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Crossover Thrash
Crossover thrash (often abbreviated to crossover) is a fusion genre of thrash metal and hardcore punk. The genre lies on a continuum between heavy metal and hardcore punk. Other genres on the same continuum, such as metalcore and grindcore, may overlap with crossover thrash. Terminological ambiguity The genre is often confused with thrashcore, which is essentially a faster hardcore punk rather than a more punk-oriented form of metal."Powerviolence: The Dysfunctional Family of Bllleeeeaaauuurrrgghhh!!". ''Terrorizer'' no. 172. July 2008. p. 36-37. Throughout the early and mid 1980s, the term "thrash" was often used as a synonym for hardcore punk (as in the ''New York Thrash'' compilation of 1982). The term "thrashcore" to distinguish acts of the genre from others was not coined until at least 1993. Many crossover bands, such as D.R.I., began as influential thrashcore bands. The "-core" suffix of "thrashcore" is sometimes used to distinguish it from crossover thrash and thrash ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thrash Metal
Thrash metal (or simply thrash) is an extreme subgenre of heavy metal music characterized by its overall aggression and often fast tempo.Kahn-Harris, Keith, ''Extreme Metal: Music and Culture on the Edge'', pp. 2–3, 9. Oxford: Berg, 2007, . The songs usually use fast percussive beats and low-register guitar riffs, overlaid with shredding-style lead guitar work. The lyrical subject matter often includes criticism of The Establishment and concern over environmental destruction, and at times shares a disdain for Christian dogma with that of black metal. The language is typically direct and denunciatory, an approach borrowed from hardcore punk. The genre emerged in the early 1980s as musicians began fusing the double bass drumming and complex guitar stylings of the new wave of British heavy metal (NWOBHM) with the speed and aggression of hardcore punk. Philosophically, thrash metal developed as a backlash against both the conservatism of the Reagan Era and the much more moder ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thrash Metal
Thrash metal (or simply thrash) is an extreme subgenre of heavy metal music characterized by its overall aggression and often fast tempo.Kahn-Harris, Keith, ''Extreme Metal: Music and Culture on the Edge'', pp. 2–3, 9. Oxford: Berg, 2007, . The songs usually use fast percussive beats and low-register guitar riffs, overlaid with shredding-style lead guitar work. The lyrical subject matter often includes criticism of The Establishment and concern over environmental destruction, and at times shares a disdain for Christian dogma with that of black metal. The language is typically direct and denunciatory, an approach borrowed from hardcore punk. The genre emerged in the early 1980s as musicians began fusing the double bass drumming and complex guitar stylings of the new wave of British heavy metal (NWOBHM) with the speed and aggression of hardcore punk. Philosophically, thrash metal developed as a backlash against both the conservatism of the Reagan Era and the much more moder ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thrashcore
Thrashcore (also known as fastcore) is a fast-tempo subgenre of hardcore punk that emerged in the early 1980s. Thrashcore is essentially sped-up hardcore, often using blast beats. Songs can be very brief, and thrashcore is in many ways a less dissonant, less metallic forerunner of grindcore. The genre is sometimes associated with the skateboarder subculture. Terminological ambiguity Thrashcore is often confused with crossover thrash and sometimes thrash metal.Felix von Havoc''Maximum Rock'n'Roll'' #198 Retrieved June 20, 2008."Powerviolence: The Dysfunctional Family of Bllleeeeaaauuurrrgghhh!!". ''Terrorizer'' no. 172. July 2008. p. 36-37. Further confusion is added by the fact that many crossover bands, such as D.R.I., began as influential thrashcore bands. Throughout the '80s, the term "thrash" was in use as a synonym for hardcore punk (as in the ''New York Thrash'' compilation of 1982). It eventually came to be used for the faster, more intense style of hardcore punk. The te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Washington D
