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Conjunto Rumbavana
Conjunto Rumbavana is a Cuban band founded in 1955, directed by pianist Joseíto González. Its repertoire included popular music like bolero, guaracha, chachachá, son montuno, conga, and danzón Danzón is the official musical genre and dance of Cuba.Urfé, Odilio 1965. ''El danzón''. La Habana. It is also an active musical form in Mexico and Puerto Rico. Written in time, the danzón is a slow, formal partner dance, requiring se .... Singers have included Guido Soto, Oreste Macias, Fernando Alvarez, Raul Plana, Onelio, Ricardito, and Lino Borge. Cuban musical groups Son conjuntos {{Caribbean-band-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cuba
Cuba ( , ), officially the Republic of Cuba ( es, República de Cuba, links=no ), is an island country comprising the island of Cuba, as well as Isla de la Juventud and several minor archipelagos. Cuba is located where the northern Caribbean Sea, Gulf of Mexico, and Atlantic Ocean meet. Cuba is located east of the Yucatán Peninsula (Mexico), south of both the American state of Florida and the Bahamas, west of Hispaniola ( Haiti/Dominican Republic), and north of both Jamaica and the Cayman Islands. Havana is the largest city and capital; other major cities include Santiago de Cuba and Camagüey. The official area of the Republic of Cuba is (without the territorial waters) but a total of 350,730 km² (135,418 sq mi) including the exclusive economic zone. Cuba is the second-most populous country in the Caribbean after Haiti, with over 11 million inhabitants. The territory that is now Cuba was inhabited by the Ciboney people from the 4th millennium BC with the Gua ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseíto González
Joseíto González (November 1, 1940 – April 3, 1997) was a Cuban pianist and director of Conjunto Rumbavana. He was a teacher of Adalberto Álvarez and a member of the late Orquesta Riverside. Biography Born in Matanzas on November 1, 1940, his family moved to Marianao (Havana) when he was four years old. He started learning music when he was six years old, taking up the trumpet and the saxophone; in 1950 he began his piano studies at the Marianao Municipal Conservatory. After graduating, he joined the Conjunto Ritmo y Melodía, which played at the Cabaret Pennsylvania.Dalmace, PatrickJoseíto González ''Montuno Cubano''. In the early 1960s, he started collaborating with the Conjunto Rumbavana, for which he did some arrangements. He soon became the band's pianist and director. His arrangements and Raúl Planas' vocals made the Rumbavana one of Cuba's most successful conjuntos of the 1960s and 1970s.Díaz Ayala, Cristóbal. "Conjunto Rumbavana", Discography of Cuban Mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bolero
Bolero is a genre of song which originated in eastern Cuba in the late 19th century as part of the trova tradition. Unrelated to the older Spanish dance of the same name, bolero is characterized by sophisticated lyrics dealing with love. It has been called the "quintessential Latin American romantic song of the twentieth century". Unlike the simpler, thematically diverse ''canción'', bolero did not stem directly from the European lyrical tradition, which included Italian opera and canzone, popular in urban centers like Havana at the time. Instead, it was born as a form of romantic folk poetry cultivated by a new breed of troubadour from Santiago de Cuba, the ''trovadores''. Pepe Sánchez is considered the father of this movement and the author of the first bolero, "Tristezas", written in 1883. Originally, boleros were sung by individual ''trovadores'' while playing guitar. Over time, it became common for trovadores to play in groups as ''dúos'', ''tríos'', ''cuartetos'', etc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guaracha
The guaracha () is a genre of music that originated in Cuba, of rapid tempo and comic or picaresque lyrics. The word had been used in this sense at least since the late 18th and early 19th century. Guarachas were played and sung in musical theatres and in low-class dance salons. They became an integral part of bufo comic theatre in the mid-19th century. During the later 19th and the early 20th century the guaracha was a favourite musical form in the brothels of Havana. The guaracha survives today in the repertoires of some trova musicians, conjuntos and Cuban-style big bands. Early uses of the word Though the word may be historically of Spanish origin, its use in this context is of indigenous Cuban origin. These are excerpts from reference sources, in date order: A Latin American carol "Convidando esta la noche" dates from at least the mid 17th century and both mentions and is a guaracha. It was composed or collected by Juan Garcia de Zespedes, 1620-1678, Puebla, Mexico. This i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Son Montuno
Son montuno is a subgenre of son cubano developed by Arsenio Rodríguez in the 1940s. Although ''son montuno'' ("mountain sound") had previously referred to the ''sones'' played in the mountains of eastern Cuba, Arsenio repurposed the term to denote a highly sophisticated approach to the genre in which the montuno section contained complex horn arrangements. He also incorporated piano solos and often subverted the structure of songs by starting with the montuno in a cyclic fashion. For his approach, Arsenio had to expand the existing ''septeto'' ensemble into the ''conjunto'' format which became the norm in the 1940s alongside big bands. Arsenio's developments eventually served as the template for the development of genres such as salsa, songo and timba. Background Son cubano developed in the late 19th century and soon became the most important genre of Cuban popular music. In addition, it is perhaps the most flexible of all forms of Latin American music, and is the foundation o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conga Music
The term conga refers to the music groups within Cuban comparsas and the music they play. Comparsas are large ensembles of musicians, singers and dancers with a specific costume and choreography which perform in the street carnivals of Santiago de Cuba and Havana.Millet, José and Brea Rafael 1989. Del carnival santiaguero: congas y paseos. In Oscar Ruiz Miyares (ed) ''Guía cultural de Santiago de Cuba''. The instrumentation differs between ''congas santiagueras'' and ''congas habaneras''. ''Congas santiagueras'' include the ''Trompeta china, corneta china'' (Chinese cornet), which is an adaptation of the Cantonese suona introduced in Oriente Province, Oriente in 1915, and its percussion section comprises bocúes (similar to African ashiko drums), the quinto (drum), quinto (highest pitched conga drum), galletas and the pilón, as well as brakes which are struck with metal sticks. ''Congas habaneras'' lack the ''corneta china'' but include trumpets, trombones and saxophones, and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
