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Corneille
Pierre Corneille (; 6 June 1606 – 1 October 1684) was a French tragedian. He is generally considered one of the three great seventeenth-century French dramatists, along with Molière and Racine. As a young man, he earned the valuable patronage of Cardinal Richelieu, who was trying to promote classical tragedy along formal lines, but later quarrelled with him, especially over his best-known play, ''Le Cid'', about a medieval Spanish warrior, which was denounced by the newly formed ''Académie française'' for breaching the unities. He continued to write well-received tragedies for nearly forty years. Biography Early years Corneille was born in Rouen, Normandy, France, to Marthe Le Pesant and Pierre Corneille, a distinguished lawyer. His younger brother, Thomas Corneille, also became a noted playwright. He was given a rigorous Jesuit education at the ''Collège de Bourbon'' (Lycée Pierre-Corneille since 1873), where acting on the stage was part of the training. At 18 he be ...
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Corneille Cour Napoleon Louvre
Pierre Corneille (; 6 June 1606 – 1 October 1684) was a French tragedian. He is generally considered one of the three great seventeenth-century French dramatists, along with Molière and Racine. As a young man, he earned the valuable patronage of Cardinal Richelieu, who was trying to promote classical tragedy along formal lines, but later quarrelled with him, especially over his best-known play, ''Le Cid'', about a medieval Spanish warrior, which was denounced by the newly formed ''Académie française'' for breaching the unities. He continued to write well-received tragedies for nearly forty years. Biography Early years Corneille was born in Rouen, Normandy, France, to Marthe Le Pesant and Pierre Corneille, a distinguished lawyer. His younger brother, Thomas Corneille, also became a noted playwright. He was given a rigorous Jesuit education at the ''Collège de Bourbon'' (Lycée Pierre-Corneille since 1873), where acting on the stage was part of the training. At 18 he be ...
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Thomas Corneille
Thomas Corneille (20 August 1625 – 8 December 1709) was a French lexicographer and dramatist. Biography Born in Rouen some nineteen years after his brother Pierre, the "great Corneille", Thomas's skill as a poet seems to have shown itself early. At the age of fifteen he composed a play in Latin which was performed by his fellow-pupils at the Jesuit school in Rouen, the Collège de Bourbon (now the Lycée Pierre Corneille). His first play in the French language, ''Les Engagements du hasard'', was probably first performed at the Hôtel de Bourgogne in 1647, although not published until 1656. ''Le Feint Astrologue'', imitated from the Spanish of Pedro Calderón de la Barca, and itself imitated in Dryden's ''An Evening's Love'', came the following year. After his brother's death, Thomas succeeded his vacant chair in the Académie française. He then turned his attention to philology, producing a new edition of the ''Remarques'' of CF Vaugelas in 1687. His ''Le Dictionnaire d ...
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Le Cid
''Le Cid'' is a five-act French tragicomedy written by Pierre Corneille, first performed in December 1636 at the Théâtre du Marais in Paris and published the same year. It is based on Guillén de Castro's play ''Las Mocedades del Cid''. Castro's play in turn is based on the legend of El Cid. An enormous popular success, Corneille's ''Le Cid'' was the subject of a heated polemic over the norms of dramatic practice known as the '' Querelle du Cid'' (Quarrel of ''The Cid''). Cardinal Richelieu's ''Académie française'' acknowledged the play's success, but determined that it was defective, in part because it did not respect the classical unities. Today, ''Le Cid'' is widely regarded as Corneille's finest work, and is considered one of the greatest plays of the seventeenth century. Background The stories of the Cid are based on the life of the Spanish warrior Rodrigo Díaz de Vivar, who lived approximately from 1043 until 1099. The real "Cid" seems to have fought for both Muslim ...
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Lycée Pierre-Corneille
The Lycée Pierre-Corneille (also known as the Lycée Corneille) is a state secondary school located in the city of Rouen, France. Originally founded by the Jesuits in 1593, the school was secularized following the 1905 French law on the Separation of the Churches and the State, and is today non-religious and ruled by the French Ministry of Education. The school adopted the name of the playwright ''Pierre Corneille'' in 1873, and was classified as a national heritage site in December 1985. Origins The Protestant Reformation of the 16th century led the Archbishop of Rouen, Charles, Cardinal de Bourbon, to protect the influence of the Catholic Church by creating a school to educate the children of the aristocracy and bourgeoisie ''in accordance with the purest doctrinal principles of Roman Catholicism''. The school started teaching in 1593 run by the Jesuits and known initially as the ''Collège de Bourbon''. From 1595 to 1604 teaching ceased because of Jesuit expulsions. Betwee ...
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Mélite
''Mélite'', or ''The False Letters'', is a comedy in five acts by Pierre Corneille. Written in 1625, it is Corneille's first play and debuted on stage in December 1629 in Berthaud’s Jeu de paume court, and was performed by the acting troupe of Montdory. ''Mélite'' represents Corneille’s creation of a new genre, the comedy of manners, which was a departure from the coarse or buffoonish farce in vogue at the time. Plot It is said Corneille based his play on an actual event he witnessed.Charles Henry Conrad Wright, ''A history of French literature'' (Oxford university press, American branch, 1912), 310. The plot turns on “the misunderstandings of lovers misled by false letters.” Éraste is in love with Mélite. When Éraste introduces Mélite to his friend Tircis, Mélite falls in love with Tircis. As a result, Éraste forges some love letter A love letter is an expression of love in written form. However delivered, the letter may be anything from a short and ...
