Coronation Of The Virgin (Gentile Da Fabriano)
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Coronation Of The Virgin (Gentile Da Fabriano)
''Coronation of the Virgin'' is a tempera painting by the Italian artist Gentile da Fabriano, executed 1420, now in the Getty Museum. It originated as the front of the a processional banner - the reverse showed '' Saint Francis Receiving the Stigmata'' and is now in Parma. Provenance The painting was commissioned from Gentile da Fabriano, about 1420, as a processional standard banner in holding parades that honored the Virgin Mary for a confraternity based at the church of San Francesco Monastery in Fabriano, the painter's birthplace, he had returned there from Brescia for a few months in spring 1420 before moving on to Florence. It was passed to the Congregation of the Fathers of the Oratory of San Filippo Neri in the same year. Initially the panel was double-sided, but in 1827, the panel was added down at the center to add more two portraits; at the back side was a depiction of the '' Saint Francis Receiving the Stigmata'' that is now in the Fondazione Magnani-Rocca. Ambrog ...
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Gentile Da Fabriano
Gentile da Fabriano ( – 1427) was an Italian painter known for his participation in the International Gothic painter style. He worked in various places in central Italy, mostly in Tuscany. His best-known works are his ''Adoration of the Magi'' from the ''Strozzi Altarpiece'' (1423), and the ''Flight into Egypt''. Following a visit to Florence in the 1419, he came in contact with humanism, which influenced his work throughout the rest of his career. He became highly influential for other painters in Florence, especially because of his use of detail based on the observations he made of the natural world. Bibliography Early life in Fabriano (c. 1370-1400) Gentile (di Niccolò di Massio) da Fabriano was born around 1370 in or near Fabriano, in the Marche. Despite having several family members who took part in different civic and religious organizations in the city, much of Gentile's early life remains undocumented. His mother died some point before 1380, and his father, Niccol ...
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Fondazione Magnani-Rocca
The Magnani-Rocca Foundation is a private collection of old masters and modern art, gathered by the art collector and critic Luigi Magnani. He established the foundation in 1978 honour of his father Giuseppe and his mother Eugenia Rocca to promote art, music and literary activities, though it was only from 1983 that he displayed his art collection to the public. It is housed in the Villa Magnani on via Fondazione Magnani Rocca 4 in Mamiano, a district of Traversetolo in the Province of Parma. The collection includes works by Gentile da Fabriano, Albrecht Dürer, Vittore Carpaccio, Titian, Rubens, Van Dyck, Francisco Goya, Claude Monet, Auguste Renoir, Paul Cézanne, Giorgio Morandi (50 works), Giorgio de Chirico, Filippo de Pisis, Gino Severini, Alberto Burri, Johann Heinrich Füssli, Nicolas de Staël, Lippo di Dalmasio, Filippo Lippi, Domenico Ghirlandaio, Lorenzo Costa, Martin Schongauer as well as sculptures by Antonio Canova and Lorenzo Bartolini Lorenzo Bar ...
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Paintings Of The Coronation Of The Virgin
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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Paintings In The J
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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1420s Paintings
Fourteen or 14 may refer to: * 14 (number), the natural number following 13 and preceding 15 * one of the years 14 BC, AD 14, 1914, 2014 Music * 14th (band), a British electronic music duo * ''14'' (David Garrett album), 2013 *''14'', an unreleased album by Charli XCX * "14" (song), 2007, from ''Courage'' by Paula Cole Other uses * ''Fourteen'' (film), a 2019 American film directed by Dan Sallitt * ''Fourteen'' (play), a 1919 play by Alice Gerstenberg * ''Fourteen'' (manga), a 1990 manga series by Kazuo Umezu * ''14'' (novel), a 2013 science fiction novel by Peter Clines * ''The 14'', a 1973 British drama film directed by David Hemmings * Fourteen, West Virginia, United States, an unincorporated community * Lot Fourteen, redevelopment site in Adelaide, South Australia, previously occupied by the Royal Adelaide Hospital * "The Fourteen", a nickname for NASA Astronaut Group 3 * Fourteen Words, a phrase used by white supremacists and Nazis See also * 1/4 (other) * Fo ...
