Cotton Tail
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Cotton Tail
"Cotton Tail" is a 1940 composition by Duke Ellington. It is based on the rhythm changes from George Gershwin's "I Got Rhythm". The first Ellington recording (4 May 1940) is notable for the driving tenor saxophone solo by Ben Webster. Originally an instrumental, "Cotton Tail" later had lyrics written for it by Ellington. Later, more lyrics were written, based on the 1940 recording, by Jon Hendricks, and recorded by Lambert, Hendricks and Ross. The 1941 Soundie gives the title as "Hot Chocolate," with "Cotton Tail" below it in parentheses and smaller letters, but this was likely done by the producer, as that title does not seem to appear anywhere else between the original record's release and this production. Slide Hampton's arrangement of "Cotton Tail" on Dee Dee Bridgewater's 1997 album '' Dear Ella'' won him the Grammy Award for Best Instrumental Arrangement Accompanying Vocalist(s) in 1998. "Cotton Tail" is the theme song for "The Art of Jazz," a music history radio program ho ...
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Musical Composition
Musical composition can refer to an original piece or work of music, either vocal or instrumental, the structure of a musical piece or to the process of creating or writing a new piece of music. People who create new compositions are called composers. Composers of primarily songs are usually called songwriters; with songs, the person who writes lyrics for a song is the lyricist. In many cultures, including Western classical music, the act of composing typically includes the creation of music notation, such as a sheet music "score," which is then performed by the composer or by other musicians. In popular music and traditional music, songwriting may involve the creation of a basic outline of the song, called the lead sheet, which sets out the melody, lyrics and chord progression. In classical music, orchestration (choosing the instruments of a large music ensemble such as an orchestra which will play the different parts of music, such as the melody, accompaniment, counte ...
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George Kawaguchi
Joji "George" Kawaguchi (川口譲二) (June 15, 1927, Fukakusa, Kyoto - November 1, 2003, Tokyo) was a Japanese jazz drummer and bandleader. Kawaguchi was raised in Dairen, Manchukuo, at that time a Japanese-occupied territory. He played in his father's ensemble as a teenager, and after World War II moved back to Japan, where he embarked on a career in jazz. He played first with an ensemble called the Azumanians, then joined the Big Four with Hidehiko Matsumoto, Hachidai Nakamura, and Mitsuru Ono; this ensemble played intermittently into the 1980s. He played extensively with Art Blakey on tour in the 1980s. He recorded extensively as a leader; his sidemen included Isao Suzuki, Motohiko Hino, Takeshi Inomata, Donald Harrison, Terence Blanchard, Norio Maeda, Tatsuya Takahashi, and Nobuo Hara. On July 22, 1966, he played with the John Coltrane quintet in Tokyo while the group was touring Japan. References *"George Kawaguchi". '' The New Grove Dictionary of Jazz''. 2nd edition, ed. ...
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Dave Grusin
Robert David "Dave" Grusin (born June 26, 1934) is an American composer, arranger, producer, jazz pianist, and band leader. He has composed many scores for feature films and television, and has won numerous awards for his soundtrack and record work, including an Academy Awards, Academy Award and 10 Grammy Awards. In 1978, Grusin founded GRP Records with Larry Rosen (producer), Larry Rosen, and was an early pioneer of digital recording. Early life Grusin was born in Littleton, Colorado, to Henri and Rosabelle (née de Poyster) Grusin. His mother was a pianist and his father was a violinist from Riga, Latvia. Grusin has one Jewish parent. Grusin studied music at the University of Colorado at Boulder and received his degree in 1956. Grusin's teachers included Cecil Effinger and Wayne Scott, pianist, arranger and professor of jazz. Career Grusin produced his first single in 1962, "Subways Are for Sleeping", and his first film score, for ''Divorce American Style'', in 1967. Other sc ...
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A Tribute To The Music Of Buddy Rich
A, or a, is the first letter and the first vowel of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''a'' (pronounced ), plural ''aes''. It is similar in shape to the Ancient Greek letter alpha, from which it derives. The uppercase version consists of the two slanting sides of a triangle, crossed in the middle by a horizontal bar. The lowercase version can be written in two forms: the double-storey a and single-storey ɑ. The latter is commonly used in handwriting and fonts based on it, especially fonts intended to be read by children, and is also found in italic type. In English grammar, " a", and its variant " an", are indefinite articles. History The earliest certain ancestor of "A" is aleph (also written 'aleph), the first letter of the Phoenician alphabet, which consisted entirely of consonants (for that reason, it is also called an abjad to distinguish it fro ...
