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Céline Scheen
Céline Scheen (born 1976 in Verviers, Belgium) is a Belgian classical soprano. Scheen began her vocal studies with Annie Frantz. In 1996, she entered the Royal Academy of Mons and obtained a First Prize in the class of Marcel Vanaud. She then received a degree in song and methodology of song at the Royal Academy of Brussels. In 1998, she obtained the Nany Philippart's grant with Chapelle musicale Reine Élisabeth. For two years, she worked in the class of Vera Rózsa at the Guildhall School of Music in London, where she obtained an advanced degree in vocal performance. She also takes masterclasses with Jean-Paul Fouchécourt, Monique Zanetti and Helmut Deutsch. Scheen has sung the roles of Lucy in ''The Telephone, or L'Amour à trois'' by Gian Carlo Menotti, Thérèse in the ''Les mamelles de Tirésias'' by Francis Poulenc, the First Lady and Papagena in Wolfgang Amadeus Mozart's ''Die Zauberflöte'',''Opera'' Vol 56 p7-12 2005 founded George Henry Hubert Lascelles Harewo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Verviers
Verviers (; wa, Vervî) is a city and municipality of Wallonia located in the province of Liège, Belgium. The municipality consists of the following districts: Ensival, Heusy, Lambermont, Petit-Rechain, Stembert, and Verviers. It is also the center of an agglomeration that includes Dison and Pepinster, making it the second biggest in the province and an important regional center, located roughly halfway between Liège and the German border. Water has played an important role in the town's economy, notably in the development first of its textile and later its tourist industries. As a result, many fountains have been built in Verviers, leading it to be named Wallonia's "Water Capital". The seats of the two Walloon public institutions for water distribution and water treatment are located in the town. History Early history Various flint and bone fragments, as well as Roman coins, were found in this area, attesting to the early settlements in the region. In the 4th century ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pimpinone
''Pimpinone'', TWV 21:15, is a comic opera by the German composer Georg Philipp Telemann with a libretto by Johann Philipp Praetorius. Its full title is ''Die Ungleiche Heirat zwischen Vespetta und Pimpinone oder Das herrsch-süchtige Camer Mägden'' (''The Unequal Marriage Between Vespetta and Pimpinone or The Domineering Chambermaid''). The work is described as a ''Lustiges Zwischenspiel'' ("comic intermezzo") in three parts. It was first performed at the Oper am Gänsemarkt in Hamburg on 27 September 1725 as light relief between the acts of Telemann's adaptation of Handel's opera seria ''Tamerlano''. ''Pimpinone'' was highly successful and pointed the way forward to later intermezzi, particularly Giovanni Battista Pergolesi's ''La serva padrona''. __NOTOC__ Roles Plot Vespetta the chambermaid wheedles her way into marrying her employer, old Pimpinone. Once married she shows her waspish nature (the name Vespetta means "little wasp") and completely dominates her husband. Record ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carmina Burana (Orff)
' is a cantata composed in 1935 and 1936 by Carl Orff, based on 24 poems from the medieval collection '' Carmina Burana''. Its full Latin title is ' ("Songs of Beuern: Secular songs for singers and choruses to be sung together with instruments and magical images"). It was first performed by the Oper Frankfurt on 8 June 1937. It is part of '' Trionfi'', a musical triptych that also includes ''Catulli Carmina'' and ''Trionfo di Afrodite''. The first and last sections of the piece are called "" ("Fortune, Empress of the World") and start with "O Fortuna". Text In 1934, Orff encountered the 1847 edition of the '' Carmina Burana'' by Johann Andreas Schmeller, the original text dating mostly from the 11th or 12th century, including some from the 13th century. was a young law student and an enthusiast of Latin and Greek; he assisted Orff in the selection and organization of 24 of these poems into a libretto mostly in secular Latin verse, with a small amount of Middle High German a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Orff
