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Coups De Roulis
''Coups de roulis'' is an opérette in three acts with music by André Messager and a French libretto by Albert Willemetz, based on the 1925 novel by Maurice Larrouy. Performance history ''Coups de roulis'' was first performed at Théâtre Marigny, Paris, on 29 September 1928. Roles Synopsis Act I : On board the battleship 'Montesquieu' With Christmas imminent, the crew of the battleship 'Montesquieu' are hoping to spend their leave with families or girlfriends before going on manoeuvres in the Mediterranean. The deputy Puy-Pradal is leading a parliamentary commission of enquiry on board. Arriving on the 20th of December, he upsets everyone's plans and all on board are forced to prepare to set sail. Puy-Pradal arrives with his secretary – his daughter Béatrice – and once on board he displays his complete ignorance of marine law, and commits endless blunders. Béatrice meanwhile is courted by Gerville, the commander of the 'Montesquieu' and by the young and handsome lieutenan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opérette
This is a glossary list of opera genres, giving alternative names. "Opera" is an Italian word (short for "opera in musica"); it was not at first ''commonly'' used in Italy (or in other countries) to refer to the genre of particular works. Most composers used more precise designations to present their work to the public. Often specific genres of opera were commissioned by theatres or patrons (in which case the form of the work might deviate more or less from the genre norm, depending on the inclination of the composer). Opera genres are not exclusive. Some operas are regarded as belonging to several. Definitions Opera genres have been defined in different ways, not always in terms of stylistic rules. Some, like opera seria, refer to traditions identified by later historians,McClymonds, Marita P and Daniel Heartz, Heartz, Daniel: "Opera seria" in ''The New Grove Dictionary of Opera'', ed. Stanley Sadie (London, 1992) and others, like Zeitoper, have been defined by their own invent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roger Bourdin
Roger Bourdin (14 June 1900 in Paris – 14 September 1973 in Paris) was a French baritone, particularly associated with the French repertory. His career was largely based in France. His daughter is Françoise Bourdin. Life and career Born in the 19th arrondissement of Paris, Bourdin studied at the Conservatoire de Paris, where he was a pupil of André Gresse and Jacques Isnardon. He made his professional debut at the Opéra-Comique in 1922, as Lescaut in ''Manon''. His debut at the Palais Garnier took place in 1942, in Henri Rabaud's ''Mârouf, savetier du Caire''. The major part of his career was to be spent between these two theatres, where he created some 30 roles, among them the title role in Milhaud's ''Bolivar''. Bourdin seldom performed outside France, but did a few guest appearances at the Royal Opera House in London (including Pelléas to the Mélisande of Maggie Teyte in 1930),Obituary - Roger Bourdin. ''Opera'', January 1974, Vol 25 No.1, p.74. La Scala in Milan, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opérettes
This is a glossary list of opera genres, giving alternative names. "Opera" is an Italian word (short for "opera in musica"); it was not at first ''commonly'' used in Italy (or in other countries) to refer to the genre of particular works. Most composers used more precise designations to present their work to the public. Often specific genres of opera were commissioned by theatres or patrons (in which case the form of the work might deviate more or less from the genre norm, depending on the inclination of the composer). Opera genres are not exclusive. Some operas are regarded as belonging to several. Definitions Opera genres have been defined in different ways, not always in terms of stylistic rules. Some, like opera seria, refer to traditions identified by later historians,McClymonds, Marita P and Heartz, Daniel: "Opera seria" in ''The New Grove Dictionary of Opera'', ed. Stanley Sadie (London, 1992) and others, like Zeitoper, have been defined by their own inventors. Other f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1928 Operas
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album '' Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipknot. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Paris, Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater foc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By André Messager
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lina Dachary
Lina Dachary was a French soprano born in 1922 and died in 1999. She was particularly noted for her prolific radio appearances in operetta.BnF page for Lina Dachary accessed 23 April 2020. Life and career Originally from the Basque region, having obtained a Conservatoire first prize, an early radio performance was in ''Ninon de Lenclos'' with music by Louis Mainqueneau, conducted by on 21 June 1944. At the in Paris she sang the role of Adèle in the opérette ''Malvina'' by[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcel Cariven
Marcel Auguste Antoine Cariven, (18 April 1894, Toulouse – 5 November 1979, Crosne near Paris)Bibliothèque nationale de France entry for Marcel Cariven accessed 31 January 2015. was a French conductor, particularly associated with light music and with operetta. Alain Pâris: ''Dictionnaire des interprètes et de l'interprétation musicale au XXe siècle.'' , Paris, 1995 (p890). Life and career Cariven u ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Radiodiffusion-Télévision Française
Radiodiffusion-Télévision Française (RTF; ''French Radio and Television Broadcasting'') was the French national public broadcaster television organization established on 9 February 1949 to replace the post-war "''Radiodiffusion Française''" (RDF), which had been founded on 23 March 1945 to replace ''Radiodiffusion Nationale'' (RN), created on 29 July 1939. It was replaced in its turn, on 26 June 1964, by the notionally less-strictly government controlled Office de Radiodiffusion Télévision Française (ORTF), which itself lasted until the end of 1974. RTF was both state-owned and state-controlled. With a budget set by the French National Assembly under the direction of the Ministry of Information, all of its spending and investment plans had to be directly agreed by the Minister of Information and the Minister of Finance. Alain Peyrefitte, Minister of Information, speaking in a debate in the National Assembly on 26 May 1964, described RTF as "the government in every Fren ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Erwin
Jacques Erwin (born Herwin Frédéric Roger Follot; 22 December 1908 – 7 April 1957) was a French film and stage actor. Filmography * 1931: '' Moon Over Morocco'' by Julien Duvivier as Midlock * 1931: '' Tossing Ship'' by Jean de La Cour as an officier * 1933: ''L'atroce menace'' by Christian-Jaque * 1933: ''Vilaine histoire'' by Christian-Jaque * 1934: ''Liliom'' by Fritz Lang as the suicidé * 1934: ''Lui ou elle'' by Roger Capellani * 1934: ''Perfidie'' by Roger Capellani * 1935: ''Stradivarius'' by Géza von Bolváry as an officer * 1936: ''La brigade en jupons'' by Jean de Limur as Mr. Vilette * 1936: '' J'arrose mes galons'' by René Pujol and Jacques Darmont * 1936: '' Street of Shadows'' by G. W. Pabst * 1937: ''The Red Dancer'' or ''La Chèvre aux pieds d'or'' by Jean-Paul Paulin * 1937: ''Ramuntcho'' by René Barberis as Arrochkoa * 1937: '' Les Nuits blanches de Saint-Pétersbourg'' by Jean Dréville as colonel Toukatchewsky * 1938: ''Frères corses'' by Géo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
André Messager
André Charles Prosper Messager (; 30 December 1853 – 24 February 1929) was a French composer, organist, pianist and conductor. His compositions include eight ballets and thirty opéra comique, opéras comiques, opérettes and other stage works, among which his ballet ''Les Deux Pigeons (ballet), Les Deux Pigeons'' (1886) and opéra comique ''Véronique (operetta), Véronique'' (1898) have had lasting success; ''Les p'tites Michu, Les P'tites Michu'' (1897) and ''Monsieur Beaucaire (opera), Monsieur Beaucaire'' (1919) were also popular internationally. Messager took up the piano as a small child and later studied composition with, among others, Camille Saint-Saëns and Gabriel Fauré. He became a major figure in the musical life of Paris and later London, both as a conductor and a composer. Many of his Parisian works were also produced in the West End theatre, West End and some on Broadway theatre, Broadway; the most successful had long runs and numerous international revival ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
