Corrado Zambelli
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Corrado Zambelli
Corrado Zambelli (Bondeno (Fe) 3 June 1897 – Bologna 1 September 1974) was an Italian classical bass who had an active international singing career in operas and concerts from the 1920s through the 1950s. He appears on several complete opera recordings, including ''Otello'' and ''Carmen'' for His Master's Voice; and ''Ernani'', ''Il trovatore'', ''La favorite'', and '' La Gioconda'' for Columbia Records. Life and career Born in Bondeno (Fe), he studied singing with Alessandro Vezzani at the Liceo musicale di Bologna (now the Conservatorio Giovanni Battista Martini). He made his professional opera debut in 1924 at the opera house in Vigevano as Sparafucile in ''Rigoletto''. He made his debuts at La Scala and La Fenice the following year. Engagements with other important houses soon followed, including the Teatro Carlo Felice, the Teatro Comunale di Bologna, the Teatro di San Carlo, the Teatro Regio di Parma, and the Teatro Regio Torino. He appeared at the Arena di Verona Festival ...
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Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ...
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Teatro Comunale Di Bologna
The Teatro Comunale di Bologna is an opera house in Bologna, Italy. Typically, it presents eight operas with six performances during its November to April season. While there had been various theatres presenting opera in Bologna since the early 17th century, they had either fallen into disuse or burnt down. However, from the early 18th century, the ''Teatro Marsigli-Rossi'' had been presenting operatic works by popular composers of the day including Vivaldi, Gluck, and Niccolò Piccinni. The ''Teatro Malvezzi'', built in 1651, burned down in February 1745 and this event prompted the construction of a new public theatre, the ''Nuovo Teatro Pubblico'', as the Teatro Comunale was first called when it opened on 14 May 1763. Design and inauguration Despite opposition from other competitors, the architect Antonio Galli Bibiena won the theatre design contract. The theatre's inaugural performance was Gluck's ''Il trionfo di Clelia'', an opera which Gluck had composed for the occasion. ...
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1897 Births
Events January–March * January 2 – The International Alpha Omicron Pi sorority is founded, in New York City. * January 4 – A British force is ambushed by Chief Ologbosere, son-in-law of the ruler. This leads to a punitive expedition against Benin. * January 7 – A cyclone destroys Darwin, Australia. * January 8 – Lady Flora Shaw, future wife of Governor General Lord Lugard, officially proposes the name "Nigeria" in a newspaper contest, to be given to the British Niger Coast Protectorate. * January 22 – In this date's issue of the journal ''Engineering'', the word ''computer'' is first used to refer to a mechanical calculation device. * January 23 – Elva Zona Heaster is found dead in Greenbrier County, West Virginia. The resulting murder trial of her husband is perhaps the only capital case in United States history, where spectral evidence helps secure a conviction. * January 31 – The Czechoslovak Trade Union Association is f ...
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Anselmo Colzani
Anselmo Colzani (March 28, 1918 – March 19, 2006) was an Italian operatic baritone who had an international opera career from the late 1940s through 1980. He particularly excelled in the Italian repertory and was most associated with the works of Giuseppe Verdi and Giacomo Puccini. He began his career in Italy in 1947 where he quickly became a regular presence at that country's best opera houses, including La Scala. In the mid-1950s he began appearing at major opera houses throughout Europe and the United States. In 1960 he joined the roster at the Metropolitan Opera where he spent most of his time through 1978. ''Opera News'' commented that while his voice may have "lacked the sheer beauty f other baritones his performances had an Italianate urgency and forthright thrust that were unique, which established himself as a powerful, striking presence." Early life and education Leandro was born in Budrio, near Bologna, Italy into a family of talented amateur musicians. His parents ...
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Turandot
''Turandot'' (; see below) is an opera in three acts by Giacomo Puccini, posthumously completed by Franco Alfano in 1926, and set to a libretto in Italian by Giuseppe Adami and Renato Simoni. ''Turandot'' best-known aria is "Nessun dorma", which became globally popular in the 1990s following Luciano Pavarotti's performance of it for the 1990 FIFA World Cup. Though Puccini first became interested in the subject matter when reading Friedrich Schiller's 1801 adaptation,. ''Freely translated from Schiller by Sabilla Novello:'' . he based his work more closely on the earlier play ''Turandot'' (1762) by Count Carlo Gozzi. The original story is one of the seven stories in the epic ''Haft Peykar''—a work by twelfth-century Persian poet Nizami ( 1141–1209). Nizami aligned his seven stories with the seven days of the week, the seven colors, and the seven planets known in his era. This particular narrative is the story of Tuesday, as told to the king of Iran, Bahram V (), by his c ...
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Aida
''Aida'' (or ''Aïda'', ) is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni. Set in the Old Kingdom of Egypt, it was commissioned by Cairo's Khedivial Opera House and had its première there on 24 December 1871, in a performance conducted by Giovanni Bottesini. Today the work holds a central place in the operatic canon, receiving performances every year around the world; at New York's Metropolitan Opera alone, ''Aida'' has been sung more than 1,100 times since 1886. Ghislanzoni's scheme follows a scenario often attributed to the French Egyptologist Auguste Mariette, but Verdi biographer Mary Jane Phillips-Matz argues that the source is actually Temistocle Solera. Elements of the opera's genesis and sources Isma'il Pasha, Khedive of Egypt, commissioned Verdi to write an opera to celebrate the opening of the Suez Canal, but Verdi declined. However, Auguste Mariette, a French Egyptologist, proposed to Khedive Pasha a plot for a celebratory ...
