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Crusader Rabbit
''Crusader Rabbit'' is the first animated series produced specifically for television. Its main characters were Crusader Rabbit and his sidekick Ragland T. Tiger, or "Rags". The stories were four-minute-long satirical cliffhangers. The concept was test marketed in 1948, while the initial serial – ''Crusader vs. the State of Texas'' – aired on KNBH (now KNBC) in Los Angeles beginning on August 1, 1950 (not August 1, 1949 as some sources erroneously state). The program was syndicated from 1950 to 1951 for 195 episodes, then was revived in 1959 for 260 color episodes. Jay Ward, who went on to create ''The Rocky and Bullwinkle Show'', was involved as business manager and producer. Production history The concept of a cartoon series made exclusively for television came from animator Alex Anderson, who worked for Terrytoons Studios. Terrytoons turned down Anderson's proposed series, preferring to remain in theatrical film animation. Consequently, Anderson approached Jay ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alex Anderson (cartoonist)
Alexander Hume Anderson Jr. (September 5, 1920 – October 22, 2010) was an American cartoonist who created the characters of Rocky the Flying Squirrel, Bullwinkle, and Dudley Do-Right, as well as Crusader Rabbit. He was not directly involved in ''The Rocky and Bullwinkle Show'', however. Biography Alexander Hume Anderson Jr. was born September 5, 1920 in Berkeley, California, to Olga B. (née Terry) and Alexander Anderson. He attended the University of California, Berkeley, and the California School of Fine Arts in San Francisco. He received an honorary degree from San Francisco Art institute in 2000. Anderson was a nephew of Mighty Mouse producer Paul Terry, and began his career in 1938, working summer vacations, during college, at his Terrytoons animation studio. Anderson served in Navy intelligence during World War II. Anderson pitched a "limited animation" cartoon series for TV, to his uncle, Paul Terry, but he couldn't because, 20th Century Fox, who distributed Terrytoon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cliffhanger
A cliffhanger or cliffhanger ending is a plot device in fiction which features a main character in a precarious or difficult dilemma or confronted with a shocking revelation at the end of an episode or a film of serialized fiction. A cliffhanger is hoped to incentivize the audience to return to see how the characters resolve the dilemma. Some serials end with the caveat, "To Be Continued" or "The End?". In serial films and television series the following episode sometimes begins with a recap sequence. Cliffhangers were used as literary devices in several works of the Middle Ages with '' One Thousand and One Nights'' ending on a cliffhanger each night. Cliffhangers appeared as an element of the Victorian era serial novel that emerged in the 1840s, with many associating the form with Charles Dickens, a pioneer of the serial publication of narrative fiction.Grossman, Jonathan H. (2012). ''Charles Dickens's Networks: Public Transport and the Novel''. p. 54. Oxford: Oxford Universi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satire
Satire is a genre of the visual, literary, and performing arts, usually in the form of fiction and less frequently non-fiction, in which vices, follies, abuses, and shortcomings are held up to ridicule, often with the intent of shaming or exposing the perceived flaws of individuals, corporations, government, or society itself into improvement. Although satire is usually meant to be humorous, its greater purpose is often constructive social criticism, using wit to draw attention to both particular and wider issues in society. A feature of satire is strong irony or sarcasm —"in satire, irony is militant", according to literary critic Northrop Frye— but parody, burlesque, exaggeration, juxtaposition, comparison, analogy, and double entendre are all frequently used in satirical speech and writing. This "militant" irony or sarcasm often professes to approve of (or at least accept as natural) the very things the satirist wishes to question. Satire is found in many a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Knight
A knight is a person granted an honorary title of knighthood by a head of state (including the Pope) or representative for service to the monarch, the church or the country, especially in a military capacity. Knighthood finds origins in the Greek ''hippeis'' and '' hoplite'' (ἱππεῖς) and Roman '' eques'' and ''centurion'' of classical antiquity. In the Early Middle Ages in Europe, knighthood was conferred upon mounted warriors. During the High Middle Ages, knighthood was considered a class of lower nobility. By the Late Middle Ages, the rank had become associated with the ideals of chivalry, a code of conduct for the perfect courtly Christian warrior. Often, a knight was a vassal who served as an elite fighter or a bodyguard for a lord, with payment in the form of land holdings. The lords trusted the knights, who were skilled in battle on horseback. Knighthood in the Middle Ages was closely linked with horsemanship (and especially the joust) from its origins in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clarence Wheeler
Clarence E. Wheeler (September 27, 1885 – December 28, 1966) was an American musician and composer. He created the music for many of ''Woody Woodpecker'' series cartoons under Walter Lantz Productions along with films in the 1950s. Biography Wheeler was born in Walnut, Kansas. He formed an orchestra that appeared on the radio in Chicago in the 1930s, playing on ''The Terminix All-Star Program'' in May 1933 on WBBM. He was music director of the station from 1935 to 1938 and was replaced by Caesar Petrillo, brother of future American Federation of Musicians boss James Petrillo. He arrived in Hollywood that year and began writing music published by Alberto Colombo. Among his compositions were ''Cinemaland Parade'', ''Silhouette in Rhythm'', ''Sing For Our Fallen Brave''., ''There Must Be a Way'', ''Hey There, Mr. Labor'', ''That Night in Donegal'', ''Tiny Little Big Shot'', ''Hello Broadway, London Calling'', the last four with James J. May. He soon went into scoring short films. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Telecomics