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Paintings By Gentile Da Fabriano
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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Pastiglia
''Pastiglia'' , an Italian term meaning "pastework", is low relief decoration, normally modelled in gesso or white lead, applied to build up a surface that may then be gilded or painted, or left plain. The technique was used in a variety of ways in Italy during the Renaissance. The term is mostly found in English applied to gilded work on picture frames or small pieces of furniture such as wooden caskets and cassoni, and also on areas of panel paintings, but there is some divergence as to the meaning of the term between these specialisms. On frames and furniture the technique is in origin a cheaper imitation of woodcarving, metalwork or ivory carving techniques. Within paintings, the technique gives areas with a three-dimensional effect, usually those representing inanimate objects, such as foliage decoration on architectural surrounds, halos and details of dress, rather than parts of figures. In white lead pastiglia on caskets, the subject matter is usually classical, with a s ...
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Latin
Latin (, or , ) is a classical language belonging to the Italic branch of the Indo-European languages. Latin was originally a dialect spoken in the lower Tiber area (then known as Latium) around present-day Rome, but through the power of the Roman Republic it became the dominant language in the Italian region and subsequently throughout the Roman Empire. Even after the fall of Western Rome, Latin remained the common language of international communication, science, scholarship and academia in Europe until well into the 18th century, when other regional vernaculars (including its own descendants, the Romance languages) supplanted it in common academic and political usage, and it eventually became a dead language in the modern linguistic definition. Latin is a highly inflected language, with three distinct genders (masculine, feminine, and neuter), six or seven noun cases (nominative, accusative, genitive, dative, ablative, and vocative), five declensions, four verb conjuga ...
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Christogram
A Christogram ( la, Monogramma Christi) is a monogram or combination of letters that forms an abbreviation for the name of Jesus Christ, traditionally used as a Christian symbolism, religious symbol within the Christian Church. One of the oldest Christograms is the Chi-Rho (☧). It consists of the superimposed Greek letters Chi (letter), chi and Rho (letter), rho , which are the first two letters of Greek "Christ". It was displayed on the ''labarum'' military standard used by Constantine I in AD 312. The IX monogram () is a similar form, using the initials of the name "Jesus (the) Christ", as is the IH monogram, ΙΗ monogram (), using the first two letters of the name "JESUS" in uppercase. There were a very considerable number of variants of "Christograms" or monograms of Christ in use during the medieval period, with the boundary between specific monograms and mere scribal abbreviations somewhat fluid. The name ''Jesus'', spelt "ΙΗΣΟΥΣ" in Greek capitals, has the ...
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Halo (religious Iconography)
A halo (from the Greek , ; also known as a nimbus, aureole, glory, or gloriole) is a crown of light rays, circle or disk of light that surrounds a person in art. It has been used in the iconography of many religions to indicate holy or sacred figures, and has at various periods also been used in images of rulers and heroes. In the religious art of Ancient Greece, Ancient Rome, Christianity, Hinduism, and Buddhism among other religions, sacred persons may be depicted with a halo in the form of a circular glow, or flames in Asian art, around the head or around the whole body—this last one is often called a mandorla. Halos may be shown as almost any colour or combination of colours, but are most often depicted as golden, yellow or white when representing light or red when representing flames. Ancient Mesopotamia Sumerian religious literature frequently speaks of (loaned into Akkadian as ), a "brilliant, visible glamour which is exuded by gods, heroes, sometimes by kings, an ...
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Queen Of Heaven
Queen of Heaven ( la, Regina Caeli) is a title given to the Virgin Mary, by Christians mainly of the Catholic Church and, to a lesser extent, in Anglicanism, Lutheranism, and Eastern Orthodoxy. The Catholic teaching on this subject is expressed in the papal encyclical ''Ad Caeli Reginam'', issued by Pope Pius XII in 1954. It states that Mary is called Queen of Heaven because her son, Jesus Christ, is the king of Israel and the heavenly king of the universe; indeed, the Davidic tradition of Israel recognized the mother of the king as the queen mother of Israel. The title "Queen of Heaven" has long been a Catholic tradition, included in prayers and devotional literature and seen in Western art in the subject of the Coronation of the Virgin from the High Middle Ages, long before it was given a formal definition status by the Church. Theological basis Queen of Heaven ( la, Regina Caeli) is one of many Queen titles used of Mary, mother of Jesus. The title derived in part from the ...
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