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Jean Rotrou
Jean Rotrou (21 August 1609 – 28 June 1650) was a French poet and tragedian. Life Rotrou was born at Dreux, city of the current department of Eure-et-Loir, in Centre-Val de Loire region. He studied at Dreux and at Paris, and, though three years younger than Pierre Corneille, began writing before him. In 1632, he became playwright to the actors of the Hôtel de Bourgogne. (This hall is the setting for the first act of Rostand's play ''Cyrano de Bergerac'', and Rotrou's name is mentioned - as is Corneille's) With few exceptions, the only events recorded of Rotrou's life are the successive appearances of his plays, and his enrolment in 1635 in the band of five poets who had the duty of turning Richelieu's dramatic ideas into shape. Rotrou's own first piece, ''L'Hypocondriaque'' (first published in 1631, probably staged in 1628; critical edition by JC Vuillemin roz, 1999, dedicated to the Comte de Soissons, seigneur of Dreux, appeared when he was only eighteen. In the same year h ...
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Rouen
Rouen (, ; or ) is a city on the River Seine in northern France. It is the prefecture of the Regions of France, region of Normandy (administrative region), Normandy and the Departments of France, department of Seine-Maritime. Formerly one of the largest and most prosperous cities of Middle Ages, medieval Europe, the population of the metropolitan area (french: functional area (France), aire d'attraction) is 702,945 (2018). People from Rouen are known as ''Rouennais''. Rouen was the seat of the Exchequer of Normandy during the Middle Ages. It was one of the capitals of the Anglo-Normans, Anglo-Norman dynasties, which ruled both England and large parts of modern France from the 11th to the 15th centuries. From the 13th century onwards, the city experienced a remarkable economic boom, thanks in particular to the development of textile factories and river trade. Claimed by both the French and the English during the Hundred Years' War, it was on its soil that Joan of Arc was tried ...
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Rouen - Maison Natale De Pierre Corneille 03
Rouen (, ; or ) is a city on the River Seine in northern France. It is the prefecture of the region of Normandy and the department of Seine-Maritime. Formerly one of the largest and most prosperous cities of medieval Europe, the population of the metropolitan area (french: aire d'attraction) is 702,945 (2018). People from Rouen are known as ''Rouennais''. Rouen was the seat of the Exchequer of Normandy during the Middle Ages. It was one of the capitals of the Anglo-Norman dynasties, which ruled both England and large parts of modern France from the 11th to the 15th centuries. From the 13th century onwards, the city experienced a remarkable economic boom, thanks in particular to the development of textile factories and river trade. Claimed by both the French and the English during the Hundred Years' War, it was on its soil that Joan of Arc was tried and burned alive on 30 May 1431. Severely damaged by the wave of bombing in 1944, it nevertheless regained its economic dynamism ...
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Jean Racine
Jean-Baptiste Racine ( , ) (; 22 December 163921 April 1699) was a French dramatist, one of the three great playwrights of 17th-century France, along with Molière and Corneille as well as an important literary figure in the Western tradition and world literature. Racine was primarily a tragedian, producing such "examples of neoclassical perfection" as ''Phèdre'', ''Andromaque'', and ''Athalie''. He did write one comedy, '' Les Plaideurs'', and a muted tragedy, ''Esther'' for the young. Racine's plays displayed his mastery of the dodecasyllabic (12 syllable) French alexandrine. His writing is renowned for its elegance, purity, speed, and fury, and for what American poet Robert Lowell described as a "diamond-edge", and the "glory of its hard, electric rage". Racine's dramaturgy is marked by his psychological insight, the prevailing passion of his characters, and the nakedness of both plot and stage. Biography Racine was born on 21 December 1639 in La Ferté-Milon ( Aisne) ...
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Médée
''Médée'' is a dramatic tragedy in five acts written in alexandrine verse by Pierre Corneille in 1635. Summary The heroine of the play is the sorceress Médée. After Médée gives Jason twin boys, Jason leaves her for Creusa. Médée exacts her revenge on her husband by burning his new spouse and slitting the throats of her two children. The final act of the play ends with Médée's escape in a chariot pulled by two dragons, and Jason's suicide. ''Médée'' (1635) in Pierre Corneille's career ''Médée'' was Corneille's first tragedy. This tragedy was performed for the first time in 1635 by the Marais troupe, the rival of the hôtel de Bourgogne. During its installation at the Théâtre du Marais, the play's reception was lukewarm. Furthermore, the performances of ''Médée'' followed Corneille's expulsion from the prestigious group of five authors. The playwright no longer had the protection of Richelieu, who, resentful, greeted Corneille's first tragedy with di ...
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Tragedy
Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain hatawakens pleasure", for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only a fra ...
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Tragedy
Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain hatawakens pleasure", for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only a fra ...
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