D. 887
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D. 887
The String Quartet No. 15 in G major, D. 887, was the last quartet written by Franz Schubert in June 1826. It was posthumously published in 1851, as Op. 161. The work focuses on lyrical ideas and explores far-reaching major and minor modes, which was uncommon to this degree in his compositions. Schubert reinforced this with a range of dynamic contrast and use of texture and pizzicato. The structural form of the movements in this quartet are somewhat ambiguous due to Schubert's focus on lyricism rather than traditional harmonic structure. Analysis The four movements of the quartet are: # Allegro molto moderato (G major) # Andante un poco moto (E minor) # Scherzo. Allegro vivace – Trio. Allegretto (B minor) # Allegro assai (G major) The length of performance of the quartet is about 45 minutes. I. Allegro molto moderato The first movement is based around a motive of chromatic descending fourths within alternating major and minor modes. The main lyrical theme of the movement w ...
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G Major
G major (or the key of G) is a major scale based on G, with the pitches G, A, B, C, D, E, and F. Its key signature has one sharp. Its relative minor is E minor and its parallel minor is G minor. The G major scale is: Notable compositions Baroque period In Baroque music, G major was regarded as the "key of benediction". Of Domenico Scarlatti's 555 keyboard sonatas, G major is the home key for 69, or about 12.4%, sonatas. In the music of Johann Sebastian Bach, "G major is often a key of chain rhythms", according to Alfred Einstein, although Bach also used the key for some -based works, including his third and fourth '' Brandenburg Concertos''. Pianist Jeremy Denk observes that the ''Goldberg Variations'' are 80 minutes in G major. Classical era Twelve of Joseph Haydn's 106 symphonies are in G major. Likewise, one of Haydn's most famous piano trios, No. 39 (with the ''Gypsy Rondo''), and one of his last two complete published string quartets (Op. 77, No. 1), a ...
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Linear Progression
In music, a linear progression (''Auskomponierungszug'' or ''Zug'', abbreviated: ''Zg.'') is a passing note elaboration involving stepwise melodic motion in one direction between two harmonic tones. "The compositional unfolding of a specific interval, one of the intervals of the chord of nature."Jonas, Oswald (1982). ''Introduction to the Theory of Heinrich Schenker'', p.62. (1934: ''Das Wesen des musikalischen Kunstwerks: Eine Einführung in Die Lehre Heinrich Schenkers''). Trans. John Rothgeb. . The mention of the "chord of nature" in this context reflects Jonas' own opinion, which Schenker would not have shared, if only because the minor chord cannot be a "chord of nature". See Klang (music). For example: -- over the tonic. According to Schenker: "A linear progression always presupposes a passing note; there can be no linear progression without a passing note, no passing note without a linear progression." In German ''Zug'' may be combined with prefixes to create related word ...
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Belcea Quartet
The Belcea Quartet is a string quartet, formed in 1994, under the leadership of violinist Corina Belcea. History The quartet was formed while its members were studying at the Royal College of Music in London. Whilst there, they were coached by the Chilingirian Quartet. They subsequently studied with the Alban Berg Quartet at Cologne. The quartet was one of the first groups to participate in the BBC Radio 3 New Generation Artists scheme, from 1999 to 2001. They made their Carnegie Hall debut in 2000 as part of the 'Distinctive Debuts' series. Their first performance at the Edinburgh International Festival was in August 2001. The Belcea Quartet were quartet in-residence at Wigmore Hall in London from 2001 to 2006. During their Wigmore residency, the quartet participated in the first performances of ''The Canticle of the Rose'' by Joseph Phibbs. In the 2010/11 season, the Belcea Quartet gave the world premiere of Mark Anthony Turnage's new work for string quartet Twisted Blues w ...
