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D. 810
The String Quartet No. 14 in D minor, Schubert Thematic Catalogue, D 810, known as ''Death and the Maiden'', is a piece by Franz Schubert that has been called "one of the pillars of the chamber music repertoire". It was composed in 1824, after the composer suffered a serious illness and realized that he was dying. It is named for the Theme (music), theme of the second Movement (music), movement, which Schubert took from a Der Tod und das Mädchen, song he wrote in 1817 of the same title. The quartet was first played in 1826 in a private home, and was not published until 1831, three years after Schubert's death. Composition 1823 and 1824 were hard years for Schubert. For much of 1823 he was sick, some scholars believe with an outburst of tertiary stage syphilis, and in May had to be hospitalized. He was also without money: he had entered into a disastrous deal with Anton Diabelli, Diabelli to publish a batch of works, and received almost no payment; and his latest attempt at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Original Manuscript Of Death And The Maiden Quartet
Originality is the aspect of created or invented works that distinguish them from replica, reproductions, clones, forgery, forgeries, or substantially derivative works. The modern idea of originality is according to some scholars tied to Romanticism, by a notion that is often called romantic originality.Smith (1924)Waterhouse (1926)Macfarlane (2007) The validity of "originality" as an operational concept has been questioned. For example, there is no clear boundary between "derivative" and "inspired by" or "in the tradition of." The concept of originality is both culturally and historically contingent. For example, unattributed reiteration of a published text in one culture might be considered plagiarism but in another culture might be regarded as a convention of veneration. At the time of Shakespeare, it was more common to appreciate the similarity with an admired classical work, and Shakespeare himself avoided "unnecessary invention".Royal Shakespeare Company (2007) ''The RSC ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Lachner
Franz Paul Lachner (2 April 1803 – 20 January 1890) was a German composer and conductor. Biography Lachner was born in Rain am Lech to a musical family (his brothers Ignaz, Theodor and Vinzenz also became musicians). He studied music with Simon Sechter and Maximilian, the Abbé Stadler. He conducted at the Theater am Kärntnertor in Vienna. In 1834, he became '' Kapellmeister'' at Mannheim. As a result of composers' aesthetic comparisons of Beethoven's symphonic output with efforts afterwards, in 1835, there was a competition in Vienna for the best new symphony sponsored by Tobias Haslinger of the music publishing firm with no fewer than 57 entries. Lachner received first prize with his 5th Symphony ''Sinfonia passionata, or Preis-Symphonie'' and became royal ''Kapellmeister'' at Munich, becoming a major figure in its musical life, conducting at the opera and various concerts and festivals. His career there came to a sudden end in 1864 after Richard Wagner's disciple Hans von ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
G Minor
G minor is a minor scale based on G, consisting of the pitches G, A, B, C, D, E, and F. Its key signature has two flats. Its relative major is B-flat major and its parallel major is G major. According to Paolo Pietropaolo, it is the contrarian of musical keys. It is smart, argumentative, and stubborn. The G natural minor scale is: : Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The G harmonic minor and melodic minor scales are: : : Mozart's use of G minor G minor has been considered the key through which Wolfgang Amadeus Mozart best expressed sadness and tragedy, and many of his minor key works are in G minor, such as Piano Quartet No. 1 and String Quintet No. 4. Though Mozart touched on various minor keys in his symphonies, G minor is the only minor key he used as a main key for his numbered symphonies ( No. 25, and the famous No. 40). In the Classical period, symphonies in G minor almos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
