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Convento De La Purísima Concepción, Toledo
The Convento de la Purísima Concepción, also called Convento de Capuchinas, is a convent located in the city of Toledo, in Castile-La Mancha, Spain. The buildings are late 17th century although the institution developed from an earlier Augustinian community. The chapel was completed by 1671, the year in which it was consecrated; and by 1677, the year when the convent's patron Cardinal Don Pascual de Aragón died, the works of the conventual dependencies were practically finished. Description of church Although the transept of the church's crossing, protrudes somewhat laterally, the layout cannot be described as a Latin cross. It is essentially rectangular, with a single nave divided in three sections: the crossing, the greater chapel and the choir, high, at the feet, on a wide lowered arch. The nave and the main chapel have half barrel vault ceilings and lunettes; in the transept is a dome on (pendentives), without drum and with blind lantern. On a base of ashlar m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Convento De Capuchinas Toledo 01 ...
A convent is a community of priests, religious brothers, religious sisters or nuns, or the building used by such a community. Convent or convento may also refer to: Places * Convent, Louisiana, U.S. * Convent Gallery, an art museum in Australia * Convento Building (Mission San Fernando), on the U.S. National Register of Historic Places * Hotel El Convento, a hotel in Puerto Rico * Convento, a town in Piedmont, Italy Schools * Dominican Convent High School, Harare, Zimbabwe * Dominican Convent High School, Bulawayo, Zimbabwe * Dominican Convent Primary School, Bulawayo, Zimbabwe * Dominican Convent Primary School, Harare, Zimbabwe Other uses * Convent (band), a project of Emilie Autumn See also * The Convent (other) The Convent may refer to: * The Convent (Gibraltar) The Convent has been the official residence of the governor of Gibraltar since 1728. It was originally a convent of Franciscan friars, hence its name, and was built in 1531, and heavily rebuilt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pendentive
In architecture, a pendentive is a constructional device permitting the placing of a circular dome over a square room or of an elliptical dome over a rectangular room. The pendentives, which are triangular segments of a sphere, taper to points at the bottom and spread at the top to establish the continuous circular or elliptical base needed for a dome. In masonry the pendentives thus receive the weight of the dome, concentrating it at the four corners where it can be received by the piers beneath. Prior to the pendentive's development, builders used the device of corbelling or squinches in the corners of a room. Pendentives commonly occurred in Orthodox, Renaissance, and Baroque churches, with a drum with windows often inserted between the pendentives and the dome. The first experimentation with pendentives began with Roman dome construction in the 2nd–3rd century AD, while full development of the form came in the 6th-century Eastern Roman Hagia Sophia at Constantinople. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferdinand III Of Castile
Ferdinand III ( es, Fernando, link=no; 1199/120130 May 1252), called the Saint (''el Santo''), was King of Castile from 1217 and King of León from 1230 as well as King of Galicia from 1231. He was the son of Alfonso IX of León and Berenguela of Castile. Through his second marriage he was also Count of Aumale. Ferdinand III was one of the most successful kings of Castile, securing not only the permanent union of the crowns of Castile and León, but also masterminding the most expansive southward territorial expansion campaign yet in the Guadalquivir Valley, in which Islamic rule was in disarray in the wake of the decline of the Almohad presence in the Iberian Peninsula. By military and diplomatic efforts, Ferdinand greatly expanded the dominions of Castile by annexing the Guadalquivir river valley in the south of the Iberian Peninsula, establishing the boundaries of the Castilian state for the next two centuries. New territories included important cities such as Baeza, Úbeda, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simón De León Leal
Simón de León Leal (1610–1687) was a Spanish painter of the Baroque period. He was born in Madrid to Diego de León Leal (originally from the Principality of Catalonia) and Juana de Durán (according to Palomino). He was a pupil of Pedro de Las Cuevas. He was known for both portraits and history paintings. For the Premonstratensian Friars he painted an altarpiece representing ''Saint Norbert triumphing over Heresy'' and a ''St. Norbert receiving vestments from the hands of the Virgin.'' For the church of the Noviciado Gesuita he painted an altarpiece of scenes from the ''Infancy of Christ,'' and for the church of the Capuchins, an ''Immaculate Conception.'' He was appointed painter to the queen. He died in Madrid. References *Antonio Palomino, ''An account of the lives and works of the most eminent Spanish painters, sculptors and architects ''An account of the lives and works of the most eminent Spanish painters, sculptors and architects'' is a book written by the Spanish ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cloister
A cloister (from Latin ''claustrum'', "enclosure") is a covered walk, open gallery, or open arcade running along the walls of buildings and forming a quadrangle or garth. The attachment of a cloister to a cathedral or church, commonly against a warm southern flank, usually indicates that it is (or once was) part of a monastic foundation, "forming a continuous and solid architectural barrier... that effectively separates the world of the monks from that of the serfs and workmen, whose lives and works went forward outside and around the cloister." Cloistered (or ''claustral'') life is also another name for the monastic life of a monk or nun. The English term ''enclosure'' is used in contemporary Catholic church law translations to mean cloistered, and some form of the Latin parent word "claustrum" is frequently used as a metonymic name for ''monastery'' in languages such as German. History of the cloister Historically, the early medieval cloister had several antecedents: the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gospel Side