Carl Orff (; 10 July 1895 – 29 March 1982) was a German composer and music educator, best known for his cantata ''Carmina Burana'' (1937). The concepts of his Schulwerk were influential for children's music education. Life Early life Carl Orff (full name Karl Heinrich Maria Orff) was born in Munich on 10 July 1895, the son of Paula Orff (née Köstler, 1872–1960) and Heinrich Orff (1869–1949). His family was Bavarian and was active in the Imperial German Army; his father was an army officer with strong musical interests, and his mother was a trained pianist. The composer's grandfathers, Carl von Orff (1828–1905) and Karl Köstler (1837–1924), were both major generals and also scholars. His paternal grandmother, Fanny Orff (née Kraft, 1833–1919), was Catholic of Jewish descent. His maternal grandmother was Maria Köstler (née Aschenbrenner, 1845–1906). Orff had one sibling, a younger sister named Maria ("Mia", 1898–1975), who married the architect Alwin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gioachino Rossini
Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity. Born in Pesaro to parents who were both musicians (his father a trumpeter, his mother a singer), Rossini began to compose by the age of 12 and was educated at music school in Bologna. His first opera was performed in Venice in 1810 when he was 18 years old. In 1815 he was engaged to write operas and manage theatres in Naples. In the period 1810–1823 he wrote 34 operas for the Italian stage that were performed in Venice, Milan, Ferrara, Naples and elsewhere; this productivity necessitated an almost formulaic approach for some components (such as overtures) and a certain amount of self-borrowing. During ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Petite Messe Solennelle
Gioachino Rossini's ''Petite messe solennelle'' (Little solemn mass) was written in 1863, possibly at the request of Count Alexis Pillet-Will for his wife Louise to whom it is dedicated. The composer, who had retired from composing operas more than 30 years before, described it as "the last of my '' péchés de vieillesse''" (sins of old age). The extended work is a missa solemnis, but Rossini labeled it, not without irony, ''petite'' (little). He scored it originally for twelve singers, four of them soloists, two pianos and harmonium. The mass was first performed on 14 March 1864 at the couple's new home in Paris. Rossini later produced an orchestral version, including an additional movement, a setting of the hymn "" as a soprano aria. This version of the mass was not performed during his lifetime because he could not obtain permission to perform it with female singers in a church. It was first performed three months after his death, at the Salle Ventadour in Paris by the com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
René Jacobs
René Jacobs (born 30 October 1946) is a Belgian musician. He came to fame as a countertenor, but later in his career he became known as a conductor of baroque and classical opera. Biography Countertenor Born in Ghent, Jacobs began his musical career as a boy chorister at the Cathedral. Later he studied classical philology at the University of Ghent while continuing to sing in Brussels and in The Hague. The Kuijken brothers, Gustav Leonhardt and Alfred Deller all encouraged him to pursue a career as a countertenor, and he quickly became known as one of the best of his time. He recorded a large amount of less-known Baroque music by such composers as Antonio Cesti, d'India, Ferrari, Marenzio, Lambert, Guédron, William Lawes and others. He also sang in much-acclaimed recordings of the major works of Bach (such as the ''St Matthew Passion'' led by Gustav Leonhardt and Philippe Herreweghe). Conductor In 1977, he founded the ensemble Concerto Vocale. As a conductor, Jacobs r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eliogabalo
''Eliogabalo'' (''Heliogabalus'') is an opera by the Italian composer Francesco Cavalli based on the life of the Roman emperor Heliogabalus. The author of the original libretto is unknown but it was probably reworked by Aurelio Aureli. The opera was composed in 1667 and was intended to be premiered during the Venetian Carnival season of 1668. In fact, it was never staged and was replaced by another opera of the same name by Giovanni Antonio Boretti, perhaps because Cavalli's style was considered too old-fashioned. ''Eliogabalo'' was first performed in 1999, in Crema, Italy. ''Eliogabalo'' was revived at La Monnaie in 2004 by René Jacobs. Its North American premiere took place in 2007 at the Aspen Music Festival, conducted by Jane Glover. Gotham Chamber Opera in performed it in 2013 in a Manhattan nightclub in Chrystie Street, Richard Kimmel's The Box, directed by James Marvel. In a co-production with the Dutch National Opera, the Paris Opera The Paris Opera (, ) is the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Cavalli