Washington commonly refers to: * Washington (state), United States * Washington, D.C., the capital of the United States ** A metonym for the federal government of the United States ** Washington metropolitan area, the metropolitan area centered on Washington, D.C. * George Washington (1732–1799), the first president of the United States Washington may also refer to: Places England * Washington, Tyne and Wear, a town in the City of Sunderland metropolitan borough ** Washington Old Hall, ancestral home of the family of George Washington * Washington, West Sussex, a village and civil parish Greenland * Cape Washington, Greenland * Washington Land Philippines *New Washington, Aklan, a municipality *Washington, a barangay in Catarman, Northern Samar *Washington, a barangay in Escalante, Negros Occidental *Washington, a barangay in San Jacinto, Masbate *Washington, a barangay in Surigao City United States * Washington, Wisconsin (other) * Fort Washington (disambiguatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faith/Void Split
The ''Faith/Void Split LP'' is a split album by Washington D.C. hardcore groups Void and the Faith, released on Dischord Records in 1982. Void was one of the earliest examples of hardcore/metal crossover with their chaotic musical approach cited as particularly influential. Kurt Cobain listed the album in his top fifty albums of all time. Background and influence The Faith and Void were hardcore bands from Washington D.C., both with few releases (this is Void's only release throughout the band's existence), but a relatively large underground following among punk and hardcore punk fans. Both bands were connected to Dischord Records, the punk label run by Ian MacKaye and Jeff Nelson of Minor Threat and were considered pioneers of DC Hardcore. Writing for the Guardian, Craig Finn of the Hold Steady referred to the split as “one of the most vital hardcore records ever released” and continued: “It's a reminder of hardcore at its finest: angry and dangerous without being c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Void (band)
Void was an American hardcore punk band formed in Columbia, Maryland, in 1980. The group was a pioneering force in the thriving D.C. Hardcore scene in Washington D.C. during the early 1980s, successfully combining elements of punk with heavy metal in a style that was accepted by the scene's otherwise exclusive community. Void's punk metal fusion sound was marked by guitarist Bubba Dupree's innovative guitar work and the "unhinged" vocals of John Weiffenbach, which resonated in the band's chaotic but popular live performances. Like many of their contemporaries, Void had a short-lived recording career, limited to the split album ''Faith/Void Split'' with the Faith on Dischord Records. However, they have enjoyed an enduring cult following among hardcore aficionados. History Inspired by punk rock bands the Teen Idles and Minor Threat, Void—a name which referred to Black Sabbath's song " Into the Void"—was formed in 1979, and consisted of an interracial lineup unique to the e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suffix
In linguistics, a suffix is an affix which is placed after the stem of a word. Common examples are case endings, which indicate the grammatical case of nouns, adjectives, and verb endings, which form the conjugation of verbs. Suffixes can carry grammatical information (inflectional suffixes) or lexical information ( derivational/lexical suffixes'').'' An inflectional suffix or a grammatical suffix. Such inflection changes the grammatical properties of a word within its syntactic category. For derivational suffixes, they can be divided into two categories: class-changing derivation and class-maintaining derivation. Particularly in the study of Semitic languages, suffixes are called affirmatives, as they can alter the form of the words. In Indo-European studies, a distinction is made between suffixes and endings (see Proto-Indo-European root). Suffixes can carry grammatical information or lexical information. A word-final segment that is somewhere between a free morpheme and a b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
LA Weekly
''LA Weekly'' is a free weekly alternative newspaper in Los Angeles, California. It was founded in 1978 by Jay Levin, who served as president and editor until 1991. Voice Media Group sold the paper in late 2017 to Semanal Media LLC, whose parent company is listed as Street Media. The current Editor-in-Chief and Creative Director is Darrick Rainey. It covers Los Angeles music, arts, film, theater, culture, concerts, and events. In 1979 they established the LA Weekly Theater Awards which awards small theatre productions (99 seats or less) in Los Angeles. Starting in 2006, ''LA Weekly'' has hosted the LA Weekly Detour Music Festival every October. The entire block surrounding Los Angeles City Hall is closed off to accommodate the festival's three stages. Some of its best known writers were Pulitzer Prize-winning food writer Jonathan Gold, who left in early 2012, and Nikki Finke, who blogged about the film industry through the ''Weekly'' website and published a print column in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New York Thrash