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La Bohème
''La bohème'' (; ) is an opera in four acts,Puccini called the divisions ''quadri'', ''tableaux'' or "images", rather than ''atti'' (acts). composed by Giacomo Puccini between 1893 and 1895 to an Italian libretto by Luigi Illica and Giuseppe Giacosa, based on ''Scènes de la vie de bohème'' (1851) by Henri Murger. The story is set in Paris around 1830 and shows the Bohemian lifestyle (known in French as "") of a poor seamstress and her artist friends. The world premiere of ''La bohème'' was in Turin on 1 February 1896 at the Teatro Regio, conducted by the 28-year-old Arturo Toscanini. Since then, ''La bohème'' has become part of the standard Italian opera repertory and is one of the most frequently performed operas worldwide. In 1946, fifty years after the opera's premiere, Toscanini conducted a commemorative performance of it on radio with the NBC Symphony Orchestra. A recording of the performance was later released by RCA Victor on vinyl record, tape and compact disc. ...
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Royal Opera House
The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House. The first theatre on the site, the Theatre Royal (1732), served primarily as a playhouse for the first hundred years of its history. In 1734, the first ballet was presented. A year later, the first season of operas, by George Frideric Handel, began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there. The current building is the third theatre on the site, following disastrous fires in 1808 and 1856 to previous buildings. The façade, foyer, and auditorium date from 1858, but almost every other element of the present complex dates from an extensive reconstruction in the 1990s. The main auditorium seats 2,256 people, mak ...
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Theatro Municipal (São Paulo)
Municipal Theatre of São Paulo is a theatre in São Paulo, Brazil. It is regarded as one of the landmarks of the city, significant both for its architectural value as well as for its historical importance, having been the venue for the Week of Modern Art in 1922, which revolutionised the arts in Brazil. The building now houses the São Paulo Municipal Symphonic Orchestra, the ''Coral Lírico'' (Lyric Choir) and the City Ballet of São Paulo. History Design, construction and inauguration The idea of building a representative theatre for the city of São Paulo was inspired by its increasing importance on the international stage. From the beginning of 20th century it was inhabited by the Brazilian bourgeoisie, of which a great part was involved in the business of coffee farming. The city had also quite a large Italian population. So far, the city could only rely on the Teatro São José, which after a fire was no longer suitable for large foreign productions, and more modest theat ...
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Theatro Municipal (Rio De Janeiro)
The Theatro Municipal ("Municipal Theater") is an opera house in the Centro district of Rio de Janeiro, Brazil. Built in the early twentieth century, it is considered to be one of the most beautiful and important theaters in the country. The building is designed in an eclectic style, inspired by the Paris Opéra of Charles Garnier. The outside walls are inscribed with the names of classic European and Brazilian artists. It is located near the National Library and the National Fine Arts Museum, overlooking the spacious Cinelândia square. History In the second half of nineteenth century, theatrical activity was very intense in Rio de Janeiro, then capital of the country. Still, its two theaters, the Lyric and St. Peter, were criticized for their facilities, either by the public or by the companies that worked in them. After the Proclamation of the Republic (1889), in 1894 playwright Artur Azevedo launched a campaign for the building of a new theater to host a local company ...
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Maggio Musicale Fiorentino
The Maggio Musicale Fiorentino (English: Florence Musical May) is an annual Italian arts festival in Florence, including a notable opera festival, under the auspices of the Opera di Firenze. The festival occurs between late April into June annually, typically with four operas. History In April 1933, on 's idea, Vittorio Gui founded the festival, with the aim of presenting contemporary and forgotten operas in visually dramatic productions. It was the first music festival in Italy and the oldest in Europe after the Salzburg Festival. The first opera presented was Verdi's early ''Nabucco'', his early operas then being rarely staged. The first festival's success, which included two performances of Spontini's ''La Vestale'' with Rosa Ponselle, led to it becoming a biennial event in 1937 with the presentation of nine operas. After 1937, it became an annual festival, except during World War II. Performances took place in the Teatro Comunale and Piccolo Teatro, plus the Teatro della Per ...
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Arena Di Verona Festival
Arena di Verona Festival (Verona Arena Festival) is a summer festival of opera, located in the city of Verona Italy. Since 1936, it has been organized under the auspices of an official body, first the Ente Autonomo Spettacoli Lirici Arena di Verona, (Autonomous organization for lyrical productions of the Arena di Verona), and then, following legislation in 1996 and 1998, the Ente Lirico Arena di Verona was transformed into a private foundation, the present-day Arena di Verona Foundation. Opera performances are given in Arena di Verona, an ancient Roman amphitheatre, which was capable of holding 30,000 spectators. Performances traditionally begin at dusk and spectators on the stone seats of the arena bring small candles (the "mocoleto"), which are lit as darkness falls and the performances begin. First opera productions The first operas were performed in 1913 in celebration of the centenary of the birth of Giuseppe Verdi and were produced by the tenor Giovanni Zenatello and the t ...
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