Francesco Cavalli (born Pietro Francesco Caletti-Bruni; 14 February 1602 – 14 January 1676) was a Republic of Venice, Venetian composer, organist and singer of the early Baroque music, Baroque period. He succeeded his teacher Claudio Monteverdi as the dominant and leading opera composer of the mid 17th-century. A central figure of Venetian musical life, Cavalli wrote more than forty operas, almost all of which premiered in the city's theaters. His best known works include ''Ormindo'' (1644), ''Giasone'' (1649) and ''La Calisto'' (1651). Life Cavalli was born at Crema, Lombardy, Crema, then an Domini di Terraferma, inland province of the Venetian Republic. He became a singer (boy soprano) at St Mark's Basilica in Venice in 1616, where he had the opportunity to work under the tutorship of Claudio Monteverdi. He became second organist in 1639, first organist in 1665, and in 1668 ''Kapellmeister, maestro di cappella''. He took the name "Cavalli" from his patron, Venetian nobleman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alceste (Gluck)
''Alceste'', Wq. 37 (the later French version is Wq. 44), is an opera by Christoph Willibald Gluck from 1767. The libretto (in Italian) was written by Ranieri de' Calzabigi and based on the play ''Alcestis'' by Euripides. The premiere took place on 26 December 1767 at the Burgtheater in Vienna. The famous preface When Gluck published the score of ''Alceste'' in Vienna in 1769, he added a famous preface in Italian almost certainly written by Calzabigi, which set out their ideals for operatic reform, whose programmatic points follow those exposed by Francesco Algarotti in his ''Saggio sopra l'opera in musica'' (''Essay on opera in music'', 1755), namely: * no da capo arias, * no opportunity for vocal improvisation or virtuosic displays of vocal agility or power, * no long melismas, * a more predominantly syllabic setting of the text to make the words more intelligible, * far less repetition of text within an aria, * a blurring of the distinction between recitative and aria, decla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christoph Willibald Gluck
Christoph Willibald (Ritter von) Gluck (; 2 July 1714 – 15 November 1787) was a composer of Italian and French opera in the early classical period. Born in the Upper Palatinate and raised in Bohemia, both part of the Holy Roman Empire, he gained prominence at the Habsburg court at Vienna. There he brought about the practical reform of opera's dramaturgical practices for which many intellectuals had been campaigning. With a series of radical new works in the 1760s, among them '' Orfeo ed Euridice'' and '' Alceste'', he broke the stranglehold that Metastasian '' opera seria'' had enjoyed for much of the century. Gluck introduced more drama by using orchestral recitative and cutting the usually long da capo aria. His later operas have half the length of a typical baroque opera. Future composers like Mozart, Schubert, Berlioz and Wagner revered Gluck very highly. The strong influence of French opera encouraged Gluck to move to Paris in November 1773. Fusing the traditions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Monnaie
The Royal Theatre of La Monnaie (french: Théâtre Royal de la Monnaie, italic=no, ; nl, Koninklijke Muntschouwburg, italic=no; both translating as the "Royal Theatre of the Mint") is an opera house in central Brussels, Belgium. The National Opera of Belgium, a federal institution, takes the name of this theatre in which it is housed—La Monnaie in French or De Munt in Dutch—referring both to the building as well as the opera company. As Belgium's leading opera house, it is one of the few cultural institutions which receive financial support from the Federal Government of Belgium. Other opera houses in Belgium, such as the Vlaamse Opera and the Opéra Royal de Wallonie, are funded by regional governments. La Monnaie is located on the Place de la Monnaie/Muntplein, not far from the Rue Neuve/Nieuwstraat and the Place de Brouckère/De Brouckèreplein. The current edifice is the third theatre on the site. The facade dates from 1818 with major alterations made in 1856 and 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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