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Daala (video Codec)
Daala is a video coding format under development by the Xiph.Org Foundation under the lead of Timothy B. Terriberry mainly sponsored by the Mozilla Corporation. Like Theora and Opus, Daala is available free of any royalties and its reference implementation is being developed as free and open-source software. The name is taken from the fictional character of Admiral Natasi Daala from the ''Star Wars'' universe. The reference implementation is written in C and published, together with its source code, as free software under the terms of a BSD-like license. Software patents are being filed for techniques used in and developed for Daala. Those patents are freely licensed to everybody to use for any purpose. However, the patent holders reserve the right to use them to counter patent infringement lawsuits filed by others. Since June 20, 2013, the development is accompanied by a series of sporadically published posts on the underlying technology on the website of the Xiph.Org Foundat ...
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Xiph
Xiph.Org Foundation is a nonprofit organization that produces free multimedia formats and software tools. It focuses on the Ogg family of formats, the most successful of which has been Vorbis, an open and freely licensed audio format and codec designed to compete with the patented WMA, MP3 and AAC. As of 2013, development work was focused on Daala, an open and patent-free video format and codec designed to compete with VP9 and the patented High Efficiency Video Coding. In addition to its in-house development work, the foundation has also brought several already-existing but complementary free software projects under its aegis, most of which have a separate, active group of developers. These include Speex, an audio codec designed for speech, and FLAC, a lossless audio codec. The Xiph.Org Foundation has criticized Microsoft and the RIAA for their lack of openness. They state that if companies like Microsoft had owned patents on the Internet, then other companies would have tri ...
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Internet
The Internet (or internet) is the global system of interconnected computer networks that uses the Internet protocol suite (TCP/IP) to communicate between networks and devices. It is a '' network of networks'' that consists of private, public, academic, business, and government networks of local to global scope, linked by a broad array of electronic, wireless, and optical networking technologies. The Internet carries a vast range of information resources and services, such as the inter-linked hypertext documents and applications of the World Wide Web (WWW), electronic mail, telephony, and file sharing. The origins of the Internet date back to the development of packet switching and research commissioned by the United States Department of Defense in the 1960s to enable time-sharing of computers. The primary precursor network, the ARPANET, initially served as a backbone for interconnection of regional academic and military networks in the 1970s to enable resource shari ...
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Software Release Life Cycle
A software release life cycle is the sum of the stages of development and maturity for a piece of computer software ranging from its initial development to its eventual release, and including updated versions of the released version to help improve the software or fix software bugs still present in the software. There are several models for such a life cycle. A common method is that suggested by Microsoft, which divides software development into five phases: Pre-alpha, Alpha, Beta, Release candidate, and Stable. Pre-alpha refers to all activities performed during the software project before formal testing. The alpha phase generally begins when the software is feature complete but likely to contain several known or unknown bugs. The beta phase generally begins when the software is deemed feature complete, yet likely to contain several known or unknown bugs. Software in the production phase will generally have many more bugs in it than completed software, as well as speed/performan ...
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Opus (audio Format)
Opus is a lossy audio coding format developed by the Xiph.Org Foundation and standardized by the Internet Engineering Task Force, designed to efficiently code speech and general audio in a single format, while remaining low-latency enough for real-time interactive communication and low-complexity enough for low-end embedded processors. Opus replaces both Vorbis and Speex for new applications, and several blind listening tests have ranked it higher-quality than any other standard audio format at any given bitrate until transparency is reached, including MP3, AAC, and HE-AAC. Opus combines the speech-oriented LPC-based SILK algorithm and the lower-latency MDCT-based CELT algorithm, switching between or combining them as needed for maximal efficiency. Bitrate, audio bandwidth, complexity, and algorithm can all be adjusted seamlessly in each frame. Opus has the low algorithmic delay (26.5 ms by default) necessary for use as part of a real-time communication link, networke ...
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WebRTC
WebRTC (Web Real-Time Communication) is a free and open-source project providing web browsers and mobile applications with real-time communication (RTC) via application programming interfaces (APIs). It allows audio and video communication to work inside web pages by allowing direct peer-to-peer communication, eliminating the need to install plugins or download native apps. Supported by Apple, Google, Microsoft, Mozilla, and Opera, WebRTC specifications have been published by the World Wide Web Consortium (W3C) and the Internet Engineering Task Force (IETF). According to the webrtc.org website, the purpose of the project is to "enable rich, high-quality RTC applications to be developed for the browser, mobile platforms, and IoT devices, and allow them all to communicate via a common set of protocols". History In May 2010, Google bought Global IP Solutions or GIPS, a VoIP and videoconferencing software company that had developed many components required for RTC, such as codec ...