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Neil Peart
Neil Ellwood Peart OC (; September 12, 1952 – January 7, 2020) was a Canadian-American musician, best known as the drummer and primary lyricist of the rock band Rush. Peart earned numerous awards for his musical performances, including an induction into the ''Modern Drummer'' Readers Poll Hall of Fame in 1983 at the age of thirty, making him the youngest person ever so honoured. Known to fans by the nickname 'The Professor', his drumming was renowned for its technical proficiency and his live performances for their exacting nature and stamina. Peart was born in Hamilton, Ontario, and grew up in Port Dalhousie (now part of St. Catharines). During adolescence, he floated between regional bands in pursuit of a career as a full-time drummer. After a discouraging stint in England, Peart returned home to concentrate on music where he joined Rush, a Toronto band, in mid-1974, six years after its formation. Together they released nineteen studio albums, with ten exceeding a mill ...
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Buddy Rich
Bernard "Buddy" Rich (September 30, 1917 – April 2, 1987) was an American jazz drummer, songwriter, conductor, and bandleader. He is considered one of the most influential drummers of all time. Rich was born and raised in Brooklyn, New York, United States. He discovered his affinity for jazz music at a young age and began drumming at the age of two. He began playing jazz in 1937, working with acts such as Bunny Berigan, Artie Shaw, Tommy Dorsey, Count Basie, and Harry James. From 1942 to 1944, Rich served in the U.S. Marines. From 1945 to 1948, he led the Buddy Rich Orchestra. In 1966, he recorded a big-band style arrangement of songs from ''West Side Story''. He found lasting success in 1966 with the formation of the Buddy Rich Big Band, also billed as the Buddy Rich Band and The Big Band Machine. Rich was known for his virtuoso technique, power, and speed. He was an advocate of the traditional grip, though he occasionally used matched grip when playing the toms. Despite h ...
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Mel Tormé And The Marty Paich Dektette - In Concert Tokyo
Mel, Mels or MEL may refer to: Biology * Mouse erythroleukemia cell line (MEL) * National Herbarium of Victoria, a herbarium with the Index Herbariorum code MEL People * Mel (given name), the abbreviated version of several given names (including a list of people with the name) * Mel (surname) * Manuel Zelaya, former president of Honduras, nicknamed "Mel" Places * Mel, Veneto, an ex-comune in Italy * Mel Moraine, a moraine in Antarctica * Melbourne Airport (IATA airport code) * Mels, a municipality in Switzerland *Métropole Européenne de Lille (MEL), the intercommunality of Lille in France Technology and engineering * Maya Embedded Language, a scripting language used in the 3D graphics program Maya * Michigan eLibrary, an online service of the Library of Michigan * Ford MEL engine, a "Mercury-Edsel-Lincoln" engine series * Minimum equipment list, a categorized list of instruments and equipment on an aircraft * Miscellaneous electric load, the electricity use of appliances, el ...
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Mel Tormé
Melvin Howard Tormé (September 13, 1925 – June 5, 1999), nicknamed "The Velvet Fog", was an American musician, singer, composer, arranger, drummer, actor, and author. He composed the music for "The Christmas Song" ("Chestnuts Roasting on an Open Fire") and co-wrote the lyrics with Bob Wells. Early life Melvin Howard Tormé was born in Chicago, Illinois, to William David Torme, a Jewish immigrant from Poland, and Betty Torme (née Sopkin), a New York City native. He graduated from Hyde Park High School. A child prodigy, he first performed professionally at age four with the Coon-Sanders Orchestra, singing "You're Driving Me Crazy" at Chicago's Blackhawk restaurant. He played drums in the drum-and-bugle corps at Shakespeare Elementary School. From 1933 to 1941, he acted in the radio programs ''The Romance of Helen Trent'' and ''Jack Armstrong, the All-American Boy''. He wrote his first song at 13. Three years later his first published song, "Lament to Love", became a hit for ...