''New York Thrash'' is a hardcore punk compilation album released by ROIR in 1982. Considered a definitive document of the early New York hardcore and late 1970s punk scene, ''New York Thrash'' features rare and otherwise unreleased recordings, including the first recorded material by the Beastie Boys (also on their ''Polly Wog Stew'' EP) as well as material by Bad Brains. Original artwork and cover lettering by Bob Giordano The album was originally released in cassette format with liner notes by Tim Sommer, but was reissued on CD with two bonus tracks in 1998. Track listing # "I Hate Music" – The Mad # "Getaway" – Kraut # "Shotgun" – Heart Attack # "Social Reason" – The Undead # "New Year's Eve" – Adrenalin O.D. # "Illusion Won Again – Even Worse # "Cry Now" – Fiends # "Here and Now" – Nihilistics # "Nightmare – The Undead # "Taxidermist" – False Prophets # "Regulator (Version)" – Bad Brains # "Riot Fight" – Beastie Boys # "Love and Kisses" – Nihilis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metalcore
Metalcore (also known as metallic hardcore) is a fusion music genre that combines elements of extreme metal and hardcore punk. As with other styles blending metal and hardcore, such as crust punk and grindcore, metalcore is noted for its use of breakdowns, slow, intense passages conducive to moshing. Other defining instrumental qualities include heavy riffs and stop-start rhythm guitar playing, occasional blast beats, and double bass drumming. Vocalists in the genre typically use thrash or scream vocals. Some later metalcore bands combine this with clean singing, often during the chorus. Death growls and gang vocals are common. 1990s metalcore bands were inspired by hardcore while later metalcore bands were inspired by melodic death metal bands like At the Gates and In Flames. The roots of metalcore are in the 1980s when bands would combine hardcore punk with heavy metal. This included New York hardcore bands like Agnostic Front, Cro-Mags, and Killing Time, British hardcore p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heavy Metal Music
Heavy metal (or simply metal) is a genre of rock music that developed in the late 1960s and early 1970s, largely in the United Kingdom and United States. With roots in blues rock, psychedelic rock and acid rock, heavy metal bands developed a thick, monumental sound characterized by distortion (music), distorted guitars, extended guitar solos, emphatic Beat (music), beats and loudness. In 1968, three of the genre's most famous pioneers – Led Zeppelin, Black Sabbath and Deep Purple – were founded. Though they came to attract wide audiences, they were often derided by critics. Several American bands modified heavy metal into more accessible forms during the 1970s: the raw, sleazy sound and shock rock of Alice Cooper and Kiss (band), Kiss; the blues-rooted rock of Aerosmith; and the flashy guitar leads and party rock of Van Halen. During the mid-1970s, Judas Priest helped spur the genre's evolution by discarding much of its blues influence,Walser (1993), p. 6 while Motörhea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Extreme Metal
Extreme metal is a loosely defined umbrella term for a number of related heavy metal music subgenres that have developed since the early 1980s. It has been defined as a "cluster of metal subgenres characterized by sonic, verbal, and visual transgression". The term usually refers to a more abrasive, harsher, underground, non-commercialized style associated with the speed metal, thrash metal, black metal, death metal, and doom metal genres.K. Kahn-Harris, ''Extreme Metal: Music and Culture on the Edge'' (Berg Publishers, 2007), , p. 31. Hardcore punk has been considered an integral part of the development of extreme metal, in the case of song structure and speed, in every case other than doom metal. Definitions Extreme metal acts set themselves apart from traditional heavy metal acts, such as Iron Maiden, Judas Priest and Motörhead, by incorporating more abrasive musical characteristics such as higher tempos, increased aggression and a harsher extremity. In the majority of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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