Cornelis Cort
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Cornelis Cort
Cornelis Cort (c. 1533 – c. 17 March 1578) was a Dutch engraver and draughtsman. He spent the last 12 years of his life in Italy, where he was known as ''Cornelio Fiammingo''. Biography Born in Hoorn or Edam, Cort may have been a pupil of Dirck Volckertsz Coornhert in the 1550s in Haarlem. His first known engravings were published in Antwerp around 1553, though it is thought that he remained working in the Northern Netherlands. The publisher was Hieronymous Cock, under whom Cort may have apprenticed as well. A letter of 1567 from Dominicus Lampsonius to the artist Titian described Cock as Cort's master. Plates, which Cort produced for Cock were inscribed with Cort's name only after he left his apprenticeship with Cock. Cort moved to Venice and lived in the house of Titian in 1565 and 1566. He produced engravings based on Titian's works. Among these are the well-known copperplates of " St Jerome in the Desert", the "Magdalen", "Prometheus", "Diana and Actaeon", and "Diana a ...
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Hans Speckaert - Portrait Of Cornelis Cort
Hans may refer to: __NOTOC__ People * Hans (name), a masculine given name * Hans Raj Hans, Indian singer and politician ** Navraj Hans, Indian singer, actor, entrepreneur, cricket player and performer, son of Hans Raj Hans ** Yuvraj Hans, Punjabi actor and singer, son of Hans Raj Hans * Hans clan, a tribal clan in Punjab, Pakistan Places * Hans, Marne, a commune in France * Hans Island, administrated by Greenland and Canada Arts and entertainment * Hans (film), ''Hans'' (film) a 2006 Italian film directed by Louis Nero * Hans (Frozen), the main antagonist of the 2013 Disney animated film ''Frozen'' * Hans (magazine), ''Hans'' (magazine), an Indian Hindi literary monthly * ''Hans'', a comic book drawn by Grzegorz Rosiński and later by Zbigniew Kasprzak Other uses * Clever Hans, the "wonder horse" * ''The Hans India'', an English language newspaper in India * HANS device, a racing car safety device *Hans, the ISO 15924 code for Simplified Chinese script See also