Gospel originally meant the Christian message ("the gospel"), but in the 2nd century it came to be used also for the books in which the message was set out. In this sense a gospel can be defined as a loose-knit, episodic narrative of the words and deeds of Jesus, culminating in his trial and death and concluding with various reports of his post-resurrection appearances. Modern scholars are cautious of relying on the gospels uncritically, but nevertheless, they provide a good idea of the public career of Jesus, and critical study can attempt to distinguish the original ideas of Jesus from those of the later authors. The four canonical gospels were probably written between AD 66 and 110. All four were anonymous (with the modern names added in the 2nd century), almost certainly none were by eyewitnesses, and all are the end-products of long oral and written transmission. Mark was the first to be written, using a variety of sources. The authors of Matthew and Luke both independent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francisco Rizi
Francisco Rizi, or Francisco Ricci de Guevara (9 April 1614 – 2 August 1685) was a Spanish painter of Italian ancestry. Biography He was born in Madrid. His father, Antonio Ricci, was an Italian painter, originally from Ancona, who had come to Spain in 1583 to do decorative work at El Escorial. His brother, Juan, also became a painter. After beginning his apprenticeship in his father's workshop, he studied with Vicente Carducho, who was also of Italian origin. Thanks to Carducho's influence, he was able to make contacts at the Royal Court in 1634. After Carducho's death in 1638, he joined with several other painters to create decorations for the Golden Salon at the Royal Alcázar of Madrid. These were destroyed in the Great Fire of 1734. Between 1640 and 1649, he became one of the earliest painters in Spain to adopt the Baroque style. A notable example is the large altarpiece made for the Capuchins, in a style reminiscent of Pieter Paul Rubens or Anthony van Dyck. In 1649 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grille (architecture)
A grille or grill ( French word from Latin ''craticula'', small grill) is an opening of several slits side-by-side in a wall, metal sheet or another barrier, usually to allow air or water to enter and/or leave and prevent larger objects (such as animals) from going in or out. A similar definition is "a French term for an enclosure in either iron or bronze." Register vs. grille In heating, cooling, ventilation, or a combination thereof, a grille is a perforated cover for an air duct. Grilles sometimes have louvers which allow the flow of air to be directed. A register differs from a grille in that a damper is included. However, in practice, the terms "grille", "register", and "return" are often used interchangeably, and care must be taken to determine the meaning of the term used. Grillwork Grillwork is decorative grating of metal, wood, stone, or other material used as a screen, divider, barrier, or as a purely decorative element. It may function as a window, either w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epistle Side
In the liturgical traditions of Western Christianity, the Epistle side is the term used to designate the side of a church on which the Epistle is read during a church service. It is the right-hand side of the chancel as viewed by the congregation from the nave. The Gospel side is the other side of the chancel, where the Gospel is read. Facing the altar from the nave, it is the left-hand side. In some places, especially if a comment is based on a romance language source, the Gospel side will be cited as the Evangelist side. In Lutheran and many Anglican churches, a pulpit is found on the Gospel side (the side left of the altar) from which the pastor reads the Gospel and preaches the sermon; a lectern is found on the Epistle side (the side right of the altar) from which readers read aloud the other Scripture lessons, such as the Epistle. The same occurs in Methodist parishes with a divided chancel though not in Methodist parishes designed with a pulpit-centered chancel that featur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chancel
In church architecture, the chancel is the space around the altar, including the choir and the sanctuary (sometimes called the presbytery), at the liturgical east end of a traditional Christian church building. It may terminate in an apse. Overview The chancel is generally the area used by the clergy and choir during worship, while the congregation is in the nave. Direct access may be provided by a priest's door, usually on the south side of the church. This is one definition, sometimes called the "strict" one; in practice in churches where the eastern end contains other elements such as an ambulatory and side chapels, these are also often counted as part of the chancel, especially when discussing architecture. In smaller churches, where the altar is backed by the outside east wall and there is no distinct choir, the chancel and sanctuary may be the same area. In churches with a retroquire area behind the altar, this may only be included in the broader definition of chancel. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cornice
In architecture, a cornice (from the Italian ''cornice'' meaning "ledge") is generally any horizontal decorative moulding that crowns a building or furniture element—for example, the cornice over a door or window, around the top edge of a pedestal, or along the top of an interior wall. A simple cornice may be formed just with a crown, as in crown moulding atop an interior wall or above kitchen cabinets or a bookcase. A projecting cornice on a building has the function of throwing rainwater free of its walls. In residential building practice, this function is handled by projecting gable ends, roof eaves and gutters. However, house eaves may also be called "cornices" if they are finished with decorative moulding. In this sense, while most cornices are also eaves (overhanging the sides of the building), not all eaves are usually considered cornices. Eaves are primarily functional and not necessarily decorative, while cornices have a decorative aspect. A building's projecti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Capital (architecture)
In architecture the capital (from the Latin ''caput'', or "head") or chapiter forms the topmost member of a column (or a pilaster). It mediates between the column and the load thrusting down upon it, broadening the area of the column's supporting surface. The capital, projecting on each side as it rises to support the abacus, joins the usually square abacus and the usually circular shaft of the column. The capital may be convex, as in the Doric order; concave, as in the inverted bell of the Corinthian order; or scrolling out, as in the Ionic order. These form the three principal types on which all capitals in the classical tradition are based. The Composite order established in the 16th century on a hint from the Arch of Titus, adds Ionic volutes to Corinthian acanthus leaves. From the highly visible position it occupies in all colonnaded monumental buildings, the capital is often selected for ornamentation; and is often the clearest indicator of the architectural orde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
