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Cosimo Matassa
Cosimo Vincent Matassa (April 13, 1926 – September 11, 2014) was an American recording engineer and studio owner, responsible for many R&B and early rock and roll recordings. Life and career Matassa was born in New Orleans in 1926.Komorowski, Adam. Liner notes. ''The Cosimo Matassa Story'' (CD). In 1944 he began studies as a chemistry major at Tulane University, which he abandoned after completing five semesters of course work. In 1945, at the age of 18, Matassa opened the J&M Recording Studio at the back of his family's shop on Rampart Street, on the border of the French Quarter in New Orleans. In 1955, he moved to the larger Cosimo Recording Studio on Gov. Nichols Street, nearby in the French Quarter. As an engineer and proprietor, Matassa was crucial to the development of the sound of R&B, rock and soul of the 1950s and 1960s, often working with the producers Dave Bartholomew and Allen Toussaint. He recorded many hits, including Fats Domino’s " The Fat Man" (a contender ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Orleans, Louisiana
New Orleans ( , ,New Orleans . ; french: La Nouvelle-Orléans , es, Nueva Orleans) is a consolidated city-parish located along the in the southeastern region of the U.S. state of . With a population of 383,997 accord ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
First Rock And Roll Record
The origins of rock and roll are complex. Rock and roll emerged as a defined musical style in the United States in the early to mid-1950s. It derived most directly from the rhythm and blues music of the 1940s, which itself developed from earlier blues, the beat-heavy jump blues, boogie woogie, up-tempo jazz, and swing music. It was also influenced by gospel, country and western, and traditional folk music. Rock and roll in turn provided the main basis for the music that, since the mid-1960s, has been generally known simply as rock music. The phrase "rocking and rolling" originally described the movement of a ship on the ocean, but it was used by the early 20th century, both to describe a spiritual fervor and as a sexual analogy. Various gospel, blues and swing recordings used the phrase before it became used more frequently – but still intermittently – in the late 1930s and 1940s, principally on recordings and in reviews of what became known as "rhythm and blues" music aime ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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