Counts Of Paris
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Counts Of Paris
Count of Paris () was a title for the local magnate of the district around Paris in Carolingian times. After Hugh Capet was elected King of France in 987, the title merged into the crown and fell into disuse. However, it was later revived by the Orléanist pretenders to the French throne in an attempt to evoke the legacy of Capet and Capetian dynasty, his dynasty. Merovingian counts Guideschi * Bodilon * till 678: Saint Warinus (620–678) Pippinids * 748–753: Grifo (noble), Grifo (726–753), son of Charles Martel and his second wife, Swanahild Carolingian counts Girardids * 759/760–779: Gerard I of Paris, Gerard I (died 779) * 779–811/815: Stephen of Paris, Stephen (754–811/815), son of previous * 811/815–816: Beggo of Paris, Beggo (or ''Begon'') (755/760–816), brother of previous * 816: Leuthard I of Paris (740–816), brother of Beggo and also count of Fézensac * 838–841: Girart de Roussillon, Gerard II (810–877/879), son of previous and brother of Adalar ...
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Blason Paris 75
Blason is a form of poetry. The term originally comes from the heraldic term "blazon" in French heraldry, which means either the codified description of a coat of arms or the coat of arms itself. The Dutch term is Blazoen, and in either Dutch or French, the term is often used to refer to the coat of arms of a chamber of rhetoric. History The term forms the root of the modern words "emblazon", which means to celebrate or adorn with heraldic markings, and "blazoner", one who emblazons. The terms "blason", "blasonner", "blasonneur" were used in 16th-century French literature by poets who, following Clément Marot in 1536, practised a genre of poems that praised a woman by singling out different parts of her body and finding appropriate metaphors to compare them with. It is still being used with that meaning in literature and especially in poetry. One famous example of such a celebratory poem, ironically rejecting each proposed stock metaphor, is William Shakespeare's Sonnet 130: : ...
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