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Range Encoding
Range coding (or range encoding) is an entropy coding method defined by G. Nigel N. Martin in a 1979 paper,, 100000)) using the probability distribution . The encoder breaks down the range [0, 100000) into three subranges: A: [ 0, 60000) B: [ 60000, 80000) : [ 80000, 100000) Since our first symbol is an A, it reduces our initial range down to [0, 60000). The second symbol choice leaves us with three sub-ranges of this range. We show them following the already-encoded 'A': AA: [ 0, 36000) AB: [ 36000, 48000) A: [ 48000, 60000) With two symbols encoded, our range is now [0, 36000) and our third symbol leads to the following choices: AAA: [ 0, 21600) AAB: [ 21600, 28800) AA: [ 28800, 36000) This time it is the second of our three choices that represent the message we want to encode, and our range becomes [21600, 28800). It may look harder to determine our sub-ranges in this case, but it is actually not: we can mere ...
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Vector Quantisation
Vector quantization (VQ) is a classical quantization technique from signal processing that allows the modeling of probability density functions by the distribution of prototype vectors. It was originally used for data compression. It works by dividing a large set of points (vectors) into groups having approximately the same number of points closest to them. Each group is represented by its centroid point, as in k-means and some other clustering algorithms. The density matching property of vector quantization is powerful, especially for identifying the density of large and high-dimensional data. Since data points are represented by the index of their closest centroid, commonly occurring data have low error, and rare data high error. This is why VQ is suitable for lossy data compression. It can also be used for lossy data correction and density estimation. Vector quantization is based on the competitive learning paradigm, so it is closely related to the self-organizing map model ...
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Pyramid Vector Quantization
Pyramid vector quantization (PVQ) is a method used in audio and video codecs to quantize and transmit unit vectors, i.e. vectors whose magnitudes are known to the decoder but whose directions are unknown. PVQ may also be used as part of a gain/shape quantization scheme, whereby the magnitude and direction of a vector are quantized separately from each other. PVQ was initially described in 1986 in the paper "A Pyramid Vector Quantizer" by Thomas R. Fischer. One caveat of PVQ is that it operates under the taxicab distance (L1-norm). Conversion to/from the more familiar Euclidean distance (L2-norm) is possible via vector projection, though results in a less uniform distribution of quantization points (the poles of the Euclidean ''n''-sphere become denser than non-poles). No efficient algorithm for the ideal (i.e., uniform) vector quantization of the Euclidean ''n''-sphere is known as of 2010. This non-uniformity can be reduced by applying deformation like coordinate-wise power befo ...
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Deblocking Filter
A deblocking filter is a video filter applied to decoded compressed video to improve visual quality and prediction performance by smoothing the sharp edges which can form between macroblocks when block coding techniques are used. The filter aims to improve the appearance of decoded pictures. It is a part of the specification for both the SMPTE VC-1 codec and the ITU H.264 (ISO MPEG-4 AVC) codec. H.264 deblocking filter In contrast with older MPEG- 1/ 2/ 4 standards, the H.264 deblocking filter is not an optional additional feature in the decoder. It is a feature on both the decoding path and on the encoding path, so that the in-loop effects of the filter are taken into account in reference macroblocks used for prediction. When a stream is encoded, the filter strength can be selected, or the filter can be switched off entirely. Otherwise, the filter strength is determined by coding modes of adjacent blocks, quantization step size, and the steepness of the luminance gradient betw ...
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Compression Artifacts
A compression artifact (or artefact) is a noticeable distortion of media (including images, audio, and video) caused by the application of lossy compression. Lossy data compression involves discarding some of the media's data so that it becomes small enough to be stored within the desired disk space or transmitted (''streamed'') within the available bandwidth (known as the data rate or bit rate). If the compressor cannot store enough data in the compressed version, the result is a loss of quality, or introduction of artifacts. The compression algorithm may not be intelligent enough to discriminate between distortions of little subjective importance and those objectionable to the user. The most common digital compression artifacts are DCT blocks, caused by the discrete cosine transform (DCT) compression algorithm used in many digital media standards, such as JPEG, MP3, and MPEG video file formats. These compression artifacts appear when heavy compression is applied, and occu ...
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Lapped Transform
In signal processing, a lapped transform is a type of linear discrete block transformation where the basis functions of the transformation overlap the block boundaries, yet the number of coefficients overall resulting from a series of overlapping block transforms remains the same as if a non-overlapping block transform had been used. Lapped transforms substantially reduce the blocking artifacts that otherwise occur with block transform coding techniques, in particular those using the discrete cosine transform. The best known example is the modified discrete cosine transform used in the MP3, Vorbis, AAC, and Opus audio codecs. Although the best-known application of lapped transforms has been for audio coding, they have also been used for video and image coding and various other applications. They are used in video coding for coding I-frames in VC-1 and for image coding in the JPEG XR format. More recently, a form of lapped transform has also been used in the development of the Daa ...
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