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Amadeus Quartet
The Amadeus Quartet was a string quartet founded in 1947 and disbanded in 1987, having retained its founding members throughout its history. Noted for its smooth, sophisticated style, its seamless ensemble playing, and its sensitive interpretation, the quartet has often been seen as working within an Austrian tradition. However, it was formed and based in the United Kingdom. History Because of their Jewish origin, the violinists Norbert Brainin (12 March 1923 – 10 April 2005), Siegmund Nissel (3 January 1922 – 21 May 2008) and Peter Schidlof (9 July 1922 – 16 August 1987; later violist) were driven out of Vienna after Hitler's Anschluss of 1938. Brainin and Schidlof met in a British internment camp at Prees Heath before being transferred to the Isle of Man; many Jewish refugees were confined by the British as "enemy aliens" upon seeking refuge in the UK. Brainin was released after a few months, but Schidlof remained in the camp, where he met Nissel. Finally Schidlof and ...
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Alban Berg Quartet
The Alban Berg Quartett was a string quartet founded in Vienna, Austria in 1970, named after Alban Berg. Members Beginnings The Berg Quartet was founded in 1970 by four young professors of the Vienna Academy of Music, and made its debut in the Vienna Konzerthaus in autumn 1971. The widow of the composer Alban Berg, Helene, attended an early private concert after which she gave her consent for the quartet to use her husband's name. Career The Quartet's repertoire was centered on the Viennese classics, but with a serious emphasis on the 20th century. It was the stated goal of the quartet to include at least one modern work in each performance. Their repertoire spanned from Early Classicism, Romanticism, to the Second Viennese School (Alban Berg, Arnold Schoenberg, Anton Webern), Béla Bartók and embraced many contemporary composers. This took expression not the least in personal statements by composers like Witold Lutosławski and Luciano Berio, of whom the former said: "Pe ...
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Gramophone (magazine)
''Gramophone'' is a magazine published monthly in London, devoted to classical music, particularly to reviews of recordings. It was founded in 1923 by the Scottish author Compton Mackenzie who continued to edit the magazine until 1961. It was acquired by Haymarket in 1999. In 2013 the Mark Allen Group became the publisher. The magazine presents the Gramophone Awards each year to the classical recordings which it considers the finest in a variety of categories. On its website ''Gramophone'' claims to be: "The world's authority on classical music since 1923." This used to appear on the front cover of every issue; recent editions have changed the wording to "The world's best classical music reviews." Its circulation, including digital subscribers, was 24,380 in 2014. Listings and the ''Gramophone'' Hall of Fame Apart from the annual Gramophone Classical Music Awards, each month features a dozen recordings as Gramophone Editor's Choice (now Gramophone Choice). Then, in the annua ...
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Crimes And Misdemeanors
''Crimes and Misdemeanors'' is a 1989 American existential comedy-drama film written and directed by Woody Allen, who stars alongside Martin Landau, Mia Farrow, Anjelica Huston, Jerry Orbach, Alan Alda, Sam Waterston, and Joanna Gleason. The film was met with critical acclaim, receiving three Academy Award nominations: Allen, for Best Director and Best Original Screenplay, and Landau, for Best Actor in a Supporting Role. Several publications have ranked ''Crimes and Misdemeanors'' as one of Allen's greatest films. Plot The story follows two main characters: Judah Rosenthal, a successful and reputable ophthalmologist, and Clifford Stern, a small-time documentary filmmaker. Judah, an upper-class respected family man, is having an affair with flight attendant Dolores Paley. After it becomes clear to her that Judah will not end his marriage, Dolores threatens to disclose the affair to Judah's wife, Miriam. She is also aware of some questionable financial deals Judah made before bec ...