Telecomics (also known as Tele-Comics and NBC Comics) is the name of two American children's television shows broadcast from 1949 to 1951. Along with ''Crusader Rabbit'' and '' Jim and Judy in Teleland'', the ''Telecomics'' broadcasts were some of the earliest cartoon shows on television, although they were essentially a representation of comic strips on screen, with a narrator and voice actors talking over still frames, with only occasional moments of limited animation. The 1949 show, ''Tele-Comics'', was syndicated by Vallee-Video as a 15-minute show made up of four three-minute segments: ''Joey and Jug'', ''Sa-Lah'', ''Brother Goose'' and ''Rick Rack, Secret Agent''. The second show, initially broadcast as ''NBC Comics'' from September 1950 to March 1951, was created by cartoonist Dick Moores and Disney animator Jack Boyd, who founded the company Telecomics, Inc. in 1942. The NBC version introduced four new stories: ''Danny March'', ''Kid Champion'', ''Space Barton'' and ''Jo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Storyboard
A storyboard is a graphic organizer that consists of illustrations or images displayed in sequence for the purpose of pre-visualizing a motion picture, animation, motion graphic or interactive media sequence. The storyboarding process, in the form it is known today, was developed at Walt Disney Productions during the early 1930s, after several years of similar processes being in use at Walt Disney and other animation studios. Origins Many large budget silent films were storyboarded, but most of this material has been lost during the reduction of the studio archives during the 1970s and 1980s. Special effects pioneer Georges Méliès is known to have been among the first filmmakers to use storyboards and pre-production art to visualize planned effects. However, storyboarding in the form widely known today was developed at the Walt Disney studio during the early 1930s. In the biography of her father, ''The Story of Walt Disney'' (Henry Holt, 1956), Diane Disney Miller exp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narration
Narration is the use of a written or spoken commentary to storytelling, convey a narrative, story to an audience. Narration is conveyed by a narrator: a specific person, or unspecified literary voice, developed by the creator of the story to deliver information to the audience, particularly about the Plot (narrative), plot (the series of events). Narration is a required element of all written stories (novels, short story, short stories, poems, memoirs, etc.), with the function of conveying the story in its entirety. However, narration is merely optional in most other storytelling formats, such as films, plays, television shows, and video games, in which the story can be conveyed through other means, like dialogue between characters or visual action. The narrative mode encompasses the set of choices through which the creator of the story develops their narrator and narration: * ''Narrative point of view, perspective,'' or ''voice'': the choice of grammatical person used by the narr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Limited Animation
Limited animation is a process in the overall technique of traditional animation that reuses frames of character animation. Early history The use of budget-cutting and time-saving animation measures in animation dates back to the earliest commercial animation, including cycled animations, mirror-image and symmetrical drawings, still characters, and other labor-saving methods. In general, the progression was from early productions in which every frame was drawn by hand, independent of each other drawing, toward more limited animation that made use of the same drawings in different ways. Winsor McCay, a man who put an unprecedented amount of detail into his animations, boasted that in his 1914 film, ''Gertie the Dinosaur'', everything moved, including the rocks and blades of grass in the background. In contrast, his 1918 film ''The Sinking of the Lusitania'' progressed to using cels over still backgrounds, while still maintaining a level of detail comparable to that of ''Gertie''. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of NBC Television Affiliates (by U
{{DEFAULTSORT:NBC television affiliates ...
The following are lists of affiliates of the NBC television network: *List of NBC television affiliates (by U.S. state) *List of NBC television affiliates (table) *List of former NBC television affiliates See also *Lists of ABC television affiliates *Lists of CBS television affiliates *Lists of Fox television affiliates The following are lists of affiliates of the Fox Broadcasting Company (Fox) television network: *List of Fox television affiliates (by U.S. state) *List of Fox television affiliates (table) *List of former Fox television affiliates See also *Lis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dudley Do-Right Of The Mounties
Dudley Do-Right is a fictional character created by Alex Anderson, Chris Hayward, Allan Burns, Jay Ward, and Bill Scott, who appears as the main protagonist of "Dudley Do-Right of the Mounties", a segment on ''The Rocky and Bullwinkle Show.'' The segment parodies early 20th-century melodrama and silent film (the "Northern"), using only a piano as a musical background. Dudley Do-Right's first appearance specifically incorporates silent film tropes such as intertitles and iris shots, as well as incorporating a similar plot to 1921 silent film '' O'Malley of the Mounted'', starring William S. Hart. Overview Dudley Do-Right is a dim-witted, but conscientious and cheerful Canadian Mountie who works for Inspector Fenwick. Do-Right is always trying to catch his nemesis, Snidely Whiplash, and rescue Inspector Fenwick's daughter, damsel-in-distress Nell Fenwick, with whom Do-Right is deeply infatuated. He usually succeeds only by pure luck or through the actions of his horse, name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Terrytoons
Terrytoons was an American animation studio in New Rochelle, New York, that produced animated cartoons for theatrical release from 1929 to 1973 (and briefly returned between 1987 and 1996 for television in name only). Terrytoons was founded by Paul Terry, Frank Moser, and Joseph Coffman, and operated out of the "K" Building in downtown New Rochelle. The studio created many cartoon characters including Fanny Zilch, Mighty Mouse, Heckle and Jeckle, Gandy Goose, Sourpuss, Dinky Duck, Little Roquefort, the Terry Bears, Dimwit, and Luno; Terry's pre-existing character Farmer Al Falfa was also featured often in the series. The "New Terrytoons" period of the late 1950s through the mid-1960s produced such characters as Clint Clobber, Tom Terrific, Deputy Dawg, Hector Heathcote, Hashimoto-san, Sidney the Elephant, Possible Possum, James Hound, Astronut, Sad Cat, The Mighty Heroes, and Sally Sargent. Ralph Bakshi got his start as an animator, and eventually as a director, at Terrytoon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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