock subgenre merged elements of improvisation and psychedelic rock with electronic music, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-rock
Post-rock is a form of experimental rock characterized by a focus on exploring textures and timbre over traditional rock song structures, chords, or riffs. Post-rock artists are often instrumental, typically combining rock instrumentation with electronics. The genre emerged within the indie and underground music scene of the 1980s and early 1990s. However, due to its abandonment of rock conventions, it often bears little resemblance musically to contemporary indie rock, borrowing instead from diverse sources including ambient, electronica, jazz, krautrock, dub, and minimalist classical. Artists such as Talk Talk and Slint have been credited with producing foundational works in the style in the early 1990s. The term post-rock itself was notably employed by journalist Simon Reynolds in a review of the 1994 Bark Psychosis album '' Hex''. It later solidified into a recognizable trend with the release of Tortoise's 1996 album ''Millions Now Living Will Never Die''. The term has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Math Rock
Math rock is a style of progressive and indie rock with roots in bands such as King Crimson and Rush as well as 20th-century minimal music composers such as Steve Reich. It is characterized by complex, atypical rhythmic structures (including irregular stopping and starting), counterpoint, odd time signatures, angular melodies, and extended, often dissonant, chords. It bears similarities to post-rock. Characteristics Math rock is typified by its rhythmic complexity, seen as ''mathematical'' in character by listeners and critics. While most rock music uses a meter (however accented or syncopated), math rock makes use of more non-standard, frequently changing time signatures such as , , , or . As in traditional rock, the sound is most often dominated by guitars and drums. However, drums play a greater role in math rock in providing driving complex rhythms. Math rock guitarists make use of tapping techniques and loop pedals to build on these rhythms, as illustrated by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anatolian Rock
Anatolian rock ( tr, Anadolu rock), or known as Turkish psychedelic rock, is a fusion of Turkish folk music and rock. It emerged during the mid-1960s, soon after rock groups became popular in Turkey. Most known members of this genre includes Turkish musicians such as Barış Manço, Cem Karaca, Erkin Koray, Selda Bağcan, Fikret Kızılok alongside bands such as Moğollar, Kurtalan Ekspres and 3 Hürel. History and development Background (1930s-1960s) Anatolian rock has a long history that dates back to the founding of the Turkish Republic decades ago. Modern Turkey's founding father, Atatürk, pushed extensive changes to build a national form of music from the early 1930s forward. Atatürk believed that the changes in music to be based on national and modern foundations and musicians should work on Turkish melodies and make them polyphonic according to the rules of Western harmonic music. As a result, Anatolian folk music began to spread and people began to listen Anato ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Krautrock
Krautrock (also called , German for ) is a broad genre of experimental rock Experimental rock, also called avant-rock, is a subgenre of rock music that pushes the boundaries of common composition and performance technique or which experiments with the basic elements of the genre. Artists aim to liberate and innovate, with ... that developed in West Germany in the late 1960s and early 1970s among artists who blended elements of psychedelic rock, avant-garde music, avant-garde composition, and electronic music, among other eclectic sources. These artists incorporated hypnotic rhythms, extended musical improvisation, improvisation, musique concrète techniques, and early synthesizers, while generally moving away from the rhythm & blues roots and song structure found in traditional Anglo-American rock music. Prominent groups associated with the krautrock label included Neu!, Can (band), Can, Faust (band), Faust, Tangerine Dream, Kraftwerk, Cluster (band), Cluster, Ash Ra Tempel, Pop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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