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Woody Allen
Heywood "Woody" Allen (born Allan Stewart Konigsberg; November 30, 1935) is an American film director, writer, actor, and comedian whose career spans more than six decades and multiple Academy Award-winning films. He began his career writing material for television in the 1950s, mainly ''Your Show of Shows'' (1950–1954) working alongside Mel Brooks, Carl Reiner, Larry Gelbart, and Neil Simon. He also published several books featuring short stories and wrote humor pieces for ''The New Yorker''. In the early 1960s, he performed as a stand-up comedian in Greenwich Village alongside Lenny Bruce, Elaine May, Mike Nichols, and Joan Rivers. There he developed a monologue style (rather than traditional jokes) and the persona of an insecure, intellectual, fretful nebbish. He released three comedy albums during the mid to late 1960s, earning a Grammy Award for Best Comedy Album nomination for his 1964 comedy album entitled simply '' Woody Allen''. In 2004, Comedy Central ranked A ...
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Death And The Maiden Quartet (Schubert)
The String Quartet No. 14 in D minor, D 810, known as ''Death and the Maiden'', is a piece by Franz Schubert that has been called "one of the pillars of the chamber music repertoire". It was composed in 1824, after the composer suffered a serious illness and realized that he was dying. It is named for the theme of the second movement, which Schubert took from a song he wrote in 1817 of the same title. The quartet was first played in 1826 in a private home, and was not published until 1831, three years after Schubert's death. Composition 1823 and 1824 were hard years for Schubert. For much of 1823 he was sick, some scholars believe with an outburst of tertiary stage syphilis, and in May had to be hospitalized. He was also without money: he had entered into a disastrous deal with Diabelli to publish a batch of works, and received almost no payment; and his latest attempt at opera, '' Fierrabras'', was a flop. In a letter to a friend, he wrote, Yet, despite his bad heal ...
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Tarantella
() is a group of various southern Italian folk dances originating in the regions of Calabria, Campania and Puglia. It is characterized by a fast upbeat tempo, usually in time (sometimes or ), accompanied by tambourines. It is among the most recognized forms of traditional southern Italian music. The specific dance-name varies with every region, for instance ''Sonu a ballu'' in Calabria, ''tammurriata'' in Campania, and ''pizzica'' in Salento. Tarantella is popular in Southern Italy and Argentina. The term may appear as in a linguistically masculine construction. History In the Italian province of Taranto, Apulia, the bite of a locally common type of wolf spider, named "tarantula" after the region, was popularly believed to be highly venomous and to lead to a hysterical condition known as tarantism. This became known as the "tarantella". R. Lowe Thompson proposed that the dance is a survival from a "Dianic or Dionysiac cult", driven underground. John Compton later ...
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Major And Minor
In Western music, the adjectives major and minor may describe a chord, scale, or key. As such, composition, movement, section, or phrase may be referred to by its key, including whether that key is major or minor. Intervals Some intervals may be referred to as ''major'' and ''minor''. A major interval is one semitone larger than a minor interval. The words ''perfect'', ''diminished'', and ''augmented'' are also used to describe the quality of an interval. Only the intervals of a second, third, sixth, and seventh (and the compound intervals based on them) may be major or minor (or, rarely, diminished or augmented). Unisons, fourths, fifths, and octaves and their compound interval must be perfect (or, rarely, diminished or augmented). In Western music, a minor chord "sounds darker than a major chord". Kamien, Roger (2008). ''Music: An Appreciation'', 6th Brief Edition, p. 46. . Scales and chords The other uses of ''major'' and ''minor'' generally refer to scales and ...
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Rondo
The rondo is an instrumental musical form introduced in the Classical period. Etymology The English word ''rondo'' comes from the Italian form of the French ''rondeau'', which means "a little round". Despite the common etymological root, rondo and rondeau as musical forms are essentially different. Rondeau is a ''vocal'' musical form that was originally developed as monophonic music (in the 13th century) and then as polyphonic music (in the 14th century). Notably, both vocal forms of rondeau nearly disappeared from the repertoire by the beginning of the 16th century. In French, ''rondeau'' is used for both forms, while in English ''rondeau'' is generally used for the ''vocal'' musical form, while ''rondo'' is used for the ''instrumental'' musical form.Don Neville, "Rondò", ''The New Grove Dictionary of Opera'', 4 vols., edited by Stanley Sadie Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and edit ...
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