Cumbia Villera
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Cumbia Villera
Cumbia villera ( or ) (roughly translated as "slum cumbia", "ghetto cumbia", or " shantytown cumbia") is a subgenre of cumbia music originating in Argentina in the late 1990s and popularized all over Latin America and Latin communities abroad. Lyrically, cumbia villera uses the vocabulary of the marginal and lower classes, like the Argentine '' lunfardo'' and ''lenguaje tumbero'' ("gangster language" or "thug language"), and deals with themes such as the everyday life in the '' villas miseria'' (slums), poverty and misery, the use of hard drugs, promiscuity and/or prostitution, nights out at ''boliches'' (discos and clubs) that play cumbia and other tropical music genres (such as the emblematic ''Tropitango'' venue in Pacheco), the football culture of the barra bravas, delinquency and clashes with the police and other forms of authority, antipathy towards politicians, and authenticity in being true ''villeros'' (inhabitants of the ''villas''). Musically, cumbia villera bases i ...
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Argentine Cumbia
Argentine cumbia is an umbrella term that comprises several distinct trends within the same tradition: the dance and music style known as cumbia in Argentina. Originally from Colombia, cumbia has been well-known and appreciated in Argentina for a long time, but it gained nationwide scope and attention when it became popular among the lower-class people in main urban centers, the large cities of the Río de la Plata basin, in the 1990s. Among the most important cumbia bands and singers that popularized the genre are Ráfaga, La Nueva Luna, Amar Azul, Gilda, and other traditional cumbia bands like Los Palmeras, Cali and Los Leales. Chocolate had similar success across the water in Uruguay. Most bands are composed of synthesizer keyboards as main instruments, electronic sounds and percussion, and a musical score very charged with vocal harmonies, bells, and trumpets (usually electronically synthesized). History In the 1990s, cumbia first found a place among the working class ...
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