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Contempt (film)
''Contempt'' (french: Le Mépris, link=no) is a 1963 French New Wave drama film written and directed by Jean-Luc Godard, based on the 1954 Italian novel ''Il disprezzo'' (''A Ghost at Noon'') by Alberto Moravia. It stars Brigitte Bardot, Michel Piccoli, Jack Palance, and Giorgia Moll. Plot Paul Javal, a young French playwright who has found commercial success in Rome, accepts an offer from vulgar American producer Jeremy Prokosch to rework the script for German director Fritz Lang's screen adaptation of the ''Odyssey''. Paul's wife, Camille Javal, joins him on the first day of the project at Cinecittà. As the first discussions are completed, Prokosch invites the crew to join him at his villa, offering Camille a ride in his two-seat sportscar. Camille looks to Paul to decline the offer, but he submissively withdraws to follow by taxi, leaving Camille and Prokosch alone. Paul does not catch up with them until 30 minutes later, explaining that he was delayed by a traffic accident. C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Luc Godard
Jean-Luc Godard ( , ; ; 3 December 193013 September 2022) was a French-Swiss film director, screenwriter, and film critic. He rose to prominence as a pioneer of the French New Wave film movement of the 1960s, alongside such filmmakers as François Truffaut, Agnès Varda, Éric Rohmer, and Jacques Demy. He was arguably the most influential French filmmaker of the post-war era. According to AllMovie, his work "revolutionized the motion picture form" through its experimentation with narrative, continuity editing, continuity, film sound, sound, and cinematography, camerawork. His most acclaimed films include ''Breathless (1960 film), Breathless'' (1960), ''Vivre sa vie'' (1962), ''Contempt (film), Contempt'' (1963), ''Bande à part (film), Band of Outsiders'' (1964), ''Alphaville (film), Alphaville'' (1965), ''Pierrot le Fou'' (1965), ''Masculin Féminin'' (1966), ''Weekend (1967 film), Weekend'' (1967), and ''Goodbye to Language'' (2014). During his early career as a film critic f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drama Film
In film and television, drama is a category or genre of narrative fiction (or semi-fiction) intended to be more serious than humorous in tone. Drama of this kind is usually qualified with additional terms that specify its particular super-genre, macro-genre, or micro-genre, such as soap opera, police crime drama, political drama, legal drama, historical drama, domestic drama, teen drama, and comedy-drama (dramedy). These terms tend to indicate a particular setting or subject-matter, or else they qualify the otherwise serious tone of a drama with elements that encourage a broader range of moods. To these ends, a primary element in a drama is the occurrence of conflict—emotional, social, or otherwise—and its resolution in the course of the storyline. All forms of cinema or television that involve fictional stories are forms of drama in the broader sense if their storytelling is achieved by means of actors who represent ( mimesis) characters. In this broader sense, drama ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Rozier
Jacques Rozier (; 10 November 1926) is a French film director and screenwriter. He is one of the lesser known members of the French New Wave movement and has collaborated with Jean-Luc Godard. Three of his films have been screened at the Cannes Film Festival. In 1978, he was a member of the jury at the 28th Berlin International Film Festival. Filmography Features * 1963 ''Adieu Philippine'' * 1973 '' Du Cote D'Orouet'' * 1976 '' The Castaways of Turtle Island'' * 1985 '' Maine-Ocean Express'' ( Prix Jean Vigo) * 2001 ''Fifi Martingale'' * 2007 ''The Blue Parrot'' Shorts and TV work * '' Comment devenir cinéaste sans se prendre la tête'' (1995) * '' Revenez plaisirs exilés! (Alceste)'' (TV) (1992) * '' Joséphine en tournée'' (TV) (1990) * '' Lettre d'un cinéaste: Jacques Rozier'' (TV: episode of '' Cinéma cinémas'') (1983) * '' Lettre de la Sierra Morena'' (1983) * '' Nono Nénesse'' (1976) * ''Jean Vigo'' (TV: episode of '' Cinéastes de notre temps'') (1964) * '' Ni f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luc Moullet
Luc Moullet (; born 14 October 1937 in Paris) is a French film critic and filmmaker, and a member of the Nouvelle Vague or French New Wave. Moullet's films are known for their humor, anti-authoritarian leanings and rigorously primitive aesthetic, which is heavily influenced by his love of American B-movies. Though such influential filmmakers and critics as Jean-Luc Godard, Jean-Marie Straub, Jacques Rivette and Jonathan Rosenbaum have consistently praised his work, he has never found commercial success, even in his native France. Moullet is known to frequently act in his movies. Early life, criticism and the French New Wave Moullet began writing for ''Cahiers du cinéma'' at the age of eighteen, where he was an early champion of the films of Samuel Fuller. Though reportedly initially disliked by François Truffaut, the brash critic found a defender in a young Jean-Luc Godard. In one of his articles for the ''Cahiers'' (published in the March 1959) Moullet stated that "Morality ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monica Vitti
Monica Vitti (born Maria Luisa Ceciarelli; 3 November 1931 – 2 February 2022) was an Italian actress who starred in several award-winning films directed by Michelangelo Antonioni during the 1960s. After working with Antonioni, Vitti changed focus and began making comedies, working with director Mario Monicelli on many other films. She appeared with Marcello Mastroianni, Alain Delon, Richard Harris, Terence Stamp, and Dirk Bogarde. On her death, Italian culture minister Dario Franceschini called her "the Queen of Italian cinema". Vitti won five David di Donatello Awards for Best Actress, seven Italian Golden Globes for Best Actress, the Career Golden Globe, and the Venice Film Festival Career Golden Lion Award. Early life Born Maria Luisa Ceciarelli in Rome on 3 November 1931 to Adele (née Vittiglia) and Angelo Ceciarelli. She took her stage name from her mother's maiden name. Vitti acted in amateur productions as a teenager, then trained as an actress at Rome's National Ac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