*Han (disambig ...
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Diana And Actaeon (Titian)
''Diana and Actaeon'' is a painting by the Italian Renaissance master Titian, finished in 1556–1559, and is considered amongst Titian's greatest works. It portrays the moment in which the hunter Actaeon bursts in where the goddess Diana and her nymphs are bathing. Diana is furious, and will turn Actaeon into a stag, who is then pursued and killed by his own hounds, a scene Titian later painted in his ''The Death of Actaeon'' (National Gallery). Diana is the woman on the right side of the painting. She is wearing a crown with a crescent moon on it and is being covered by the dark skinned woman who may be her servant. The nymphs display a variety of reactions, and a variety of nude poses. In 2008–2009, the National Gallery, London and National Galleries of Scotland successfully campaigned to acquire the painting from the Bridgewater Collection for £50 million. As a result, ''Diana and Actaeon'' will remain on display in the UK, and will alternate between the two gal ...
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Raphael
Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. List of works by Raphael, His work is admired for its clarity of form, ease of composition, and visual achievement of the Renaissance Neoplatonism, Neoplatonic ideal of human grandeur. Together with Leonardo da Vinci and Michelangelo, he forms the traditional trinity of great masters of that period. His father was court painter to the ruler of the small but highly cultured city of Urbino. He died when Raphael was eleven, and Raphael seems to have played a role in managing the family workshop from this point. He trained in the workshop of Perugino, and was described as a fully trained "master" by 1500. He worked in or for several cities in north Italy until in 1508 he moved to Rome at the invitation of the pope, to work on the Vatican Palace. He was given a series of important commissions there and elsewhere in the ...
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Stradanus
Stradanus, Johannes Stradanus, Jan van der Straet or Giovanni StradanoMore name variations: Johannes Stradanus, Giovanni della Strada, Johannes della Strada, Giovanni Stradano, Johannes Stradano, Giovanni Stradanus, Johannes Stradanus, Jan van Straeten, Jan van Straten Jan van der Straet
at the
De liggeren en andere historische archieven der Antwerpsche sint Lucasgilde van 1453–1615
edited and published by ...
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Gillis Mostaert
Gillis Mostaert the Elder (27 or 28 November 1528 – 28 December 1598) was a Flemish Renaissance painter and draughtsman active in Antwerp in the second half of the 16th century.Gillis Mostaert
at the
He was a versatile artist who worked in various genres including landscape, and painting.
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Marten Jacobszoon Heemskerk Van Veen
Maarten van Heemskerck or ''Marten Jacobsz Heemskerk van Veen'' (1 June 1498 - 1 October 1574) was a Dutch portrait and religious painter, who spent most of his career in Haarlem. He was a pupil of Jan van Scorel, and adopted his teacher's Italian-influenced style. He spent the years 1532–6 in Italy. He produced many designs for engravers, and is especially known for his depictions of the Wonders of the World. Biography Early life Heemskerck was born in the village of Heemskerk, North Holland, halfway between Alkmaar and Haarlem. He was the son of a farmer called Jacob Willemsz. van Veen. According to his biography by Karel van Mander, he began his artistic training with the painter Cornelius Willemsz in Haarlem, but was recalled to Heemskerk by his father to work on the family farm. However, having contrived an argument with his father he left again, this time for Delft, where he studied under Jan Lucasz, before moving on to Haarlem, where he became a pupil of Jan van Scorel ...
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Frans Floris
Frans Floris, Frans Floris the Elder or Frans Floris de Vriendt (17 April 15191 October 1570) was a Flemish painter, draughtsman, print artist and tapestry designer. He is mainly known for his history paintings, allegorical scenes and portraits.Frans Floris
at the Netherlands Institute for Art History
He played an important role in the movement in Northern Renaissance painting referred to as . The Romanists had typically travelled to Italy to study the works of leading Italian Hig ...
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Michael Coxcie
Michiel Coxie the Elder, Michiel Coxcie the Elder or Michiel van Coxcie, Latinised name ''Coxius''Michiel Coxie (I)
at the
(1499 – 3 March 1592), was a of altarpieces and portraits, a draughtsman and a designer of stained-glass windows, tapestries and prints. He worked for patrons in the principal cities of Flanders. He became the court painter to successively Emperor

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Nicolaes De Bruyn
Nicolaes de Bruyn (Antwerp, 1571 - Rotterdam, 1656)Biographical details
at the was a engraver, who after training in Antwerp was active in the . De Bruyn was the son of the sugar manufacturer Jan de Bruyn and nephew of the engraver

Agostino Carracci
Agostino Carracci (or Caracci) (16 August 1557 – 22 March 1602) was an Italian painter, printmaker, tapestry designer, and art teacher. He was, together with his brother, Annibale Carracci, and cousin, Ludovico Carracci, one of the founders of the Accademia degli Incamminati (Academy of the Progressives) in Bologna. This teaching academy promoted the Carracci emphasized drawing from life. It promoted progressive tendencies in art and was a reaction to the Mannerist distortion of anatomy and space.Agostino Carracci
at Getty
The academy helped propel painters of the School of Bologna to prominence.


Life

Agostino Carracci was born in

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Burin (engraving)
A burin ( ) is a steel cutting tool used in engraving, from the French ''burin'' (cold chisel). Its older English name and synonym is graver. Etymology The term ''burin'' refers to a tool used by engravers that has a thin, pointed blade and it used to etch or cut. The first known use of the word dates back to France in the mid-1600s when the term was coined for the tool we know today. Design The burin consists of a rounded handle shaped like a mushroom, and a tempered steel shaft, coming from the handle at an angle, and ending in a very sharp cutting face. The most ubiquitous types have a square or lozenge face, a high-end repertoire has many others. A tint burin consists of a square face with teeth, to create many fine, closely spaced lines. A stipple tool allows for the creation of fine dots. A flat burin consists of a rectangular face, and is used for cutting away large portions of material at a time. The earliest uses of a burin come from the Lower Paleolithic era, t ...
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