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Ella At Duke's Place
''Ella at Duke's Place'' is a 1965 studio album by Ella Fitzgerald and Duke Ellington, accompanied by his Orchestra. While it was the second (and last) studio album made by Fitzgerald and Ellington, following the 1957 song book recording, a live double album '' Ella and Duke at the Cote D'Azur'' was recorded in 1966. ''Ella at Duke’s Place'' was nominated for Best Female Pop Vocal Performance at the 1967 Grammy Awards. Track listing For the 1965 Verve LP album, Verve V6-4070; re-issued by PolyGram-Verve on CD in 1996: Verve-PolyGram 529 700-2. Side One: # " Something to Live For" (Duke Ellington, Billy Strayhorn) – 3:35 # "A Flower Is a Lovesome Thing" (a.k.a. "Passion") (Strayhorn) – 5:00 # "Passion Flower" (Strayhorn) – 4:39 # "I Like the Sunrise" – 3:26 # " Azure" (Irving Mills) – 6:48 Side Two: # "Imagine My Frustration" (Strayhorn, Gerald Stanley Wilson) – 4:49 # "Duke's Place" (a.k.a. "C Jam Blues") (Bill Katz, Ruth Roberts, Bob Thiele) – 4:13 # "Brown-ski ...
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So Much Guitar
''So Much Guitar!'' (stylized on the original album cover as ''SO Much Guitar!'') is an album by American jazz guitarist Wes Montgomery, released by Riverside Records in 1961. It was reissued by Fantasy Records as a part of the Original Jazz Classics series. AllMusic entry for ''So Much Guitar''.Retrieved November 2009. All the tracks are available on the Wes Montgomery compilation CD '' The Complete Riverside Recordings''. Reception AllMusic critic Scott Yanow called the album "one of Wes Montgomery's finest recordings... All eight performances are memorable in their own way." ''PopMatters'' journalist Neil Kelly wrote: "''So Much Guitar!'' is Montgomery at his most comfortably virile ... one of the finest recordings you’ll ever put in your player." Track listing #"Twisted Blues" (Wes Montgomery) – 5:31 #"Cotton Tail" (Duke Ellington) – 3:38 #"I Wish I Knew" (Mack Gordon, Harry Warren) – 5:26 #"I'm Just a Lucky So-and-So" (Ellington, Mack David) – 5:57 #"Repetition" ...
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Wes Montgomery
John Leslie "Wes" Montgomery (March 6, 1923 – June 15, 1968) was an American jazz guitarist. Montgomery was known for an unusual technique of plucking the strings with the side of his thumb and his extensive use of octaves, which gave him a distinctive sound. Montgomery often worked with his brothers Buddy (Charles F.) and Monk (William H.) and with organist Melvin Rhyne. His recordings up to 1965 were oriented towards hard bop, soul jazz, and post bop, but around 1965 he began recording more pop-oriented instrumental albums that found mainstream success. His later guitar style influenced jazz fusion and smooth jazz. Biography Montgomery was born in Indianapolis, Indiana. According to NPR, the nickname "Wes" was a child's abbreviation of his middle name, Leslie. The family was large, and the parents split up early in the lives of the children. Montgomery and his brothers moved to Columbus, Ohio, with their father and attended Champion High School. His older brother Monk dropped ...
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MGM Records
MGM Records was a record label founded by the Metro-Goldwyn-Mayer film studio in 1946 for the purpose of releasing soundtrack recordings (later LP albums) of their musical films. It transitioned into a pop music label that continued into the 1970s. The company also released soundtrack albums of the music for some of their non-musical films as well, and on rare occasions, cast albums of off-Broadway musicals such as ''The Fantasticks'' and the 1954 revival of ''The Threepenny Opera''. In one instance, MGM Records released the highly successful soundtrack album of a film made by another studio, Columbia Pictures's ''Born Free'' (1966). Background There was also a short-lived Metro-Goldwyn-Mayer Records of 1928, which produced recordings of music featured in MGM movies, not sold to the general public but made to be played in movie theater lobbies. These Metro-Goldwyn-Mayer records were manufactured under contract with the studio by Columbia Records. History Soundtrack albu ...
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